Academe in Mystery and Detective Fiction


Book Description

This bibliography provides citations for and annotations of 486 full- length works detective or mystery fiction that are either set on a college campus, or else feature key characters acting in their academic roles off-campus. Annotations include plot summaries (with special emphasis on the academic content) and biographical information on the author. Entries are listed chronologically by the first date of publication. They are indexed by author, by title, by character, and by college. A brief annotated bibliography of books, journal issues, and essays about college mysteries is also included. Annotation copyrighted by Book News Inc., Portland, OR




The Accidental


Book Description

Filled with the bestselling, award-winning author's trademark wordplay and inventive storytelling, here is the dizzyingly entertaining, wickedly humorous story of a mysterious stranger whose sudden appearance during a family’s summer holiday transforms four variously unhappy people. Each of the Smarts—parents Eve and Michael, son Magnus, and the youngest, daughter Astrid—encounter Amber in his or her own solipsistic way, but somehow her presence allows them to see their lives (and their life together) in a new light. Smith’s narrative freedom and exhilarating facility with language propel the novel to its startling, wonderfully enigmatic conclusion.




Narratives of Enclosure in Detective Fiction


Book Description

The locked room mystery is one of the iconic creations of popular fiction. Michael Cook's critical study reveals how this archetypal form of the puzzle story has had a significant effect in shaping the immensely popular genre of detective fiction. The book includes analysis of texts from Poe to the present day.




The Missing Ones


Book Description

“Twists that’ll just take your breath away. A salty, stormy and seductive read.” —Mario Giordano, author of Auntie Poldi and the Vineyards of Etna Finisterre Island, off the coast of Maine, is beautiful and remote—the kind of place tourists love to visit. But not everyone is welcome. A dilapidated Victorian house has become home to a group of squatters and junkies, and strangers have a habit of bringing trouble. A young boy disappeared during the summer, and though he was found safely, the incident stirred suspicion among locals. Now another child is missing. Summoned to the island by a cryptic text, Hester Thursby discovers a community cleaning up from a devastating storm—and uncovers a murder. Soon Hester begins to connect the crime and the missing children. And as she untangles the secrets at the center of the small community, she finds grudges and loyalties that run deep, poised to converge with a force that will once again shake her convictions about the very nature of right and wrong . . . “Intense. . . . Hill is adept at building compassion for his characters in a tight-knit social web while implicating them in dark thoughts and actions. He remains a writer to watch.” —Publishers Weekly




The Origins of the American Detective Story


Book Description

Edgar Allan Poe essentially invented the detective story in 1841 with Murders in the Rue Morgue. In the years that followed, however, detective fiction in America saw no significant progress as a literary genre. Much to the dismay of moral crusaders like Anthony Comstock, dime novels and other sensationalist publications satisfied the public's hunger for a yarn. Things changed as the century waned, and eventually the detective was reborn as a figure of American literature. In part these changes were due to a combination of social conditions, including the rise and decline of the police as an institution; the parallel development of private detectives; the birth of the crusading newspaper reporter; and the beginnings of forensic science. Influential, too, was the new role model offered by a wildly popular British import named Sherlock Holmes. Focusing on the late 19th century and early 20th, this volume covers the formative years of American detective fiction. Instructors considering this book for use in a course may request an examination copy here.




The Bellwether Revivals


Book Description

'A stunningly good debut ... that will keep readers up all night' Steven Galloway, author of the Cellist of Sarajevo 'The novel has at its lodestone Brideshead Revisited. Donna Tartt's The Secret History is also in the DNA here ... Readers will find themselves transfixed by this richly drawn cast of characters' Independent Bright, bookish Oscar Lowe has grown to love the quiet routine of his life as a care assistant at a Cambridge nursing home, until the fateful day when he is lured into King's College chapel by the otherworldly sound of an organ. There he meets and falls in love with Iris Bellwether and her privileged, eccentric clique, led by her brother Eden. A troubled but charismatic music prodigy, Eden convinces his sister and their friends to participate in a series of disturbing experiments. However, as the line between genius and madness begins to blur, Oscar fears that danger could await them all ... Benjamin Wood's brilliant debut novel will delight fans of The Secret History and Never Let Me Go. Praise for The Bellwether Revivals: 'Read it. Quite a debut' Patrick Neate 'Suffused with intelligence and integrity' Guardian 'Effortlessly vivid ... Wood's confident, sometimes creepy novel draws you in ... and then, once you're inside, holds on, ever tightening the grip' Independent on Sunday 'There's more than a hint of Donna Tartt's The Secret History about this novel … highly effective' Daily Mail




Crime Fiction: A Very Short Introduction


Book Description

Crime fiction has been one of the most popular genres since the 19th century, but has roots in works as varied as Sophocles, Herodotus, and Shakespeare. In this Very Short Introduction Richard Bradford explores the history of the genre, by considering the various definitions of 'crime fiction' and looking at how it has developed over time. Discussing the popularity of crime fiction worldwide and its various styles; the role that gender plays within the genre; spy fiction, and legal dramas and thrillers; he explores how the crime novel was shaped by the work of British and American authors in the 18th and 19th centuries. Highlighting the works of notorious authors such as Edgar Allan Poe, Conan Doyle, Agatha Christie, and Raymond Chandler — to name but a few — he considers the role of the crime novel in modern popular culture and asks whether we can, and whether we should, consider crime fiction serious 'literature'. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.




A Companion to Crime Fiction


Book Description

A Companion to Crime Fiction presents the definitive guide to this popular genre from its origins in the eighteenth century to the present day A collection of forty-seven newly commissioned essays from a team of leading scholars across the globe make this Companion the definitive guide to crime fiction Follows the development of the genre from its origins in the eighteenth century through to its phenomenal present day popularity Features full-length critical essays on the most significant authors and film-makers, from Arthur Conan Doyle and Dashiell Hammett to Alfred Hitchcock and Martin Scorsese exploring the ways in which they have shaped and influenced the field Includes extensive references to the most up-to-date scholarship, and a comprehensive bibliography




The Truants


Book Description

One of the New York Times Book Review's Top Ten Best Crime Novels of 2020 One of USA Today's Best Books 2020 "[A] hypnotic debut. . . .[An] uncommonly clever whodunit."--New York Times Book Review Perfect for lovers of Agatha Christie and The Secret History, The Truants is a seductive, unsettling, and beautifully written debut novel of literary suspense--a thrilling exploration of deceit, first love, and the depths to which obsession can drive us. People disappear when they most want to be seen. Jess Walker has come to a concrete campus under the flat gray skies of East Anglia for one reason: to be taught by the mesmerizing and rebellious Dr. Lorna Clay, whose seminars soon transform Jess's thinking on life, love, and Agatha Christie. Swept up in Lorna's thrall, Jess falls in with a tightly knit group of rule-breakers--Alec, a courageous South African journalist with a nihilistic streak; Georgie, a seductive, pill-popping aristocrat; and Nick, a handsome geologist with layers of his own. But the dynamic between the friends begins to darken, until a tragedy shatters their friendships and love affairs, and reveals a terrible secret. Soon Jess must face the question she fears most: what is the true cost of an extraordinary life? An Entertainment Weekly Best Book of January A USA Today Must-Read Book of Winter An Observer Book of the Year (UK) A Marie Claire Top 5 Christmas Read (UK) A Times Best New Crime Novel (UK) A Guardian Top 10 Golden Age Detective Novel An Irish Times Best Debut of 2019 An Apple Books Pick for January




Negative Space


Book Description

Despite her parents' struggles with addiction, Lilly Dancyger always thought of her childhood as a happy one. But what happens when a journalist interrogates her own rosy memories to reveal the instability around the edges? Dancyger's father, Joe Schactman, was part of the iconic 1980s East Village art scene. He created provocative sculptures out of found materials like animal bones, human hair, and broken glass, and brought his young daughter into his gritty, iconoclastic world. She idolized him—despite the escalating heroin addiction that sometimes overshadowed his creative passion. When Schactman died suddenly, just as Dancyger was entering adolescence, she went into her own self-destructive spiral, raging against a world that had taken her father away. As an adult, Dancyger began to question the mythology she'd created about her father—the brilliant artist, struck down in his prime. Using his sculptures, paintings, and prints as a guide, Dancyger sought out the characters from his world who could help her decode the language of her father's work to find the truth of who he really was.