Acme Novelty Datebook Volume Two


Book Description

Straggling behind the mild 2003 success of cartoonist Chris Ware's first facsimile collection of his miscellaneous sketches, notes, and adolescent fantasies arrives this second volume, updating weary readers with Ware's clichéd and outmoded insights from the late twentieth century. Working directly in pen and ink, watercolor, and white-out whenever he makes a mistake, Ware has cannily edited out all legally sensitive and personally incriminating material from his private journals, carefully recomposing each page to simulate the appearance of an ordered mind and established aesthetic directive. All phone numbers, references to ex-girlfriends, "false starts," and embarrassing experiments with unfamiliar drawing media have been generously excised to present the reader with the most pleasant and colorful sketchbook reading experience available. Included are Ware's frustrated doodles for his book covers, angry personal assaults on friends, half-finished comic strips, and lengthy and tiresome fulminations of personal disappointments both social and sexual, as well as his now-beloved drawings of the generally miserable inhabitants of the city of Chicago. All in all, a necessary volume for fans of fine art, water-based media, and personal diatribe. This hardcover is attractively designed and easy to resell.




Monograph by Chris Ware


Book Description

For the first time in his career, Chris Ware presents a comprehensive, behind-the-scenes autobiographical visual monograph, and opens a revealing window into the worlds he inhabits. Similar to Chip Kidd Book One and Shepard Fairey Covert to Overt, this book serves as a personal chronicle of a contemporary iconic illustrator, and is a must-have for those interested in illustration, graphic novels, and pop culture. The first and much-anticipated monograph by multi-award-winning cartoonist and graphic novelist Chris Ware, chronicling his influential twenty-five-year career.




Acme Novelty Datebook


Book Description

This text is a collection of comics creator Chris Ware's sketches and diary facsmilies from 1986-1995.




We Learn Nothing


Book Description

A "New York Times" political cartoonist and writer presents a collection of his most popular essays and drawings about life and government hypocrisy.




The Comics of Chris Ware


Book Description

An assessment of the achievement and aesthetic of one of America's brightest comics innovators




Jimmy Corrigan: The Smartest Kid on Earth


Book Description

The first book from the Chicago author of the “stunning” Building Stories (The New York Times) is a pleasantly-decorated view at a lonely and emotionally impaired "everyman," who is provided, at age 36, the opportunity to meet his father for the first time. “This haunting and unshakable book will change the way you look at your world.” —Time magazine “There’s no writer alive whose work I love more than Chris Ware.” —Zadie Smith, New York Times bestselling author of Swing Time An improvisatory romance which gingerly deports itself between 1890's Chicago and 1980's small town Michigan, the reader is helped along by thousands of colored illustrations and diagrams, which, when read rapidly in sequence, provide a convincing illusion of life and movement. The bulk of the work is supported by fold-out instructions, an index, paper cut-outs, and a brief apology, all of which concrete to form a rich portrait of a man stunted by a paralyzing fear of being disliked.




Quimby the Mouse


Book Description

Collects comic strips from the early 1990s organized around Quimby the mouse.




One Eye


Book Description

After a long absence, Matt returns in all his absurdly conflicted, tortured glory. In the tradition of Bukowski and R. Crumb, his tale turns on his disgust with himself and all of humanity, and, like the greats, Matt entertains as he cringes. His paradoxically clean and cheerful art is as likable as his persona is unlikable in this tale of avarice, obsession and masturbation. The episodic story begins in a bookstore, where Matt swoops in on a book he knows his friend, fellow cartoonist Seth, would love; Matt buys the book and then sells it to Seth at an obscene markup. The action moves on to Matt's latest porn purchases, then stops by a coffee shop, where the author chews over his shortcomings with a third member of their cartoonist gang, Chester. Interposed are memories of childhood and scenes from Matt's room in a boarding house, where his laziness and disgust with his fellow humans lead him to urinate in the largest jars he can find in order to avoid using the communal bathroom. The title indicates that Matt's well aware of his entrenched personal issues - but this self-awareness never translates to any kind of epiphany or behavioral change.




Acme Novelty Datebook


Book Description

This text is a collection of comics creator Chris Ware's sketches and diary facsmilies from 1986-1995.




Chris Ware


Book Description

Virtuoso Chris Ware (b. 1967) has achieved some noteworthy firsts for comics. The Guardian First Book Award for Jimmy Corrigan: The Smartest Kid on Earth was the first major UK literary prize awarded for a graphic novel. In 2002 Ware was the first cartoonist included in the Whitney Biennial. Like Art Spiegelman or Alison Bechdel, Ware thus stands out as an important crossover artist who has made the wider public aware of comics as literature. His regular New Yorker covers give him a central place in our national cultural conversation. Since the earliest issues of ACME Novelty Library in the 1990s, cartoonist peers have acclaimed Ware’s distinctive, meticulous visual style and technical innovations to the medium. Ware also remains a literary author of the highest caliber, spending many years to create thematically complex graphic masterworks such as Building Stories and the ongoing Rusty Brown. Editor Jean Braithwaite compiles interviews displaying both Ware’s erudition and his quirky self-deprecation. They span Ware’s career from 1993 to 2015, creating a time-lapse portrait of the artist as he matures. Several of the earliest talks are reprinted from zines now extremely difficult to locate. Braithwaite has selected the best broadcasts and podcasts featuring the interview-shy Ware for this volume, including new transcriptions. An interview with Marnie Ware from 2000 makes for a delightful change of pace, as she offers a generous, supremely lucid attitude toward her husband and his work. Candidly and humorously, she considers married life with a cartoonist in the house. Brand-new interviews with both Chris and Marnie Ware conclude the volume.