Acting Inca


Book Description

For most of the postcolonial era, the Aymara Indians of highland Bolivia were a group without representation in national politics. Believing that their cause would finally be recognized, the Aymara fought alongside the victorious liberals during the Civil War of 1899. Despite Aymara loyalty, liberals quickly moved to marginalize them after the war. In her groundbreaking study, E. Gabrielle Kuenzli revisits the events of the civil war and its aftermath to dispel popular myths about the Aymara and reveal their forgotten role in the nation-building project of modern Bolivia. Kuenzli examines documents from the famous postwar Pe–as Trial to recover Aymara testimony during what essentially became a witch hunt. She reveals that the Aymara served as both dutiful plaintiffs allied with liberals and unwitting defendants charged with wartime atrocities and instigating a race war. To further combat their "Indian problem," Creole liberals developed a public discourse that positioned the Inca as the only Indians worthy of national inclusion. This was justified by the Incas' high civilization and reputation as noble conquerors, along with their current non-threatening nature. The "whitening" of Incans was a thinly veiled attempt to block the Aymara from politics, while also consolidating the power of the Liberal Party. Kuenzli posits that despite their repression, the Aymara did not stagnate as an idle, apolitical body after the civil war. She demonstrates how the Aymara appropriated the liberal's Indian discourse by creating theatrical productions that glorified Incan elements of the Aymara past. In this way, the Aymara were able to carve an acceptable space as "progressive Indians" in society. Kuenzli provides an extensive case study of an "Inca play" created in the Aymara town of Caracollo, which proved highly popular and helped to unify the Aymara. As her study shows, the Amyara engaged liberal Creoles in a variety of ways at the start of the twentieth century, shaping national discourse and identity in a tradition of activism that continues to this day.




Apu Ollantay; A Drama of the Time of the Incas


Book Description

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.




Inca Music Reimagined


Book Description

The Latin American centennial celebrations of independence (ca.1909-1925) constituted a key moment in the consolidation of national symbols and emblems, while also producing a renewed focus on transnational affinities that generated a series of discourses about continental unity. At the same time, a boom in archaeological explorations, within a general climate of scientific positivism provided Latin Americans with new information about their grandiose former civilizations, such as the Inca and the Aztec, which some argued were comparable to ancient Greek and Egyptian cultures. These discourses were at first political, before transitioning to the cultural sphere. As a result, artists and particularly musicians began to move away from European techniques and themes, to produce a distinctive and self-consciously Latin American art. In Inca Music Reimagined author Vera Wolkowicz explores Inca discourses in particular as a source for the creation of national and continental art music during the first decades of the twentieth century, concentrating on operas by composers from Peru, Ecuador and Argentina. To understand this process, Wolkowicz analyzes early twentieth-century writings on Inca music and its origins and describes how certain composers transposed Inca techniques into their own works, and how this music was perceived by local audiences. Ultimately, she argues that the turn to Inca culture and music in the hopes of constructing a sense of national unity could only succeed within particular intellectual circles, and that the idea that the inspiration of the Inca could produce a music of America would remain utopian.




The Incas of Peru


Book Description




The Incas of Peru


Book Description




Encyclopedia of the Incas


Book Description

The Inca Empire existed for fewer than 100 years, yet ruled more subjects than either the Aztecs or the Maya and occupied a territory stretching nearly 3000 miles. The Incas left no system of writing; what we know of them has been gleaned from the archaeological record and accounts written following the Spanish invasion. In this A-to-Z encyclopedia, Gary Urton and Adriana von Hagen, together with over thirty contributors, provide a broad introduction to the fascinating civilization of the Incas, including their settlements, culture, society, celebrations, and achievements. Following a broad introduction, 128 individual entries explore wide-ranging themes (religion, architecture, farming) and specific topics (ceremonial drinking cup, astronomy), interweaving ethnohistoric and archaeological research with nuanced interpretation. Each entry provides suggestions for further reading. Sidebars profiling chroniclers and researchers of Inca life—ranging from José de Acosta and Cristóbal de Albornoz to Maria Rostworowski and R. Tom Zuidema—add depth and context for the cultural entries. Cross-references, alphabetical and topical lists of entries, and a thorough index help readers navigate the volume. A chronology, selected bibliography, regional map, and almost ninety illustrations round out the volume. In sum, the Encyclopedia of the Incas provides a unique, comprehensive resource for scholars, as well as the general public, to explore the civilization of the Incas—the largest empire of the pre-Columbian New World.




Art and Vision in the Inca Empire


Book Description

This book offers a new, art-historical interpretation of pre-contact Inca culture and power and includes over sixty color images.




¡Vamos a Avanzar!


Book Description

Robert Niebuhr explores the importance of the turbulent populist politics of the period after 1899 and the significance of the Chaco War as the most influential revolution in modern Bolivian history.




Conscript Nation


Book Description

Military service in Bolivia has long been compulsory for young men. This service plays an important role in defining identity, citizenship, masculinity, state formation, and civil-military relations in twentieth-century Bolivia. The project of obligatory military service originated as part of an attempt to restrict the power of indigenous communities after the 1899 civil war. During the following century, administrations (from oligarchic to revolutionary) expressed faith in the power of the barracks to assimilate, shape, and educate the population. Drawing on a body of internal military records never before used by scholars, Elizabeth Shesko argues that conscription evolved into a pact between the state and society. It not only was imposed from above but was also embraced from below because it provided a space for Bolivians across divides of education, ethnicity, and social class to negotiate their relationships with each other and with the state. Shesko contends that state formation built around military service has been characterized in Bolivia by multiple layers of negotiation and accommodation. The resulting nation-state was and is still hierarchical and divided by profound differences, but it never was simply an assimilatory project. It instead reflected a dialectical process to define the state and its relationships.