Superman - Action Comics Vol. 2: Bulletproof


Book Description

Clark Kent is dead! When grave circumstances cause Superman to leave behind his alter ego, an unimpeded Man of Steel must face his deadliest foe to date: Nimrod the Hunter! Metropolis' newest threat has killed everything he's ever tracked, but he'snever killed an alien. Will the red and blue Kryptonian be his first? Legendary writer Grant Morrison (ALL-STAR SUPERMAN, BATMAN) continues his best-selling, critically acclaimed run on SUPERMAN: ACTION COMICS, with art by Rags Morales (IDENTITY CRISIS), Gene Ha (TOP 10) and a host of comics' finest illustrators. graphic novel collects SUPERMAN: ACTION COMICS #9-12, #0 and ANNUAL #1.




Batman - Detective Comics Vol. 2: Scare Tactics


Book Description

Batman must face the madness of the Mad Hatter, and then take on the Talons of the Court of Owls! But even if he survives that, he must face a whole new set of fears when the Scarecrow returns! Can the Dark Knight overcome the terror the Scarecrow brings? And explore the bizarre similarities between these two enemies and how the idea of fear has shaped their lives!




Supergirl Annual (2017-) #2


Book Description

What was Supergirl’s last day on Krypton like? Before her entire world came crumbling down, did she get to say goodbye to her loved ones? Tell the boy who sat next to her in science class her true feelings for him? Take a deep dive into Supergirl’s darkest regrets and desires as the Batman Who Laughs’ infection takes over her core memories and twists them to his bidding!




Superman: Doomed


Book Description

Its name is Doomsday. It came from the Phantom Zone, where the Man of Steel had banished it once before. Bigger. Deadlier. Capable of killing life on Earth.Superman can stop it. But even that is not the end. Evil is in its blood. And when that blood is spilled, the innocent will fall—and Superman himself will discover the monster within. The Last Son of Krypton may become a destroyer of worlds himself, leaving the earth without its greatest protector.His allies each must make a choice. If they unleash the monster, will they lose the man? Is this Earth's last shot at salvation, or are Superman and everyone he cares about…DOOMED?SUPERMAN #30-31, ACTION COMICS #31-35, ACTION COMICS ANNUAL #3, SUPERMAN/WONDER WOMAN #8-12, SUPERMAN/WONDER WOMAN ANNUAL #1, SUPERGIRL #34-35, BATMAN/SUPERMAN #11 and SUPERMAN: DOOMED #1-2 with select pages from ACTION COMICS #30 and SUPERMAN/WONDER WOMAN #7.




Nightwing and Flamebird


Book Description

Superman created by Jerry Siegel and Joe Schuster.




Adventures of Superman


Book Description

he 1980s Superman stories by celebrated writer and artist George Pérez are collected in a new hardcover volume! These tales include a face-off with Brainiac, a team-up with O.M.A.C., the start of Superman’s New 52 adventures, and much more. Collects DC Comics Presents #61, Action Comics #643-652 and Annual #2, and Superman #1-6 (2011 series).







1000 Facts about Supervillains Vol. 2


Book Description

Deadpool calls Doctor Octopus "Elton John on stilts." No one can figure out who The Joker is because he has no fingerprints. There is a parallel universe where Donald Trump is MODOK. Sometimes, Lex Luthor is drawn to resemble Kevin Spacey. Bullseye thinks Spider-Man is really funny. Mister Freeze's Freeze Ray is a real weapon. Professor X has an evil twin sister. The Penguin feeds his enemies to seals. Green Goblin's skin is bulletproof. The Riddler deduced Batman's identity. Magneto once turned into a baby. The first enemy the Justice League fought was a cycloptic starfish. Loki cursed Deadpool to have an "indestructible Tom Cruise face." There have been at least five Two-Faces. The Mandarin used to be a janitor. Professor X eventually became a supervillain called Onslaught. Thanos met God. Apocalypse is a surprisingly good dancer.




Theology and the DC Universe


Book Description

Superman’s first appearance in Action Comics #1 (1938) proclaimed that the character would “reshape the destiny of the world.” The advent of the first superhero initiated a shared narrative—the DC superhero universe—that has been evolving in depth and complexity for more than 80 years. Superman, Batman, and Wonder Woman have become key threads in the tapestry of the American mythos, shaping the way we think about life, right and wrong, and our relationship with our own universe. Their narrative world is enriched by compelling stories featuring lesser-known characters like Dr. Fate, the Doom Patrol, John Constantine, and the Legion of Super-Heroes. Stories set within this shared universe have explored questions of death, rebirth, the apocalypse, the nature of evil, the origins of the universe, and the destiny of humankind. This volume brings together the work of scholars from a range of backgrounds who explore the role of theology and religion in the comics, films, and television series set in the DC Universe. The thoughtful and incisive contributions to this collection will appeal to scholars and fans alike.




Enter the Superheroes


Book Description

Ever since the first appearances of Superman and Batman in comic books of the late 1930s, superheroes have been a staple of the popular culture landscape. Though initially created for younger audiences, superhero characters have evolved over the years, becoming complex figures that appeal to more sophisticated readers. While superhero stories have grown ever more popular within broader society, however, comics and graphic novels have been largely ignored by the world of academia. In Enter the Superheroes:American Values, Culture, and the Canon of Superhero Literature, Alex S. Romagnoli and Gian S. Pagnucci arguethat superheroes merit serious study, both within the academy and beyond. By examining the kinds of graphic novels that are embraced by the academy, this book explains how superhero stories are just as significant. Structured around key themes within superhero literature, the book delves into the features that make superhero stories a unique genre. The book also draws upon examples in comics and other media to illustrate the sociohistorical importance of superheroes—from the interplay of fans and creators to unique narrative elements that are brought to their richest fulfillment within the world of superheroes. A list of noteworthy superhero texts that readers can look to for future study is also provided. In addition to exploring the important roles that superheroes play in children’s learning, the book also offers an excellent starting point for discussions of how literature is evolving and why it is necessary to expand the traditional realms of literary study. Enter the Superheroes will be of particular interest to English and composition teachers but also to scholars of popular culture and fans of superhero and comic book literature.