The Mimbres


Book Description

This reissue of three early essays on Mimbres archaeology and design fills a major gap in the literature on the Mimbres, whose pottery has long fascinated students of the prehistoric Southwest. Fewkes, one of the eminent archaeologists of the early twentieth century, introduced Mimbres art to scholars when he published these essays with the Smithsonian Institution between 1914 and 1924, under the titlesArchaeology of the Lower Mimbres Valley, New Mexico, Designs on Prehistoric Pottery from the Mimbres Valley, New Mexico,andAdditional Designs on Prehistoric Mimbres Pottery.Long out-of-print, these essays represent the first analysis and description of the complex abstract and representational designs that continue to fascinate us 2,000 years after they were painted.










New Perspectives on Mimbres Archaeology


Book Description

In the early 1970s, understanding of the Mimbres region as a whole was in its infancy. In the following decades, thanks to dedicated work by enterprising archaeologists and nonprofit organizations, our understanding of the Mimbres region has become more complex, nuanced, and rich. New Perspectives on Mimbres Archaeology brings together these experts in a single volume for the first time. The contributors discuss current knowledge of the people who lived in the Mimbres region of the southwestern United States and how our knowledge has changed since the Mimbres Foundation, directed by Steven A. LeBlanc, began the first modern archaeological investigations in the region. Many of these authors have spent decades conducting the fieldwork that has allowed for a broader understanding of Mimbres society. Focusing on a variety of important research topics of interest to archaeologists—including the social contexts of people and communities, the role of ritual and ideology in Mimbres society, evidence of continuities and cultural change through time, and the varying impacts of external influences throughout the region—New Perspectives on Mimbres Archaeology presents recent data on and interpretations of the entire pre-Hispanic sequence of occupation. Additional contributions include a history of nonprofit archaeology by William H. Doelle and a concluding chapter by Steven A. LeBlanc reflecting on his decades-long work in Mimbres archaeology and outlining important areas for the next wave of research.




Ancient Communities in the Mimbres Valley


Book Description

"Spanning from the end of the Classic Mimbres period to the Black Mountain phase, this volume contains the final report on the excavations of the Mimbres Foundation. The authors consider the nature of the relationship between the Classic Mimbres period population of the valley and the people of the succeeding Black Mountain phase, as well as relationships among the Black Mountain phase people and those of neighboring parts of the region"--




Mimbres Life and Society


Book Description

This book offers a detailed account of the archaeological excavation of one of the last possible Mimbres Classic pueblos, including photography of the painted black-on-white pottery--Provided by publisher.




Decoding Mimbres Painting


Book Description

A New York Times Best Art Book of 2018 This generously illustrated book explores the pottery of the Mimbres people and offers new insight into its imagery. Named after a valley in what is now Southwestern New Mexico, the Mimbres culture flourished between the 9th and 12th centuries. Through the exploration of paintings on Mimbres bowls, this book offers revelations about the culture's worldview based on the patterns and shapes depicted in their pottery. Drawing on extensive research as well as photography of the flora and fauna that still thrive in the Mimbres valley, the authors make the case that the pottery's beautiful black-and-white paintings and highly intricate designs are abstractions of visual experiences--some seen in the natural world and others generated by trance-like states brought on by ingesting the datura plant. Presenting a distinctive new interpretation of the iconography of ancient Mimbres painted ceramics, this volume addresses Mimbres culture and how this past civilization lived and communicated with the spirit world. Published in association with the Los Angeles County Museum of Art




Mimbres Archaeology at the NAN Ranch Ruin


Book Description

Following two decades of excavations and research at the NAN Ranch Ruin in southwestern New Mexico, Harry Shafer offers new information and interpretations of the rise and disappearance of the ancient Mimbres culture that thrived in the area from about A.D. 600 to 1140. The NAN Ranch site gives evidence of a fascinating restructuring of Mimbres culture and society, owing to the introduction of irrigation agriculture in the late ninth century. The social restructuring that accompanied this shift in technology resulted in changes that are visible in architecture, mortuary practices, and ceramic decoration. The NAN Ranch ruin has yielded the largest body of evidence ever gathered at a single Mimbres site and thus offers the clearest picture to date of who the ancient Mimbreños were in relation to their Anasazi and Hohokam neighbors to the north and east. Shafer introduces us to the Mimbres people, gives a history of archaeological research in the Mimbres Valley, and traces the occupation of the NAN Ranch site from pithouses to classic pueblo to abandonment. Social customs, subsistence, biological information, and the symbolism of the distinctive Mimbres designs in their ceramics, pottery, stone artifacts, textiles, and jewelry are all addressed in this comprehensive survey.







Painted by a Distant Hand


Book Description

Highlighting one of the Peabody Museum's most important archaeological expeditions—the excavation of the Swarts Ranch Ruin in southwestern New Mexico by Harriet and Burton Cosgrove in the mid-1920s—Steven LeBlanc's book features rare, never-before-published examples of Mimbres painted pottery, considered by many scholars to be the most unique of all the ancient art traditions of North America. Made between A.D. 1000 and 1150, these pottery bowls and jars depict birds, fish, insects, and mammals that the Mimbres encountered in their daily lives, portray mythical beings, and show humans participating in both ritual and everyday activities. LeBlanc traces the origins of the Mimbres people and what became of them, and he explores our present understanding of what the images mean and what scholars have learned about the Mimbres people in the 75 years since the Cosgroves' expedition.