Book Description
Accompanying audio CD has music segments from film soundtracks.
Author : Earle Hagen
Publisher : Alfred Music Publishing
Page : 186 pages
File Size : 16,6 MB
Release : 1990
Category : Music
ISBN : 9780882844473
Accompanying audio CD has music segments from film soundtracks.
Author : Richard Davis
Publisher : Hal Leonard Corporation
Page : 424 pages
File Size : 25,55 MB
Release : 2010-05-01
Category : Music
ISBN : 1495032264
(Berklee Guide). Essential for anyone interested in the business, process and procedures of writing music for film or television, this book teaches the Berklee approach to the art, covering topics such as: preparing and recording a score, contracts and fees, publishing, royalties, copyrights and much more. Features interviews with 21 top film-scoring professionals, including Michael Kamen, Alf Clausen, Alan Silvestri, Marc Shaiman, Mark Snow, Harry Gregson-Williams and Elmer Bernstein. Now updated with info on today's latest technology, and invaluable insights into finding work in the industry.
Author : Ennio Morricone
Publisher : Scarecrow Press
Page : 311 pages
File Size : 43,75 MB
Release : 2013-10-10
Category : Performing Arts
ISBN : 0810892421
With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.
Author : Earle Hagen
Publisher : Alfred Publishing Company
Page : 254 pages
File Size : 33,52 MB
Release : 1989
Category : Music
ISBN : 9780882843889
Author : Kathryn Kalinak
Publisher : Oxford University Press
Page : 177 pages
File Size : 45,41 MB
Release : 2023
Category : Motion picture music
ISBN : 0197628036
"Film Music: A Very Short Introduction focuses on the most central issues in the practice of film music. What is film music? How is it composed? How does film music work? Why does film music work? The rich and deeply moving sounds of film music are as old as cinema. The very first projected moving images were accompanied by music around the globe as a variety of performers-from single piano players to small orchestras-brought images to life. Film music has since become its own industry, an aesthetic platform for expressing creative visions, and a commercial vehicle for generating increased revenue. The second edition updates coverage to 2022 and includes attention to recent developments in global film music, women in film music, and African -American and minority composers"--
Author : Sonny Kompanek
Publisher : Schirmer Trade Books
Page : 151 pages
File Size : 13,29 MB
Release : 2011-08-01
Category : Music
ISBN : 0857125117
Scoring for film hsa changed dramatically over the past 20 years. With the advent of MIDI sequencers and low-cost recording gear, just about any composer anywhere can score a film. Well-known composer Sonny Kompanek teaches this new film scoring process at the prestigious New York University and now he shares his secrets with the pages of From Score to Screen. Learn about the cast of professionals you'll work with as a film composer. Find out how to meet people in the business, network, and create a promotional demo. Learn how to compose themes and battle writers' block. And know how to make a director happy with your work. With this book, you'll gain practical knowledge that you can put into action immediately. This is the only book that discusses the new film scoring process which utilises the latest technology.
Author : Kevin J. Donnelly
Publisher : Edinburgh University Press
Page : 223 pages
File Size : 26,55 MB
Release : 2001-07-10
Category : Motion picture music
ISBN : 1474467814
Bringing together some of the most influential international scholars on the subject, this anthology provides a detailed, diverse and accessible perspective on music in the cinema.
Author : Mervyn Cooke
Publisher : Cambridge University Press
Page : 439 pages
File Size : 29,84 MB
Release : 2016-12-08
Category : Music
ISBN : 1107094518
A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.
Author : Gudrun Heyens
Publisher : Schott Music
Page : 82 pages
File Size : 41,81 MB
Release : 2020-10-22
Category : Music
ISBN : 3795786835
This technical volume is addressed to advanced treble recorder players looking for repertoire that is suited for consistent work on the foundations of their instrumental and musical abilities. In accordance with the original literature for the treble recorder, the exercises are mainly tailored to this instrument. Some technical chapters can be practised on both the treble and descant recorder (with transposed fingering). The term 'technical' must not be misunderstood here: ultimately, the exercises aim at artistic expression, emotion, and tonal interpretation.
Author : Ron Gorow
Publisher : SCB Distributors
Page : 200 pages
File Size : 26,1 MB
Release : 2011-03-15
Category : Music
ISBN : 0962949698
A self-training manual as well as a classroom text, this book is a complete step-by-step course to develop the musician's ability to hear and notate any style of music. Personal training, thoery and exercises produce techniques which are combined in an integrated craft which may be applied to composition, orchestration, arranging, improvisation and performance. A kind of finishing school for those who wish to pursue a career in composing, orchestrating, arranging or performing. -- The Score, Society of Composers and Lyricists A myriad of practical information. Comprehensive ear training, important because aural skills are among the most overlooked in music education. -- Survey of New Teaching Materials, Jazz Educators journal A synthesis of the author's vast knowledge and his quest to define the question, "How do we hear?" -- ITG Journal A wonderfully systematic approach to ear training . . . neatly designed and structured, it just flows. Direct and easily understood. -- New books, Jazz Educators Journal Bernard Brandt says: "Hearing and Writing Music", by Ron Gorow, is a superb book. It makes a simple and elegant presentation of the internal process by which we hear sounds and music, how we recognize intervals, chords, melody, harmony, counterpoint, and the timbre of instrumentation/ orchestration, how we can develop the skills of listening, auditory memory and imagination, and how to use these skills to hear and to write down music of any sort. The hallmark of an expert is the ability to explain the basics of his field as simply as possible. By that standard, Mr. Gorow has proven his expertise in this book. I note that the other reviews, both for Amazon and in musical journals, tend to limit the importance of "Hearing and Writing Music" to ear training. I believe that Mr. Gorow's book is valuable for much more than ear training. I have studied it, and as a result of that study, I believe that my auditory memory and imagination and my abilities in score reading have improved enormously. Further, I have been able to use the skills in this book to transcribe melodies, harmonies and counterpoint almost effortlessly, both those that I have heard, and those which existed only in my imagination. This book has opened many doors for me. I believe that it can do so for many others.