Encyclopedia of American Literature of the Sea and Great Lakes


Book Description

The sea and Great Lakes have inspired American authors from colonial times to the present to produce enduring literary works. This reference is a comprehensive survey of American sea literature. The scope of the encyclopedia ranges from the earliest printed matter produced in the colonies to contemporary experiments in published prose, poetry, and drama. The book also acknowledges how literature gives rise to adaptations and resonances in music and film and includes coverage of nonliterary topics that have nonetheless shaped American literature of the sea and Great Lakes. The alphabetical arrangement of the reference facilitates access to facts about major literary works, characters, authors, themes, vessels, places, and ideas that are central to American sea literature. Each of the several hundred entries is written by an expert contributor and many provide bibliographical information. While the encyclopedia includes entries for white male canonical writers such as Herman Melville and Jack London, it also gives considerable attention to women at sea and to ethnically diverse authors, works, and themes. The volume concludes with a chronology and a list of works for further reading.




An American Album


Book Description

Contains primary source material.




The Beer Can by the Highway


Book Description

First published in 1961, The Beer Can by the Highway takes a provocative, wide-ranging look at America's ever-changing physical and intellectual landscapes, from advertising and jazz to Manhattan's skyline and the prairies of the Midwest. The Johns Hopkins edition features a foreword by Ralph Ellison, who praises the work as "one that springs from deep within that rich segment of the American grain which gave us the likes of Emerson and Whitman, Horatio Greenough and Constance Rourke—yes, and Mark Twain."




Looking Past the Screen


Book Description

DIVA collection of essays illustrating new methods and theories of film history./div




Cecil B. DeMille and American Culture


Book Description

On Cecil B. de Mille - his life and works.




Library Accessions


Book Description




Thomas Nast


Book Description

Thomas Nast (1840-1902), the founding father of American political cartooning, is perhaps best known for his cartoons portraying political parties as the Democratic donkey and the Republican elephant. Nast's legacy also includes a trove of other political cartoons, his successful attack on the machine politics of Tammany Hall in 1871, and his wildly popular illustrations of Santa Claus for Harper's Weekly magazine. Throughout his career, his drawings provided a pointed critique that forced readers to confront the contradictions around them. In this thoroughgoing and lively biography, Fiona Deans Halloran focuses not just on Nast's political cartoons for Harper's but also on his place within the complexities of Gilded Age politics and highlights the many contradictions in his own life: he was an immigrant who attacked immigrant communities, a supporter of civil rights who portrayed black men as foolish children in need of guidance, and an enemy of corruption and hypocrisy who idolized Ulysses S. Grant. He was a man with powerful friends, including Mark Twain, and powerful enemies, including William M. "Boss" Tweed. Halloran interprets Nast's work, explores his motivations and ideals, and illuminates Nast's lasting legacy on American political culture.




Five Centuries of American Costume


Book Description

Depictions of everyday wear of Vikings, Mayans, Aztecs, Incas, and principal North American Indian tribes, plus the varied costumes of the Spanish, Portuguese, English, French, German, and Scandinavians who settled on the American continents. Military uniforms from the 16th to the mid-20th century are also portrayed. 404 black-and-white illustrations.




City Reading


Book Description

Henkin explores the influential but little-noticed role reading played in New York City's public life between 1825 and 1865. The "ubiquitous urban texts"--from newspapers to paper money, from street signs to handbills--became both indispensable urban guides and apt symbols for a new kind of public life that emerged first in New York.