Bulletin - Indian Museum
Author : Indian Museum
Publisher :
Page : 124 pages
File Size : 16,61 MB
Release : 2009
Category : India
ISBN :
Author : Indian Museum
Publisher :
Page : 124 pages
File Size : 16,61 MB
Release : 2009
Category : India
ISBN :
Author : Arindam Chakrabarti
Publisher : Bloomsbury Publishing
Page : 445 pages
File Size : 47,60 MB
Release : 2016-02-25
Category : Philosophy
ISBN : 1472525973
The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art provides an extensive research resource to the burgeoning field of Asian aesthetics. Featuring leading international scholars and teachers whose work defines the field, this unique volume reflects the very best scholarship in creative, analytic, and comparative philosophy. Beginning with a philosophical reconstruction of the classical rasa aesthetics, chapters range from the nature of art-emotions, tones of thinking, and aesthetic education to issues in film-theory and problems of the past versus present. As well as discussing indigenous versus foreign in aesthetic practices, this volume covers North and South Indian performance practices and theories, alongside recent and new themes including the Gandhian aesthetics of surrender and self-control and the aesthetics of touch in the light of the politics of untouchability. With such unparalleled and authoritative coverage, The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art represents a dynamic map of comparative cross-cultural aesthetics. Bringing together original philosophical research from renowned thinkers, it makes a major contribution to both Eastern and Western contemporary aesthetics.
Author : Sukh Dev Singh Charak
Publisher : Abhinav Publications
Page : 310 pages
File Size : 39,64 MB
Release : 1998
Category : Art
ISBN : 9788170173564
The Present Monograph Seeks To Record The Place And Development Of Elephant Symbol In The Mythology And The Art Of India Over A Period Of 5000 Years. It Is Amazing As To How Strikingly A Unity In Diversity In Most Indian Religions Is Displayed Through This Symbol. Elephant Form Has Been Used As A Common Denominator In The Folk As Well As The Religious Cults But Having Different Impacts. The Wide Spectrum Of Indian Culture Contains Various Colours Of Different Intensity. Different Kinds Of People, Races, Languages, Religions And Traditions Made Indian Culture Vital And Colourful. The Elephant Rotates With Every Colour Of The Spectrum. How The Animal Impressed The People Through The Ages Is Sought To Be Explained By The Author Along With All The Myths And Stories Associated With It. As A Divine Member Elephant Was Supposed To Have Come Into Existence Out Of The Sea On The Occasion Of Churning Of The Ocean (Samudramanthana) As Airavata The Milk White Elephant. On The Folk Level A Cult Developed Around It. Jataka Stories Refer To Elephant Pillars And Statues And Tradition Of Performing Hastisutra And Hastimangala-Elephant 1Estival. Besides As A Folk Divinity It Also Penetrated In Buddhist And Jain Mythologies. It Is The Inner Vitality Of Indian Culture Which Has Been The Result Of Intimate Connection Between Nature And Human Inspiration. That Is Why, Indian Religion, Art And Literature Are Rooted In The Natural Environment. Ganesa The Elephant God Is The Best Example Of The Oneness Of Nature And Human Factor As Reflected In The Realm Of Art And Literature. Ganesa Is Only One Of The Aspects Of The Multidimensional Personality Of The Elephant Which Embodies The Various Hues And Colours Of The Indian Cultural Tradition. Thus, Dr. Gupta Herein Offers A Detailed Statement Regarding The Historical Development Of Elephant Symbol In Indian Myths And Art. This Must Be Counted As A Unique Effort In Understanding The Symbolism Of Indian Culture Through Elephant Symbol.
Author :
Publisher :
Page : 204 pages
File Size : 31,46 MB
Release : 2005
Category : Bengali literature
ISBN :
Author : Sujit Narayan Sen
Publisher :
Page : 276 pages
File Size : 36,10 MB
Release : 1995-01-01
Category : Aesthetics, Indic
ISBN : 9788185094885
One Half Of The Book Is Devoted To Preparation - Procedure And The Other Half To Aesthetics - Which According To The Author Both Interact With Each Other - Section One - Eight Limbs Of Painting Has 8 Chapters. Section Two - Six - Limits Of Painting Contains 3 Chapters - Epilogue - Key To Plates - Bibliography - Index - Plates - As Many As 35 In B & W.
Author :
Publisher :
Page : 1118 pages
File Size : 16,3 MB
Release : 2003
Category : English imprints
ISBN :
Author : Sanjeev Kumar
Publisher : Cambridge Scholars Publishing
Page : 145 pages
File Size : 37,53 MB
Release : 2017-03-07
Category : History
ISBN : 144387583X
Art and life in India have been inextricably intertwined from ancient times to the present day. Art as a way of life, as ritual, as decoration and as unity with the Sublime bore testament to the socio-cultural milieu; the high level of sophistication that developed in ancient India was reflected in the arts in a holistic light. The arts, thus, strived to hone man’s intellectual sensibilities, thus raising him to the level of the transcendental, which in India was Brahma or ultimate reality. This book brings forth the popular theories of Indian aesthetics and Indian poetics. Bharatmuni, Abhinavgupta, Anandvardhana and a number of seers have given substantial dimensions to the concept as found in Natryashastra, Dhvanyavloka, and Abhinavbharati, among other texts. It represents primarily a compilation of commentaries and criticism of these texts, and will serve as a preliminary guide to students, beginners and researchers of Indian aesthetics and poetics. The appendices bring together a number of papers on Indian aesthetics, while there is also an informative and comprehensive bibliography and an exhaustive glossary to provide added aid for non-Sanskrit speakers.
Author : Sachidananda Mohanty
Publisher : Taylor & Francis
Page : 195 pages
File Size : 11,53 MB
Release : 2018-10-24
Category : History
ISBN : 1317324544
This book presents an alternative view of cosmopolitanism, citizenship and modernity in early 20th-century India through the multiple lenses of mysticism, travel, friendship, art, and politics.It makes a key intervention in the understanding of cosmopolitan modernity based on the lives and experiences of Rabindranath Tagore, Ananda Coomaraswamy, Sri Aurobindo, Mirra Alfassa, James Cousins, Paul Richard, Dilip Kumar Roy, and Taraknath Das. Using archival texts and photographs, Mohanty interrogates the ideas of tradition and modernity, the local and the global, and Self and the world as integral to the conception of a cosmopolitan world order. The volume will interest scholars and students of modern Indian history, comparative literature, cultural studies, Indian philosophy, and South Asian studies and the general reader.
Author : Hari Krishnan
Publisher : Wesleyan University Press
Page : 337 pages
File Size : 12,45 MB
Release : 2019-10-01
Category : Performing Arts
ISBN : 0819578886
Received a special citation from The de la Torre Bueno© First Book Award Committee of the Dance Studies Association (2020). The book has been hailed as "an invaluable addition to the scholarship on Bharatanatyam." Celluloid Classicism provides a rich and detailed history of two important modern South Indian cultural forms: Tamil Cinema and Bharatanatyam dance. It addresses representations of dance in the cinema from an interdisciplinary, critical-historical perspective. The intertwined and symbiotic histories of these forms have never received serious scholarly attention. For the most part, historians of South Indian cinema have noted the presence of song and dance sequences in films, but have not historicized them with reference to the simultaneous revival of dance culture among the middle-class in this region. In a parallel manner, historians of dance have excluded deliberations on the influence of cinema in the making of the "classical" forms of modern India. Although the book primarily focuses on the period between the late 1920s and 1950s, it also addresses the persistence of these mid-twentieth century cultural developments into the present. The book rethinks the history of Bharatanatyam in the twentieth century from an interdisciplinary, transmedia standpoint and features 130 archival images.
Author : S. S. Biswas
Publisher :
Page : 418 pages
File Size : 29,57 MB
Release : 2002
Category : Art
ISBN :
This book has 48 papers from renowned scholars and senior specialists on the art and culture of India. Most of the expert contributors enjoy special positions in their respective fields. The volume has six sections dealing with historyarchaeology art & architecture, religion, iconography, etc. A select list of Prof. Ganguli's writing is also included