Afsaane - A Collection of Short Stories


Book Description

A sky-blue paper bird glued to a mirror. A handmade book on music to be gifted. A pair of mud-brown tea cups without handles. A shelf to hoard dying memories. A little home tucked away in a remote village. A haunting voice after boarding an empty bus... The images on the cover belong to people whose stories are packed in this book: A man who meets his lost friend in a new world. A seeker who resists everyone to reach an unwanted place. Lovers that separate, only to find some hope. A failed artist who finds another voice. A new entrant in a home who creates turmoil. A cheated girl who makes a desperate call. A shattered man who pegs on a sudden dreamy trip. With eleven stories of unrequited love, hope, acceptance, heart breaks or just needs, ‘Afsaane’ will tug at your heartstrings and open windows to people that experience unusual situations in far too usual lives.







Joginder Paul


Book Description

This book is a comprehensive volume on the life and works of Joginder Paul, a well-known Urdu fiction writer and thinker. It presents a selection from the writer’s oeuvre – a few of his short stories, extracts from his long fiction, samples of his micro-fiction, personal reminiscences, and some of his incisive critical essays written in Urdu as well as in English that lay out his ideas on the role of the writer and the art of writing. The volume also contextualises his work within the Urdu literary tradition and beyond through some critical essays on him from across time and geography. It situates Paul as a notable fiction writer and an essayist who broke convention in his writing and crafted his own individual style. It shows how he was received in Urdu while also placing him as an important creative voice within a larger pan-Indian literary context. The book also focuses on Paul’s efforts to effect a change in how fiction should be perceived, particularly by his readers who he considered the most important ally-participant in his effort to create stories. This volume will help to evolve a deeper understanding of the thematic subtleties in his fiction, as well as the critical perspectives he offers in his non-fiction. Part of the Writer in Context series, this book will be indispensable to scholars and researchers in literature, history, sociology, language and creative writing, Partition studies, translation studies, Indian writings, Urdu literature, postcolonial studies, and South Asian Studies.




Politics of Culture in Iran


Book Description

This first full-length study of the history of Iranian anthropology charts the formation and development of anthropology in Iran in the twentieth century. The text examines how and why anthropology and culture became part of wider socio-political discourses in Iran, and how they were appropriated, and rejected, by the pre- and post-revolutionary regimes. The author highlights the three main phases of Iranian anthropology, corresponding broadly to three periods in the social and political development of Iran: *the period of nationalism: lasting approximately from the constitutional revolution (1906-11) and the end of the Qajar dynasty until the end of Reza Shah’s reign (1941) *the period of Nativism: from the 1950s until the Islamic revolution (1979) *the post-revolutionary period. In addition, the book places Iranian anthropology in an international context by demonstrating how Western anthropological concepts, theories and methodologies affected epistemological and political discourses on Iranian anthropology.




How Asia Found Herself


Book Description

A pioneering history of cross-cultural knowledge that exposes enduring fractures in unity across the world's largest continent "Mr. Green has written a book of rigorous--and refreshing--honesty."--Tunku Varadarajan, Wall Street Journal A Foreign Affairs Best Book of 2023 The nineteenth century saw European empires build vast transport networks to maximize their profits from trade, and it saw Christian missionaries spread printing across Asia to bring Bibles to the colonized. The unintended consequence was an Asian communications revolution: the maritime public sphere expanded from Istanbul to Yokohama. From all corners of the continent, curious individuals confronted the challenges of studying each other's cultures by using the infrastructure of empire for their own exploratory ends. Whether in Japanese or Persian, Bengali or Arabic, they wrote travelogues, histories, and phrasebooks to chart the vastly different regions that European geographers labeled "Asia." Yet comprehension does not always keep pace with connection. Far from flowing smoothly, inter-Asian understanding faced obstacles of many kinds, especially on a landmass with so many scripts and languages. Here is the dramatic story of cross-cultural knowledge on the world's largest continent, exposing the roots of enduring fractures in Asian unity.




Literature and Politics in the Age of Nationalism


Book Description

This book aims to provide a historical account of the All-India Progressive Writers’ Association (AIPWA). In a structured narrative, it focuses on the political processes inside India, events and circumstances in South Asia and the debates and literary movements in Europe and the United States to demonstrate how the literary project was specifically informed by literary-political movements. It explores the theorisation of literature and politics that informed progressive writing and argues that the progressive conception of literature, art and politics was closer to the theorisation of two thinkers of whom the writers themselves knew very little – Leon Trotsky and Antonio Gramsci. The book charts the progressive movement’s extension into the cultural arena through the Indian People’s Theatre Association (IPTA) and the deepening of its nation-wide character through a progressive nationalism instilled with left-wing ideology. One of the important aims of the AIPWA project was to advance the development of a popular vernacular based on the demotic language of north India – Hindustani. The book locates this issue within the broader nationalist discussion on the national language. Contrary to what is implied by much of the previous scholarship, the book argues that the progressive movement did survive the ravages of partition and that the progressives maintained organisations in both India and Pakistan. It looks at the short-lived but very colourful history of the PWA in Pakistan, using PWA documents, government records and personal testimonies. Arguing that literary output and cultural production cannot be understood, let alone interpreted, outside the context of the nationalist movement, war, independence and partition, the book presents a narrative that necessarily transcends disciplinary boundaries between literature, politics and history. Supplemented with literary and archival sources and oral testimonies from the members of the movement, it pr




Mumbai Fables


Book Description

A sweeping cultural history of India’s largest city A place of spectacle and ruin, Mumbai exemplifies the cosmopolitan metropolis. It is not just a big city but also a soaring vision of modern urban life. Millions from India and beyond, of different ethnicities, languages, and religions, have washed up on its shores, bringing with them their desires and ambitions. Mumbai Fables explores the mythic inner life of this legendary city as seen by its inhabitants, journalists, planners, writers, artists, filmmakers, and political activists. In this remarkable cultural history of one of the world's most important urban centers, Gyan Prakash unearths the stories behind its fabulous history, viewing Mumbai through its turning points and kaleidoscopic ideas, comic book heroes, and famous scandals—the history behind Mumbai's stories of opportunity and oppression, of fabulous wealth and grinding poverty, of cosmopolitan desires and nativist energies. Starting from the catastrophic floods and terrorist attacks of recent years, Prakash reaches back to the sixteenth-century Portuguese conquest to reveal the stories behind Mumbai's historic journey. Examining Mumbai's role as a symbol of opportunity and reinvention, he looks at its nineteenth-century development under British rule and its twentieth-century emergence as a fabled city on the sea. Different layers of urban experience come to light as he recounts the narratives of the Nanavati murder trial and the rise and fall of the tabloid Blitz, and Mumbai's transformation from the red city of trade unions and communists into the saffron city of Hindu nationalist Shiv Sena. Starry-eyed planners and elite visionaries, cynical leaders and violent politicians of the street, land sharks and underworld dons jostle with ordinary citizens and poor immigrants as the city copes with the dashed dreams of postcolonial urban life and lurches into the seductions of globalization. Shedding light on the city's past and present, Mumbai Fables offers an unparalleled look at this extraordinary metropolis.




Handbook of Twentieth-Century Literatures of India


Book Description

India has a rich literary assemblage produced by its many different regional traditions, religious faiths, ethnic subcultures and linguistic groups. The published literature of the 20th century is a particularly interesting subject and is the focus of this book, as it represents the provocative conjuncture of the transitions of Indian modernity. This reference book surveys the major regional literatures of contemporary India in the context of the country's diversity and heterogeneity. Chapters are devoted to particular regions, and the arrangement of the work invites comparisons of literary traditions. Chapters provide extensive bibliographies of primary works, thus documenting the creative achievement of numerous contemporary Indian authors. Some chapters cite secondary works as well, and the volume concludes with a list of general works providing further information. An introductory essay overviews theoretical concerns, ideological and aesthetic considerations, developments in various genres, and the history of publishing in regional literatures. The introduction provides a context for approaching the chapters that follow, each of which is devoted to the literature of a particular region. Each chapter begins with a concise introductory section. The body of each chapter is structured according to social and historical events, literary forms, or broad descriptive or analytic trends, depending on the particular subject matter. Each chapter then closes with an extensive bibliography of primary works, thus documenting the rich literary tradition of the region. Some chapters also cite secondary sources as an aid to the reader. The final chapters of the book address special topics, such as sub-cultural literatures, or the interplay between literature and film. A list of additional sources of general information concludes the volume.




An Epic Unwritten


Book Description

A Collection Of Some Of The Most Memorable Urdu Stories About The Partition And Its Aftermath In This Valuable Addition To The Growing Body Of Literature On The Partition, Muhammad Umar Memon Brings Together Works By The Finest Urdu Writers Of This Century . Manto'S Haunting Story Sahae Is About A Pimp Who Meets With A Tragic End While Trying To Save The Belongings Of One Of His Girls During The Communal Riots In Bombay. Rajinder Singh Bedi S Lajwanti Poignantly Describes The Anguish Of Sundar Lal, Whose Wife Has Been Abducted By The Other Side . Ismat Chughtai S Roots Is A Heart-Rending Tale Of An Old Matriarch, Abandoned By Her Family, Who Prefers To Lose Her Life To Marauding Mobs Rather Than Migrate To An Alien Land. In Addition To These Are More Recent Stories, Such As Muhammad Ashraf'S The Rogue And Illyas Ahmad Gaddi S A Land Without Sky , That Powerfully Evoke The Atmosphere Of Distrust And Paranoia Among Hindus And Muslims Following The Resurgence Of Hindu Nationalism In Post-Independence India. This Volume Also Includes Works By, Among Others, Ashfaq Ahamad, Altaf Fatima, Intizar Hussain, Salam Bin Razzack And Upender Nath Ashk. Skilfully Translated, The Stories Portray With Great Realism And Sensitivity The Human Tragedy That Follows The Collapse Of Mutual Trust In Keeping A Multi-Religious Society Together.




South Asian Gothic


Book Description

This book is the first attempt to theorise South Asian Gothic production as a common cultural landscape, taking into account both the historical perspective and the variety of media texts. The volume consists of fifteen chapters by experts in film, literature and cultural studies of South Asia, representing the diversity of the region and a number of ways in which Gothic manifests in contemporary South Asian cultures. Gothic in South Asia can be read as a distinctive aesthetic, narrative practice, or a process of signification, where conventional Gothic tropes and imagery are assessed anew and global forms are consumed, appropriated, translated, transformed or resisted. The volume investigates South Asian Gothic as a local variety of international Gothic and part of the transnational category of globalgothic, contributing to the ongoing discussion on the need to de-westernise Gothic methodologies and ensure that Gothic scholarship remains relevant in the culturally-diverse modern world.