After the Human


Book Description

It showcases how posthumanism has transformed the humanities and what new work is now possible in light of this unsettling.




After Human


Book Description

From its earliest beginnings in Shelley's Frankenstein, science fiction has been concerned with defining - and redefining - what it means to be human and has explored the human relationship to technology and the natural world in far-reaching ways. Throughout these works, the human emerges as a liminal site where a range of anxieties and beliefs concerningsubjectivity, embodiment, agency, and individuality come into play. This book examines the history of the human in science fiction and the genre's complex engagements with humanism and posthumanism. Beginning with the nineteenth-century works of Shelley, Jules Verne, and H.G. Wells, it ranges from well-known authors such as Isaac Asimov, Arthur C. Clarke, and Ursula Le Guin to less widely studied texts by authors such as Arthur Conan Doyle, Jack London, and E.E. 'Doc' Smith. The human that emerges from this tradition is a complex figure that ultimately comes to reflect the assumptions, beliefs, fears, and ambitions of a diverse range of authors and contexts, while science fiction itself can be seen as a radically - if problematically - posthuman mode of literature.




After Human Rights


Book Description

Fernando J. Rosenberg explores Latin American artistic production concerned with the possibility of justice after the establishment, rise, and ebb of the human rights narrative around the turn of the last century. Prior to this, key literary and artistic projects articulated Latin American modernity by attempting to address and supplement the state's inability to embody and enact justice. Rosenberg argues that since the topics of emancipation, identity, and revolution no longer define social concerns, Latin American artistic production is now situated at a point where the logic and conditions of marketization intersect with the notion of rights through which subjects define themselves politically. Rosenberg grounds his study in discussions of literature, film, and visual art (novels of political re-foundations, fictions of truth and reconciliation, visual arts based on cases of disappearance, films about police violence, artistic collaborations with police forces, and judicial documentaries.) In doing so, he provides a highly original examination of the paradoxical demands on current artistic works to produce both capital value and foster human dignity.




Human, All Too (Post)Human


Book Description

The contemporary has marked itself off from modernity by questioning its humanism that centers the world around the human as the moral subject of free will and self-determination, the bearer of universal essence that is the basis of human rights. Modernism normalizes humanism through language as referential, a set of interrelated signs that correspond to the empirical reality outside it. Humanist modernity, in other words, is seen in the contemporary as a regime that, by separating the human from the non-human and insisting on language as correspondence, not only fails to engage the emerging forms of social relations in which the boundaries of human and machine are fading but is also indifferent to the difference between the “other”’s life and other lives. Human, All Too (Post)Human: The Humanities after Humanism argues that the Nietzschean tendencies that provide the philosophical boundaries of post-humanism do not undo humanism but reform it, constructing a parallel discourse that saves humanism from itself. Grounded in materialist analysis of social life, Human, All Too (Post)Human argues that humanism and post-humanism are cultural discourses that normalize different stages of capitalism—analog and digital capitalism. They are different orders of property relations. The question, the writers argue, is not humanism or post-humanism, namely cultural representations, but the material relations of production that are centered on wage labor. Language, free will, or human rights are not the issues since “Right can never be higher than the economic structure of society and its cultural development conditioned thereby.” The question that shapes all questions, in Human, All Too (Post)Human is freedom from (wage) labor.




Afterhuman


Book Description

THIS IS THE WAY THE WORLD ENDS NOT WITH A BANG BUT A RERUN... What if the apocalypse had come and gone and no one noticed? What if the human race were already extinct but no one bothered to tell it? What if our reality were just a program to entertain and feed those who've been here since before time began? Now a would-be pop culture messiah has arisen to liberate mankind through a new religion of nihilism, mass murder, and suicide. His latest acts of carnage threaten to destroy the carefully constructed web of deception that holds together our reality. To stop him, Caleb Darr has been sanctified as cop and executioner. A killer in his own right, Darr has no choice but to accept the assignment from an entity even more dangerous than himself. It's a mission that will lead him through a dizzying realm of Dionysian death parties, Internet human sacrifices, and the visions of a madman who seeks to bring about an apocalypse to end all apocalypses.




After Evil


Book Description

The way in which mainstream human rights discourse speaks of such evils as the Holocaust, slavery, or apartheid puts them solidly in the past. Its elaborate techniques of "transitional" justice encourage future generations to move forward by creating a false assumption of closure, enabling those who are guilty to elude responsibility. This approach to history, common to late-twentieth-century humanitarianism, doesn't presuppose that evil ends when justice begins. Rather, it assumes that a time before justice is the moment to put evil in the past. Merging examples from literature and history, Robert Meister confronts the problem of closure and the resolution of historical injustice. He boldly challenges the empty moral logic of "never again" or the theoretical reduction of evil to a cycle of violence and counterviolence, broken only once evil is remembered for what it was. Meister criticizes such methods for their deferral of justice and susceptibility to exploitation and elaborates the flawed moral logic of "never again" in relation to Auschwitz and its evolution into a twenty-first-century doctrine of the Responsibility to Protect.




After Eden


Book Description

Sale asserts that vestiges of a more ecologically sound way of life do exist today, offering redemptive possibilities for ourselves and for the planet."--BOOK JACKET.




After the Ice


Book Description

"Drawing on the latest research in archaeology, human genetics, and environmental science, After The Life takes the reader on a sweeping tour of 15,000 years of human history."--Cover.




After We Die


Book Description

What will become of our earthly remains? What happens to our bodies during and after the various forms of cadaver disposal available? Who controls the fate of human remains? What legal and moral constraints apply? Legal scholar Norman Cantor provides a graphic, informative, and entertaining exploration of these questions. After We Die chronicles not only a corpse’s physical state but also its legal and moral status, including what rights, if any, the corpse possesses. In a claim sure to be controversial, Cantor argues that a corpse maintains a “quasi-human status" granting it certain protected rights—both legal and moral. One of a corpse’s purported rights is to have its predecessor’s disposal choices upheld. After We Die reviews unconventional ways in which a person can extend a personal legacy via their corpse’s role in medical education, scientific research, or tissue transplantation. This underlines the importance of leaving instructions directing post-mortem disposal. Another cadaveric right is to be treated with respect and dignity. After We Die outlines the limits that “post-mortem human dignity” poses upon disposal options, particularly the use of a cadaver or its parts in educational or artistic displays. Contemporary illustrations of these complex issues abound. In 2007, the well-publicized death of Anna Nicole Smith highlighted the passions and disputes surrounding the handling of human remains. Similarly, following the 2003 death of baseball great Ted Williams, the family in-fighting and legal proceedings surrounding the corpse’s proposed cryogenic disposal also raised contentious questions about the physical, legal, and ethical issues that emerge after we die. In the tradition of Sherwin Nuland's How We Die, Cantor carefully and sensitively addresses the post-mortem handling of human remains.




On Human Bondage


Book Description

On Human Bondage—a critical reexamination of Orlando Patterson’s groundbreaking Slavery and Social Death—assesses how his theories have stood the test of time and applies them to new case studies. Discusses the novel ideas of social death and natal alienation, as Patterson first presented them 35 years ago and as they are understood today Brings together exciting new work by a group of esteemed historians of slavery, as well as a final chapter by Patterson himself that responds to and expands upon the other contributions Provides insights into slave societies around the world and across time, from classical Greece and Rome to modern Brazil and the Caribbean, and from Han China and pre-colonial South Asia to early modern Europe and the New World Delves into a wide range of topics, including the reformation of social identity after slavery, the new historicist approach to slavery, rituals of enslavement and servitude, questions of honor and dishonor, and symbolic imagery of slavery