Age of Contradiction


Book Description

In Age of Contradiction, Howard Brick provides a rich context for understanding historical events, cultural tensions, political figures, artistic works, and trends of intellectual life. His lucid and comprehensive book combines the best methods of historical analysis and assessment with fascinating subject matter to create a three-dimensional portrait of a complicated time. In one of the only books on the 1960s to put ideas at the center of the period's history, Brick carefully explores the dilemmas, the promise, and the legacy of American thought in that time.




Contradictions


Book Description

Yang Gui-ja is one of Korea's major literary figures of the last generation, with a succession of literary prizes and best-sellers to her credit. Her most representative early work, the 1987 Wonmi-dong saramdeul, is available in English as A Distant and Beautiful Place. In the 1990s her writing took an increasingly personal turn with a series of popular works including Contradictions (Mosun), South Korea's best-selling novel in 1998. Contradictions is a coming-of-age tale that explores the paradoxes and contradictions of the human condition and delves into the meaning of personal happiness. The book opens with a moment of epiphany as the main character An Jin-jin awakens to the realization that her entire energy must be devoted to her own life. She struggles over whom to marry with an awareness of consequences gleaned from seeing the divergence in the lives of twin sisters--her mother and her aunt. A host of binary oppositions is also presented in the lives of the men around her: a wannabe gang boss brother, an Ivy League cousin, an alcoholic schizophrenic father, a steadfast but rigid uncle, and her two suitors. Yang skillfully develops these characters in increasingly complex threads as the novel unfolds in a series of surprises.




The Contradictions


Book Description

Sophie is young and queer and into feminist theory. She decides to study abroad, choosing Paris for no firm reason beyond liking French comics. Feeling a bit lonely and out of place, she’s desperate for community and a sense of belonging. She stumbles into what/who she’s looking for when she meets Zena. An anarchist student-activist committed to veganism and shoplifting, Zena offers Sophie a whole new political ideology that feels electric. Enamored—of Zena, of the idea of living more righteously—Sophie finds herself swept up in a whirlwind friendship that blows her even further from her rural California roots as they embark on a disastrous hitchhiking trip to Amsterdam and Berlin, full of couch surfing, drug tripping, and radical book fairs. Capturing that time in your life where you’re meeting new people and learning about the world—when everything feels vital and urgent—The Contradictions is Sophie Yanow’s fictionalized coming-of-age story. Sophie’s attempts at ideological purity are challenged time and again, putting into question the plausibility of a life of dogma in a world filled with contradictions. Keenly observed, frank, and very funny, The Contradictions speaks to a specific reality while also being incredibly relatable, reminding us that we are all imperfect people in an imperfect world.




Complexity and Contradiction in Architecture


Book Description

Foreword by Arthur Drexler. Introduction by Vincent Scully.




The Age of Acrimony


Book Description

A penetrating, character-filled history “in the manner of David McCullough” (WSJ), revealing the deep roots of our tormented present-day politics. Democracy was broken. Or that was what many Americans believed in the decades after the Civil War. Shaken by economic and technological disruption, they sought safety in aggressive, tribal partisanship. The results were the loudest, closest, most violent elections in U.S. history, driven by vibrant campaigns that drew our highest-ever voter turnouts. At the century's end, reformers finally restrained this wild system, trading away participation for civility in the process. They built a calmer, cleaner democracy, but also a more distant one. Americans' voting rates crashed and never fully recovered. This is the origin story of the “normal” politics of the 20th century. Only by exploring where that civility and restraint came from can we understand what is happening to our democracy today. The Age of Acrimony charts the rise and fall of 19th-century America's unruly politics through the lives of a remarkable father-daughter dynasty. The radical congressman William “Pig Iron” Kelley and his fiery, Progressive daughter Florence Kelley led lives packed with drama, intimately tied to their nation's politics. Through their friendships and feuds, campaigns and crusades, Will and Florie trace the narrative of a democracy in crisis. In telling the tale of what it cost to cool our republic, historian Jon Grinspan reveals our divisive political system's enduring capacity to reinvent itself.




The Principle of Contradiction


Book Description

Conze’s monograph The Principle of Contradiction: On the Theory of Dialectical Materialism is his most important philosophical work and the foundation for his later publications as a Buddhist scholar and translator. The openly Marxist work was published under considerable risk to both printer and author alike in December 1932 in Hamburg, Germany. Only months later, in May 1933, almost all of the five hundred copies of the first edition were destroyed during the Nazi book burning campaign. It is only now, more than eighty years later, that Conze’s key philosophical work is made available to a broad audience in this English translation. In the work, Conze sets out to develop a detailed account of the historical and material conditions that support the emergence, production, and transmission of theoretical knowledge—as exemplified by the principle of contradiction—and, furthermore, to show that under different social and historical conditions the allegedly necessary truth and indubitable content of the principle would dissolve and be replaced by a radically different understanding of the principle of contradiction—a dialectic understanding of the principle that would compel a rejection of the Aristotelian dogma. From a Marxist perspective, the analysis and critique of the principle of contradiction is a crucial and necessary step towards a dialectical understanding of philosophical (and political) theory and practice. Conze’s monograph, which attempts to clear the ground for a deeper understanding of the very foundation of classical Marxist thought, may very well be the most comprehensive Marxist critique of the Aristotelian principle of contradiction available to this day. However, Conze’s pioneering 1932 monograph goes well beyond the constraints of an orthodox Marxist analysis. His erudite and scholarly account of the history and evolution of the principle of contradiction illuminates the thought of Aristotle, Marx, and Buddha, and provides the groundwork for a new cross-cultural and interdisciplinary approach to philosophical theory and practice.




Contradiction Set Free


Book Description

First published in in 1976, Hermann Levin Goldschmidt's Contradiction Set Free, (Freiheit für den Widerspruch), reflects the push to explore new forms of critical thinking that gained momentum in the decade between Theodor Adorno's Negative Dialectics of 1966 and Paul Feyerabend's Against Method in 1975. The book articulates Goldschmidt's reclamation of an epistemologically critical position that acknowledges the deep underlying link between the modes of production of knowledge and the social and political life they produce. In signalling a breakout from the academic rut and its repressive hold, Goldschmidt pointed beyond the ossified methods of a philosophical discourse whose oppressive consequences could no longer be ignored.Contradiction Set Free makes available for the first time in English a pivotal work by one of the great critical thinkers of the 20th century.




Cities in the Urban Age


Book Description

We live in a self-proclaimed Urban Age, where we celebrate the city as the source of economic prosperity, a nurturer of social and cultural diversity, and a place primed for democracy. We proclaim the city as the fertile ground from which progress will arise. Without cities, we tell ourselves, human civilization would falter and decay. In Cities in the Urban Age, Robert A. Beauregard argues that this line of thinking is not only hyperbolic—it is too celebratory by half. For Beauregard, the city is a cauldron for four haunting contradictions. First, cities are equally defined by both their wealth and their poverty. Second, cities are simultaneously environmentally destructive and yet promise sustainability. Third, cities encourage rule by political machines and oligarchies, even as they are essentially democratic and at least nominally open to all. And fourth, city life promotes tolerance among disparate groups, even as the friction among them often erupts into violence. Beauregard offers no simple solutions or proposed remedies for these contradictions; indeed, he doesn’t necessarily hold that they need to be resolved, since they are generative of city life. Without these four tensions, cities wouldn’t be cities. Rather, Beauregard argues that only by recognizing these ambiguities and contradictions can we even begin to understand our moral obligations, as well as the clearest paths toward equality, justice, and peace in urban settings.




The Power of Images in the Age of Augustus


Book Description

Examines the imperial mythology that was reflected by Roman art and architecture during the rule of Augustus Caesar




City of Green Benches


Book Description

St. Petersburg, Florida, has become virtually synonymous with retirement and old age. The city of green benches once courted its elderly population; now, however, it seeks to rejuvenate its image, to attract the young through urban revitalization. In this humane and sensitive book, Maria Vesperi, an anthropologist and journalist, looks at the realities of being old and poor in the rapidly changing downtown of St. Petersburg. Vesperi provides a complete and carefully observed picture of the elderly: the conditions of their_ lives, representative social programs created to provide for them, and their interaction with the city around them. The life of the old in St. Petersburg, she notes, is characterized by a profound contradiction between how the elderly see themselves and how they are viewed by the community-a contradiction that speaks of the way cultural stereotypes about aging are transmitted to all older Americans. As a culture, Vesperi maintains, we view the old as an isolated segment of humanity without a living future or even an ongoing present. She seeks to understand the ways in which the old respond to the distorted image that they meet with every day, not only in their relations with individuals but in their dealings with the institutions set up specifically to care for them. Her study of St. Petersburg explores questions that are significant throughout the United States: How did our rigid cultural assumptions about old age develop, and how can we change them? Why do so many gerontologists, public officials, and social workers tacitly subscribe to that misconception? How does it inform the development and operation of public programs for the elderly? Enlivened by the voices of the old people of St. Petersburg and enriched with photographs by Ricardo Ferro, this moving book is important reading for anyone concerned with the life of the elderly in America.