American Druggist
Author :
Publisher :
Page : 566 pages
File Size : 36,92 MB
Release : 1909
Category : Electronic journals
ISBN :
Author :
Publisher :
Page : 566 pages
File Size : 36,92 MB
Release : 1909
Category : Electronic journals
ISBN :
Author : Health and Human Services Supply Service Center (U.S.)
Publisher :
Page : 506 pages
File Size : 49,3 MB
Release : 1996*
Category : Drugs
ISBN :
Author :
Publisher :
Page : 984 pages
File Size : 21,59 MB
Release : 1907
Category : Materia medica
ISBN :
Author : PHS Supply Service Center (U.S.)
Publisher :
Page : 716 pages
File Size : 32,9 MB
Release :
Category : Medical instruments and apparatus
ISBN :
Author : United States. Health Resources and Services Administration. Supply Service Center
Publisher :
Page : 538 pages
File Size : 33,23 MB
Release : 1988
Category : Medical instruments and apparatus
ISBN :
Author : United States. Patent Office
Publisher :
Page : 1036 pages
File Size : 28,33 MB
Release : 1937
Category : Patents
ISBN :
Author : United States. Health Resources and Services Administration. Supply Service Center
Publisher :
Page : 556 pages
File Size : 10,50 MB
Release : 1989
Category : Medical instruments and apparatus
ISBN :
Author :
Publisher :
Page : 614 pages
File Size : 23,52 MB
Release : 1925
Category : Containers
ISBN :
Author : United States. Health Resources and Services Administration. Supply Service Center
Publisher :
Page : 548 pages
File Size : 35,80 MB
Release : 1990
Category : Medical instruments and apparatus
ISBN :
Author : Willard Bohn
Publisher : Bucknell University Press
Page : 274 pages
File Size : 33,68 MB
Release : 2005
Category : Art
ISBN : 9780838756119
The concept of poesie critique - poetry that possesses both a poetic and a critical function - has an extensive history in modern literature. Written in response to another work of art, be it a painting, a film, a poem, or a piece of music, the critical poem comments on the latter in various ways but refuses to abandon its poetic mission. Marvelous Encounters examines surrealist poets writing in French, Spanish, and Catalan who experimented with this intriguing genre. The first three chapters are concerned with the French surrealists, who began to cultivate critical poetry toward the end of World War I. Chapter 2 considers how Louis Aragon and Philippe Soupault appropriated the critical poem, as they reviewed books of poetry and films starring Charlie Chaplin. Chapter 3, which examines how Benjamin Peret and Paul Eluard conceived of critical poetry, analyzes their response to poems by Tristan Tzara and paintings by Giorgio de Chirico and Joan Miro. Chapter 4 is devoted entirely to Andre Breton.