Ah Jubah!


Book Description

Ah Jubah! A PleaPrayerPromise is a revolution in ink. This rich curvilinear novel chronicles the emergence of six collectives who unite through time and space for the liberation and elevation the Pan African world. Ah Jubah! features Kandace and Cynthia who open a soul food restaurant that specializes in the culinary culling of racist oppressors; Azure and Alteveze who unite warring gangs, convert projects into quilombos, and introduce local authorities to the precision of divine retribution; and Orisa Oya and the Egbe Aje who preside over Edan’s global tribunal for the prosecution of crimes against humanity. These are only three examples of the liberatory works enacted by warriors who revolutionize the concept of revolution. Ah Jubah! offers a dynamic reconceptualization and resuscitation of such revolutionary Black organizations as Ogboni Ibile, the Deacons for Defense, and the Black Liberation Army. The novel also builds on and expands the literary revolutionary impetus of Sam Greenlee’s The Spook Who Sat By The Door, the Seven Days of Toni Morrison’s Song of Solomon, and the society of the ankh of Ayi Kwei Armah’s Osiris Rising. Asiri Odu’s stunning debut novel spans from the dawn of time to the immediate future to offer its audience a blueprint for holistic empowerment for nearly every era, condition, and dilemma.




The African World in Dialogue


Book Description

The African World in Dialogue: An Appeal to Action! is a probing and politically timely collection of essays, interviews, speeches, poetry, short stories, and proposals. These rich works illuminate the struggles, dreams, triumphs, impediments, and diversity of the contemporary African world. The African World in Dialogue contains five sections: "Listen: The Ink Speaks"; "Restitutions, Resolutions, Revolutions"; "Africanity, Education, and Technology"; "Life Lines from the Front Lines"; and "Gender, Power, and Infinite Promise." Each section brims with provocative and compelling insights from elder-warriors, wordsmiths, journalists, and academics, many of whom are also activists. The volume's contributors include Tunde Adegbola, Muhammad Ibn Bashir, Jacqueline Bediako, Charlie Braxton, Alieu Bundu, Baba A. O. Buntu, Chinweizu, Ricardo Cortez Cruz, Oyinlola Longe, Jumbe Kweku Lumumba, Morgan Miller, Asiri Odu, Chinwe Ezinna Oriji, Kevin Powell, Blair Marcus Proctor, Ishola Akindele Salami, Aseret Sin, Teresa N. Washington, and Ayoka Wiles. The book also features interviews with Hilary La Force, Mandingo, Kambale Musavili, and Prince Kuma N’dumbe. With selections designed to critique and in many cases upend conventional political thought, educational norms, fantasies of social progress, and gender myths, The African World in Dialogue challenges its audience. The book’s “Appeal to Action” is literal: Rather than offering eloquent elaborations of African world woes, The African World in Dialogue offers detailed plans and paths for emancipation and elevation that readers are urged to implement. Activists and scholars of African studies, African American studies, Pan-Africanism, criminal justice, Black revolutionary thought and action, gender studies, sociology, and political science will find this book to be both inspirational and indispensable.




Manifestations of Masculine Magnificence


Book Description

Manifestations of Masculine Magnificence: Divinity in Africana Life, Lyrics, and Literature is a remarkable study and the first of its kind. Teresa N. Washington eschews popular culture’s pimp myths and thug sagas and traces the Africana man’s power, creativity, and consciousness to his inherent divinity. Manifestations of Masculine Magnificence takes the reader to the source of power with an analysis of African Divinities and divine technologies. Washington explores the permanence and proliferation of African Gods from oppressive plantations to the empowering proclamations of such leaders as W. D. Fard, Marcus Garvey, Father Divine, and Allah, the Father. Washington analyzes the summonses to and from the Gods that resonate in the music of such artists as Erykah Badu, The RZA, Sun Ra, X Clan, and Rakim. Using literary analysis as a prism to display the diversity of Africana divinity, Washington reveals the literature of such writers as August Wilson, Walter Mosley, Toni Morrison, Ngugi wa Thiong’o, and Ishmael Reed to be three-way mirrors that eternally reflect and project the Gods, their myriad powers, and their weighty responsibilities. Manifestations of Masculine Magnificence will prove indispensable to independent scholars as well as scholars of Comparative Literature, Hip Hop Studies, Gender Studies, Africana Studies, Literary Criticism, and Religious Studies.




Our Mothers, Our Powers, Our Texts


Book Description

“Blazes a new trail in Africana literary criticism by providing an insight into the soul and spirit of Africana womanhood.” --Anthonia Kalu, The Ohio State University, author of Women, Literature, and Development in Africa This is the revised and expanded edition of Teresa N. Washington's groundbreaking book Our Mothers, Our Powers, Our Texts: Manifestations of Aje in Africana Literature. In Yoruba language and culture, Aje signifies both a phenomenal spiritual power and the human beings who exercise that power. Aje is the birthright of Africana women who are revered as the Gods of Society. While Africana men can have Aje, its owners and controllers are Africana women. Because it is an African female power, and due to its invisibility, ubiquity, and profundity, Aje is often maligned as witchcraft. However, as Teresa N. Washington reveals in Our Mothers, Our Powers, Our Texts, Aje is central to the Yoruba ethos, worldview, and cosmology. Not only is it essential to human creation and artistic creativity, but as a force of justice and retribution, Aje is vital to social harmony and balance. Washington analyzes forms, figures, and forces of Aje in the Yoruba world, in the Caribbean Islands, in Latin America, and in African America. Washington's research reveals that with the exile and enslavement of millions of Africans, Aje became a global force and an essential ally in organizing insurrections, soothing shattered souls, and reminding the dispossessed of their inherent divinity. From her in-depth exploration of Aje in Pan-African history and orature, Washington guides readers through rich analyses of the symbolic, methodological, and spiritual manifestations of Aje that are central to important works by Africana writers but are rarely elucidated by Western criticism. Our Mothers, Our Powers, Our Texts includes innovative readings of works by many Africana writers, including Zora Neale Hurston, Toni Morrison, Ben Okri, Wole Soyinka, Jamaica Kincaid, and Ntozake Shange. This revised and expanded edition of Our Mothers, Our Powers, Our Texts will appeal to scholars of Africana literature, African religion and philosophy, gender studies, and comparative literature. Devotees of Africana spiritual systems will find this book to be indispensable.




Saudi Arabia


Book Description




Sunset on the Horizon A Maroon Woman's Story


Book Description

A young woman leaves London to attend a funeral in Kingston, Jamaica. While on the island, she reflects upon the difficulties she and other Caribbean women encounter in the UK. As a result, Cubah embarks upon a spiritual, physical and mental journey. She 'finds' herself through a mysterious encounter with a freedom fighting Maroon. The young woman learns to appreciate the many connections that exist between modern day Jamaica and ancient Africa. She learns a new respect for her ancestors, who were the gate-keepers of all life-forms before Europeans invaded the continent. The Maroons taught Cubah that colonisation, motivated by greed, led to the decimation of people, cultures, natural resources, animals and the environment. They taught her that it was not the beginning of civilisation but the end. The moving tale introduces the reader to the importance of Sankofa and the coming of age of the protagonist. The riveting story is told through a gamut of 'real life' characters, all of whom, represent TIME PAST, TIME PRESENT AND TIME FUTURE.




Egypt


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A Dictionary of Islam


Book Description




Worlds of Rage #9


Book Description

A lot is happening behind the scenes in the Rage Universe, and many stories are still left to be told. Most of these stories will be told in Worlds of Rage. • Serena: Who is Serena? The young and innocent priestess going to the Gonthor Mountains with her companions Mark and Orin? The giant blond mercenary-bashing warrior woman? The mysterious young woman on her way to Trall with Basilius’ party featured in Rage #6? Or maybe the one who got killed by mercenaries a while ago? And what is Serena’s mission anyway? All these questions are answered in this chapter! And hey, let’s take this opportunity to introduce a new Serena! • Arcana: What really happened in the fortress of Kahel? How did it end up a nest of demons, with an Hell’s Pit in the dungeons? How did Master Demon Torg become its new lord and master? Well, it’s Answers Time in Arcana too! In the last chapter, Torg, Sibelius and an army of mercenaries were on their way to the fortress of Kahel. With the fortress in sight, Brann saw his lover, Aelwen, daughter of the Lord of Kahel, entering the fortress with her party. Now, Sibelius and Torg are at the doors of Kahel, ready to fight its Lord and soldiers, and if Brann does nothing, Aelwen will be caught in the middle! • The Rage Universe isn’t limited to the European Kingdom of Arthkan. Events are beginning to unfold in Kusha, the African continent of the Rage Universe, which will ultimately have an impact on the Rage Series. The origin of these events will be told in the very first Rage Strip, Curse of the Panthermen, and it all begins in a tunnel, in the diamond mines of the Bathu City. M’jala, Bwerani and Hokwui are slaves working in the mines. Outside of the mines are a little group of mercenaries led by chief Gakere, and waiting for sorcerer Asukile’s green light to take the mine. After an accident which set them free, Hokwui, possessed by Asukile, becomes the leader of a group of rebel slaves, while M’jala and Bwerani flee in the tunnels. The rebels are losing, and Gakere is angry. He needs the guards to die, and the slaves to stay in the mines. So now, Asukile is speeding up the next part of his plan. For this part, he will need a spell. And for the spell, he will need sacrifices. But one of the sacrifices isn’t going to make this easy… • Discover more Black and White and Color pages of Rage Bane of Demons, the original Rage Graphic Novel, in the Bonus Pages section!