Air, Water, Earth, Fire


Book Description

The book describes the structure, composition and evolution of the Earth, the main geological processes occurring on it, and how some crucial environmental matters that are amply debated in the media (e.g. pollution, greenhouse effect) can be fully understood by placing them in the holistic context of the system Earth as a whole. It provides basic information on a series of key geological issues, from the structure and composition of the Earth to the large-scale processes that characterize our planet, such as rock alteration and sedimentation, magmatism, geomagnetism, seismicity, plate tectonics, cyclical migration of chemical elements through various Earth reservoirs (Geochemical Cycles), and evolution of the planet from Hadean to present. It intends to reach a wide readership, which is interested in our planet and wish to have a general and comprehensive view of its origin, evolution and activity. Potential readership includes undergraduate and advanced undergraduate students in Geology and other scientific disciplines, and any moderately- to well-educated people interested in the surrounding world and eager to gain a basic knowledge of the Earth and to reach an integrated view of how our planet is working.




Earth, Fire, Water, Air


Book Description

Uses myths, legends, images, and ideas from around the world to tell how four basic natural elements have inspired people in the past.




Earth, Water, Air, Fire


Book Description

Forced to interact with the natural elements that invigorate a built structure and co-determine a building's experiential reality during construction, one ought to keep in mind their brute powers - earth's crushing heaviness, the erratic character of water, air's thermo-dynamic cataclysms, or the dangerous benignity of fire. Affective in a direct way, they act as guiding principles in the process of realization: While the earth targets the foundations, the roof shields from water, the openings control the flow of air, and the walls protect from the gleaming sun.




Painting the Elements


Book Description

Air, Water, Earth, Fire. All life on earth depends on and survives because of the four elements of nature. Poets and painters alike have captured their allure and our desire for beauty. But how do artists render the essence of atmosphere and light, the sky, fog and mist, and wind and snow, as well as different terrain, mountains, wildfire, and festive fireworks? Now, over 50 contemporary artists and more than 400 paintings reveal the secret in every possible style. Here's what is available to you here: Each topic is analyzed according to its specific properties and uses. You find the resources, methods, and styles most suited to represent each element. Each chapter offers step-by-step exercises and tutorial videos. This is magic and method all wrapped into one volume. The artists here will speak to you and you can learn from their insight and the direction in which they pursue their artistic goals.




Earth, Water, Fire, and Air


Book Description

This craft book for children shows how to make a waterwheel, paddle-steamer, propeller plane, parachute, windmill, simple pendulum clock, spinning tops, a little hot-air carousel, a hot-air balloon and lots more.




ON GENERATION AND CORRUPTION


Book Description

�OUR next task is to study coming-to-be and passing-away. We are to distinguish the causes, and to state the definitions, of these processes considered in general-as changes predicable uniformly of all the things that come-to-be and pass-away by nature. Further, we are to study growth and 'alteration'. We must inquire what each of them is; and whether 'alteration' is to be identified with coming-to-be, or whether to these different names there correspond two separate processes with distinct natures. On this question, indeed, the early philosophers are divided. Some of them assert that the so-called 'unqualified coming-to-be' is 'alteration', while others maintain that 'alteration' and coming-to-be are distinct. For those who say that the universe is one something (i.e. those who generate all things out of one thing) are bound to assert that coming-to-be is 'alteration', and that whatever 'comes-to-be' in the proper sense of the term is 'being altered': but those who make the matter of things more than one must distinguish coming-to-be from 'alteration'. To this latter class belong Empedocles, Anaxagoras, and Leucippus. And yet Anaxagoras himself failed to understand his own utterance. He says, at all events, that coming-to-be and passing-away are the same as 'being altered':' yet, in common with other thinkers, he affirms that the elements are many. Thus Empedocles holds that the corporeal elements are four, while all the elements-including those which initiate movement-are six in number; whereas Anaxagoras agrees with Leucippus and Democritus that the elements are infinite.�




Elemental Philosophy


Book Description

Bachelard called them "the hormones of the imagination." Hegel observed that, "through the four elements we have the elevation of sensuous ideas into thought." Earth, air, fire, and water are explored as both philosophical ideas and environmental issues associated with their classical and perennial conceptions. David Macauley embarks upon a wide-ranging discussion of their initial appearance in ancient Greek thought as mythic forces or scientific principles to their recent reemergence within contemporary continental philosophy as a means for understanding landscape and language, poetry and place, the body and the body politic. In so doing, he shows the importance of elemental thinking for comprehending and responding to ecological problems. In tracing changing views of the four elements through the history of ideas, Macauley generates a new vocabulary for and a fresh vision of the environment while engaging the elemental world directly with reflections on their various manifestations.




Elemental Ecocriticism


Book Description

For centuries it was believed that all matter was composed of four elements: earth, air, water, and fire in promiscuous combination, bound by love and pulled apart by strife. Elemental theory offered a mode of understanding materiality that did not center the cosmos around the human. Outgrown as a science, the elements are now what we build our houses against. Their renunciation has fostered only estrangement from the material world. The essays collected in Elemental Ecocriticism show how elemental materiality precipitates new engagements with the ecological. Here the classical elements reveal the vitality of supposedly inert substances (mud, water, earth, air), chemical processes (fire), and natural phenomena, as well as the promise in the abandoned and the unreal (ether, phlogiston, spontaneous generation). Decentering the human, this volume provides important correctives to the idea of the material world as mere resource. Three response essays meditate on the connections of this collaborative project to the framing of modern-day ecological concerns. A renewed intimacy with the elemental holds the potential of a more dynamic environmental ethics and the possibility of a reinvigorated materialism.




Earth, Water, Fire, Air


Book Description

Grades 26 Get your students singing and playing with this suite of six songs featuring unison, two-part and three-part singing, speech ostinati, instrumental accompaniments, poetry, interpretive signing, recorder playing, and movement that celebrates the elements of nature. Present the entire suite in your next performance, or use each song on its own.




Earth, Air, Fire & Water


Book Description

"A treasure trove of practical magic for both novices and more experienced practitioners...beautifully crafted spells that invoke the alchemy of possibility."—PanGaia A leaf from an oak tree...a wildflower...water from a sparkling stream...dirt from a cool dark cave—these are the age-old tools of natural magic. Born of the earth, possessing inherent power, they await only our touch and intention to bring their magical qualities to life. The four elements are powerful magical tools. Using their energies, we can transform ourselves, our lives, and our world. This much-loved, classic guide offers more than seventy-five spells, rites, and simple rituals you can perform using the marvelous powers of the natural world. Scott Cunningham was a greatly respected teacher and one of the most influential members of the modern Craft movement. A practitioner of elemental magic for twenty years, he wrote more than fifty books, including the seminal Wicca: A Guide for the Solitary Practitioner.