Alarms and Discursions


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Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.




Alarms and Discursions


Book Description




Alarms and Discursions


Book Description

If Mr. Chesterton had been permitted to have his own way this handful of papers would have been sent out under the title of "Gargoyles." Perhaps the publisher foresaw horror upon the faces of really unimaginative readers when once brought face to face with a "monster" title; so it was changed to "Alarms and discursions," as indefinite and capable of possibilities as one could wish. "Fragments of futile journalism or fleeting impressions," Mr. Chesterton calls his essays. "This row of shapeless and ungainly monsters . . . does not consist of separate idols cut out capriciously in lonely valleys or various islands. These monsters are meant for the gargoyles of a definite cathedral. I have to carve the gargoyles, because I can carve nothing else; I leave to others the angels and the arches and the spires." Forty essays, in which excellent common sense and brilliantly phrased wisdom mingle with sheer nonsense.




Alarms and Discursions


Book Description

If Mr. Chesterton had been permitted to have his own way this handful of papers would have been sent out under the title of "Gargoyles." Perhaps the publisher foresaw horror upon the faces of really unimaginative readers when once brought face to face with a "monster" title; so it was changed to "Alarms and discursions," as indefinite and capable of possibilities as one could wish. "Fragments of futile journalism or fleeting impressions," Mr. Chesterton calls his essays. "This row of shapeless and ungainly monsters . . . does not consist of separate idols cut out capriciously in lonely valleys or various islands. These monsters are meant for the gargoyles of a definite cathedral. I have to carve the gargoyles, because I can carve nothing else; I leave to others the angels and the arches and the spires." Forty essays, in which excellent common sense and brilliantly phrased wisdom mingle with sheer nonsense.




Alarms and Discursions


Book Description




In Defense Of Sanity


Book Description

G.K. Chesterton was a master essayist. But reading his essays is not just an exercise in studying a literary form at its finest, it is an encounter with timeless truths that jump off the page as fresh and powerful as the day they were written. The only problem with Chesterton's essays is that there are too many of them. Over five thousand! For most GKC readers it is not even possible to know where to start or how to begin to approach them. So three of the world's leading authorities on Chesterton - Dale Ahlquist, Joseph Pearce, Aidan Mackey - have joined together to select the "best" Chesterton essays, a collection that will be appreciated by both the newcomer and the seasoned student of this great 20th century man of letters. The variety of topics are astounding: barbarians, architects, mystics, ghosts, fireworks, rain, juries, gargoyles and much more. Plus a look at Shakespeare, Dickens, Jane Austen, George MacDonald, T.S. Eliot, and the Bible. All in that inimitable, formidable but always quotable style of GKC. Even more astounding than the variety is the continuity of Chesterton's thought that ties everything together. A veritable feast for the mind and heart. While some of the essays in this volume may be familiar, many of them are collected here for the first time, making their first appearance in over a century.




The Quotable Chesterton


Book Description

G. K. Chesterton was a literary giant of his age. With an exceptional intellect, he wrote about history, politics, economics, philosophy, social and literary criticism, and theology. He published essays, novels, biographies, short stories, and poetry, and the Christian classics Heretics, Orthodoxy, and The Everlasting Man, which C. S. Lewis credits as instrumental in his conversion to Christianity. With much of his finest material out of print or hard to find, modern readers have long needed a standard collection of his best thoughts. Kevin Belmonte’s The Quotable Chesterton brings them to you arranged alphabetically by topic, with complete original source documentation. There are entries from Adventure to Cheese, Politics to Émile Zola, interspersed with essays about Chesterton’s life and times. Hundreds of passages drawn from Chesterton’s fiction, poetry, essays, and other books showcase a man the New York Times hailed as a “brilliant English essayist” and George Bernard Shaw called a “colossal genius.” Endorsements: “There isn’t a writer who gets me pacing and smiling and thinking like G.K. Chesterton. His every paradigm shift is an adjustment to my mental compass, and so a gift.” —DONALD MILLER, author of the New York Times bestsellers A Million Miles in a Thousand Years and Blue Like Jazz “Over the years, I have delivered thousands of lectures, speeches, talks, and sermons; I have written hundreds of articles, essays, books, and reviews; it is an exceedingly rare occasion when any of them should fail to contain the words ‘Chesterton once said.’ Kevin Belmonte here reveals that fountain of wit, wisdom, and wonder, G.K. Chesterton, in all his irresistibly, irrepressibly, quotable splendor.”—GEORGE GRANT, Pastor, Parish Presbyterian Church, and Chancellor, New College Franklin




Alarms and Discursions


Book Description

Alone at some distance from the wasting walls of a disused abbey I found half sunken in the grass the grey and goggle-eyed visage of one of those graven monsters that made the ornamental water-spouts in the cathedrals of the Middle Ages. It lay there, scoured by ancient rains or striped by recent fungus, but still looking like the head of some huge dragon slain by a primeval hero. And as I looked at it, I thought of the meaning of the grotesque, and passed into some symbolic reverie of the three great stages of art. I Once upon a time there lived upon an island a merry and innocent people, mostly shepherds and tillers of the earth. They were republicans, like all primitive and simple souls; they talked over their affairs under a tree, and the nearest approach they had to a personal ruler was a sort of priest or white witch who said their prayers for them. They worshipped the sun, not idolatrously, but as the golden crown of the god whom all such infants see almost as plainly as the sun. Now this priest was told by his people to build a great tower, pointing to the sky in salutation of the Sun-god; and he pondered long and heavily before he picked his materials. For he was resolved to use nothing that was not almost as clear and exquisite as sunshine itself; he would use nothing that was not washed as white as the rain can wash the heavens, nothing that did not sparkle as spotlessly as that crown of God. He would have nothing grotesque or obscure; he would not have even anything emphatic or even anything mysterious. He would have all the arches as light as laughter and as candid as logic. He built the temple in three concentric courts, which were cooler and more exquisite in substance each than the other. For the outer wall was a hedge of white lilies, ranked so thick that a green stalk was hardly to be seen; and the wall within that was of crystal, which smashed the sun into a million stars. And the wall within that, which was the tower itself, was a tower of pure water, forced up in an everlasting fountain; and upon the very tip and crest of that foaming spire was one big and blazing diamond, which the water tossed up eternally and caught again as a child catches a ball. "Now," said the priest, "I have made a tower which is a little worthy of the sun."




Catalogue


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G. K. Chesterton


Book Description

A collection of critical essays on G.K. Chesterton's work.