Durer's Drawings for the Prayer-Book of Emperor Maximilian I


Book Description

"Holy Roman Emperor and King of the Germans Maximilian I was Albrecht Dèurer's main patron from 1512 onward. These 45 pages of marginal drawings for the ruler's prayer book, unknown till their 1808 facsimile publication, reveal the artist's lighthearted and witty side. Includes 8 additional drawings by other artists and a new Introduction. "--







Drawings of Albrecht Dürer


Book Description

Eighty-one plates show development from youth to full style. Many favorites, many are new. Introduction by Alfred Werner. "The fascination of the drawings is inexhaustible; the skill incredible; the upshot — delight." — Boston Globe.







A History of Chromolithography


Book Description

This title traces the evolution of chromolithography from its tentative beginnings in the early 19th century to its dominant industrial position in the 50 years before World War I. The story ends with its gradual decline commercially and revival as an artistic medium in the mid-20th century. The book considers the process from a global standpoint and makes connections between developments in various European countries between Europe and the United States.




The Texture of Images


Book Description

Textures of Images presents for the first time a fundamental analysis and synopsis of the printed relic-book genre. The author brings into focus the specific mediality and aesthetics of this kind of printed books between the Late Middle Ages and the Early Modern Period.




Life in England in Aquatint and Lithography, 1770-1860


Book Description

"Life in England is the second of the series of four volumes cataloguing books published in England between 1770 and 1860 and illustrated with aquatints and coloured or tinted lithographs which have scenic backgrounds."--Preface.




The Albertina Museum


Book Description

An illustrated selection of highlights from The Albertina's world-renowned collection of prints, drawings and paintings, featuring works from Old Masters as well as modern artists. The largest of the Hapsburg residential palaces, The Albertina in Vienna provides a stunning home to one of the largest and most important print rooms in the world. Named after its founder, passionate art collector Duke Albert of Saxe-Teschen (1738-1822), the priceless collection comprises 50,000 drawings and watercolours and some 900,000 prints ranging from the late Gothic period to contemporary art. Here visitors can see world-famous works by da Vinci, Michelangelo and Raphael as well as Dürer, Rubens, Rembrandt and Cézanne. The modern collection contains a vibrant array of works from a diverse range of artists: from Schiele, Klimt, Picasso and Pollock to Warhol, Katz, Baselitz and Kiefer. An extraordinary treasure trove of visual knowledge, The Albertina has also been gathering photographs since the mid-19th century, and holds around 50,000 plans, sketches and models in its Architecture Collection. This small volume showcases the highlights from this vast collection, as chosen by its Director. Follow @AlbertinaMuseum on Twitter (7350 followers).




Albrecht Dürer's Renaissance


Book Description

This lavishly illustrated book provides a fresh and challenging new perspective on the life and Work of Dürer




The Moment of Self-Portraiture in German Renaissance Art


Book Description

So foundational is this invention to modern aesthetics, Koerner argues, that interpreting it takes us to the limits of traditional art-historical method. Self-portraiture becomes legible less through a history leading up to it, or through a sum of contexts that occasion it, than through its historical sight-line to the present. After a thorough examination of Durer's startlingly new self-portraits, the author turns to the work of Baldung, Durer's most gifted pupil, and demonstrates how the apprentice willfully disfigured Durer's vision. Baldung replaced the master's self-portraits with some of the most obscene and bizarre pictures in the history of art. In images of nude witches, animated cadavers, and copulating horses, Baldung portrays the debased self of the viewer as the true subject of art. The Moment of Self-Portraiture thus unfolds as passages from teacher to student, artist to viewer, reception, all within a culture that at once deified and abhorred originality.