Albrecht Dürer, 1471-1528


Book Description

Though most famous for his engravings, Albrecht Durer (1471-1528) was also a master painter and draftsman whose work exemplifies the spirit of German art. This overview of Durer's entire oeuvre is an ideal introduction to his work.




The Life and Art of Albrecht Dürer


Book Description

Previous editions published under title: Albrecht Deurer.




Artist of the Reformation


Book Description

A biography of Albrecht Durer, one of the most influential artists of the Renaissance and Reformation. In addition to creating hundreds of engravings, woodcuts, drawings, and paintings, he wrote books on geometry, fortification, and human proportions. He explored the meaning of beauty in his art textbook, which was called Food for Young Artists. The Christian worldview which he brought to the field of art is still relevant today. Durer was counted among the leading intellectuals of the sixteenth century. He witnessed the coming Reformation and made the acquaintance of men such as Erasmus, Martin Luther, Melanchthon, and the Emperor Maximilian. Though he created works of art for wealthy patrons, he made his woodcuts affordable for ordinary people. In this way, Durer brought the Bible to a wide audience through his brilliant illustrations of the book of Revelation and other themes. This biography includes over twenty illustrations by Albrecht Durer, who wrote: "Painting is a useful art when it is of a godly sort and employed for holy edification." The life and art of Durer is food not only for young artists, but for all who seek beauty and truth. This book is written on a 5th-6th grade reading level, but younger children will enjoy having it read aloud to them."




Albrecht Dürer


Book Description

Issued in connection with an exhibition held March 24-June 9, 2013, National Gallery of Art, Washington.




The Essential Dürer


Book Description

Albrecht Dürer (1471-1528), perhaps the most famous of all German artists, embodies the modern ideal of the Renaissance man—he was a remarkable painter, printmaker, draftsman, designer, theoretician, and even a poet. More is known about his thoughts and his life than about any other Northern European master of his time, since he wrote extensively about himself, his family's history, his travels, and his friends. His woodcuts and engravings were avidly collected and copied across Europe, and they quickly established his reputation as a master. Praised in life and elegized in death by such thinkers as Martin Luther and Erasmus, he served Emperor Maximilian and other leading church and secular princes in the Holy Roman Empire. Although there is a vast specialized literature on the Nuremberg master, The Essential Dürer fills the need for a foundational book that covers the major aspects of his career. The essays included in this book, written by leading scholars from the United States and Germany, provide an accessible, up-to-date examination of Dürer's art and person as well as his posthumous fame. The essays address an array of topics, from separate and detailed studies of his paintings, drawings, printmaking, and sculpture, to broader concerns such as his visits to and interactions with Venice and the Netherlands, his personal relationships, and his relationships with other artists. Collectively these stimulating essays explore the brilliance of Dürer's creativity and the impact he had on his world, exposing him as an artist fully engaged with the tumultuous intellectual and religious challenges of his time.




The Moment of Self-Portraiture in German Renaissance Art


Book Description

So foundational is this invention to modern aesthetics, Koerner argues, that interpreting it takes us to the limits of traditional art-historical method. Self-portraiture becomes legible less through a history leading up to it, or through a sum of contexts that occasion it, than through its historical sight-line to the present. After a thorough examination of Durer's startlingly new self-portraits, the author turns to the work of Baldung, Durer's most gifted pupil, and demonstrates how the apprentice willfully disfigured Durer's vision. Baldung replaced the master's self-portraits with some of the most obscene and bizarre pictures in the history of art. In images of nude witches, animated cadavers, and copulating horses, Baldung portrays the debased self of the viewer as the true subject of art. The Moment of Self-Portraiture thus unfolds as passages from teacher to student, artist to viewer, reception, all within a culture that at once deified and abhorred originality.







Man, Myth, and Sensual Pleasures


Book Description

Issued in connection with an exhibition held Oct. 5, 2010-Jan. 17, 2011, Metropolitan Museum of Art, New York, and Feb. 23-May 30, 2011, National Gallery, London (selected paintings only).




Durer (engravings)


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Early Dürer


Book Description

Literature about Dürer fills library shelves. Does this mean everything has already been said about the artist? Far from it, according to the scholars at the Germanisches Nationalmuseum and their international partners in the Early Dürer Project. This book deals with the core phenomena of Dürers early work, ranging from the artists biography and surroundings to the question of Dürers role as the archetype of the modern artist. New sociological approaches allow us to interpret Dürers ideal neighbourhood as a source of inspiration for the artists work, resituating Dürer in the artistic context of his time, at an exciting crossroad between the imitation of traditional painting and the self-conscious renewal of his profession. Photographs of Dürers early work, many of which are new and published here for the first time, complete the publication, which will establish a new basis for a modern understanding of Germanys most famous artist.