A Late Antique Poetics?


Book Description

The poetry of the late Roman world has a fascinating history. Sometimes an object of derision, sometimes an object of admiration, it has found numerous detractors and defenders among classicists and Latin literary critics. This volume explores the scholarly approaches to late Latin poetry that have developed over the last 40 years, and it seeks especially to develop, complement and challenge the seminal concept of the 'Jeweled Style' proposed by Michael Roberts in 1989. While Roberts's monograph has long been a vade mecum within the world of late antique literary studies, a critical reassessment of its validity as a concept is overdue. This volume invites established and emerging scholars from different research traditions to return to the influential conclusions put forward by Roberts. It asks them to examine the continued relevance of The Jeweled Style and to suggest new ways to engage it. In a joint effort, the nineteen chapters of this volume define and map the jeweled style, extending it to new genres, geographic regions, time periods and methodologies. Each contribution seeks to provide insightful analysis that integrates the last 30 years of scholarship while pursuing ambitious applications of the jeweled style within and beyond the world of late antiquity.




A Companion to Boniface


Book Description

The eighth-century English missionary and church reformer Boniface was a highly influential figure in early medieval Europe. His career in what is now Germany, France, and the Netherlands is attested in an exceptional number of textual sources: a correspondence of 150 letters, Latin poetry, church council records, and other documents. Numerous saints’ lives and modern devotional materials further reveal how he was and is remembered by the religious communities that claim him as a foundational figure. This volume comprises the latest scholarship on Boniface and his fellow missionaries, examining the written materials associated with Boniface, his impacts on the regions of Europe where he worked (Hessia, Thuringia, Bavaria, Frisia, and Francia), and the development of his cult in the Middle Ages and today. Contributors: Michel Aaij, John-Henry Clay, Michael Glatthaar, Shannon Godlove, Leanne Good, Petra Kehl, Felice Lifshitz, Rob Meens, Michael Edward Moore, Marco Mostert, James Palmer, Janneke Raaijmakers, Rudolf Schieffer, Emily Thornbury, Siegfried Weichlein, and Barbara Yorke.




Pleasure and Leisure in the Middle Ages and Early Modern Age


Book Description

Jan Huizinga and Roger Caillois have already taught us to realize how important games and play have been for pre-modern civilization. Recent research has begun to acknowledge the fundamental importance of these aspects in cultural, religious, philosophical, and literary terms. This volume expands on the traditional approach still very much focused on the materiality of game (toys, cards, dice, falcons, dolls, etc.) and acknowledges that game constituted also a form of coming to terms with human existence in an unstable and volatile world determined by universal randomness and fortune. Whether considering blessings or horse fighting, falconry or card games, playing with dice or dolls, we can gain a much deeper understanding of medieval and early modern society when we consider how people pursued pleasure and how they structured their leisure time. The contributions examine a wide gamut of approaches to pleasure, considering health issues, eroticism, tournaments, playing music, reading and listening, drinking alcohol, gambling and throwing dice. This large issue was also relevant, of course, in non-Christian societies, and constitutes a critical concern both for the past and the present because we are all homines ludentes.




Aldhelm of Malmesbury and the Ending of Late Antiquity


Book Description

This book is a study of Aldhelm (c.639-709) and his complementary roles as a spiritual theorist in a nascent Christian society and as an ecclesiastical administrator. In both, he is shown as innovative and purposeful. His own theology responded to an experiential knowledge of the realities of power in his society. Born into West Saxon royal kin, he spoke directly to the concerns and needs of his aristocratic society, transforming the patristic norms of Christian behavior into the heroic concepts intuitively meaningful to his Germanic society. For Aldhelm, the dedicated virgin was as heroic as a warrior serving his lord. Despite the extensive work on the long-neglected Aldhelm by this last generation of Anglo-Saxonists, which has succeeded in restoring him as a major subject of Anglo-Saxon studies, there has not been a book-length treatment of Aldhelm's career as a whole in over a century. Thus, the present book seeks to move beyond the somewhat parochial concerns of Anglo-Saxon history to bring Aldhelm into the mainstream of Late Antique studies, a figure as fully at home with the cultural trappings of Rome as he is with Christian patristic literature. Aldhelm was unique, among his fellow Anglo-Saxon notables of his period, in being a high ecclesiastic also engaged in innovative scholarship, though, in this, he stood very much in the mainstream of the great figures of Christian Late Antiquity, East and West, uniformly bishops and scholarly theologians. In many ways, Aldhelm was the last significant figure of Late Antiquity in the West.




Early Medieval Ireland 400-1200


Book Description

This impressive survey covers the early history of Ireland from the coming of Christianity to the Norman settlement. Within a broad political framework it explores the nature of Irish society, the spiritual and secular roles of the Church and the extraordinary flowering of Irish culture in the period. Other major themes are Ireland's relations with Britain and continental Europe, the beginnings of Irish feudalism, and the impact of the Viking and Norman invaders. The expanded second edition has been fully updated to take into account the most recent research in the history of Ireland in the early middle ages, including Ireland’s relations with the Later Roman Empire, advances and discoveries in archaeology, and Church Reform in the 11th and 12th centuries. A new opening chapter on early Irish primary sources introduces students to the key written sources that inform our picture of early medieval Ireland, including annals, genealogies and laws. The social, political, religious, legal and institutional background provides the context against which Dáibhí Ó Cróinín describes Ireland’s transformation from a tribal society to a feudal state. It is essential reading for student and specialist alike.




Saint Cecilia in the Renaissance


Book Description

This study uncovers how Saint Cecilia came to be closely associated with music and musicians. Until the fifteenth century, Saint Cecilia was not connected with music. She was perceived as one of many virgin martyrs, with no obvious musical skills or interests. During the next two centuries, however, she inspired many musical works written in her honor and a vast number of paintings that depicted her singing or playing an instrument. In this book, John A. Rice argues that Cecilia’s association with music came about in several stages, involving Christian liturgy, visual arts, and music. It was fostered by interactions between artists, musicians, and their patrons and the transfer of visual and musical traditions from northern Europe to Italy. Saint Cecilia in the Renaissance explores the cult of the saint in Medieval times and through the sixteenth century when musicians’ guilds in the Low Countries and France first chose Cecilia as their patron. The book then turns to music and the explosion of polyphonic vocal works written in Cecilia’s honor by some of the most celebrated composers in Europe. Finally, the book examines the wealth of visual representations of Cecilia especially during the Italian Renaissance, among which Raphael’s 1515 painting, The Ecstasy of Saint Cecilia, is but the most famous example. Thoroughly researched and beautifully illustrated in color, Saint Cecilia in the Renaissance is the definitive portrait of Saint Cecilia as a figure of musical and artistic inspiration.




Edinburgh Companion to Sidonius Apollinaris


Book Description

A multidisciplinary survey of Sidonius Apollinaris and his worksFirst ever comprehensive research tool for Sidonius ApollinarisAssembles leading international specialists on Sidonius and his ageOffers an assessment of past and currernt research in the fieldComprehensive bibliography includes all the scholarly literature on SidoniusSupplemented by the regularly updated Sidonius website www.sidonapol.orgSidonius Apollinaris, c.430 - c.485, poet and letter-writer, aristocrat, administrator and bishop, is one of the most distinct voices to survive from Late Antiquity and an eyewitness of the end of Roman power in the west. The Edinburgh Companion to Sidonius Apollinaris is the first work of its kind, giving a full account of all aspects of his life and works and surveying past and current scholarship as well as new developments in research.This substantial and significant work of scholarship is divided into six thematic sections covering his social, political, linguistic, literary and prosopographical context as well as extensive new scholarship on the manuscript tradition and history of reception.This interdisciplinary book combines the utility of a key research tool for the study of Sidonius with a significant offering of wholly new scholarly research.




The Gaelic Background of Old English Poetry before Bede


Book Description

Seventh-century Gaelic law-tracts delineate professional poets (filid) who earned high social status through formal training. These poets cooperated with the Church to create an innovative bilingual intellectual culture in Old Gaelic and Latin. Bede described Anglo-Saxon students who availed themselves of free education in Ireland at this culturally dynamic time. Gaelic scholars called sapientes (“wise ones”) produced texts in Old Gaelic and Latin that demonstrate how Anglo-Saxon students were influenced by contact with Gaelic ecclesiastical and secular scholarship. Seventh-century Northumbria was ruled for over 50 years by Gaelic-speaking kings who could access Gaelic traditions. Gaelic literary traditions provide the closest analogues for Bede’s description of Cædmon’s production of Old English poetry. This ground-breaking study displays the transformations created by the growth of vernacular literatures and bilingual intellectual cultures. Gaelic missionaries and educational opportunities helped shape the Northumbrian “Golden Age”, its manuscripts, hagiography, and writings of Aldhelm and Bede.




Saint Aldhelm's Riddles


Book Description

The first and one of the finest Latin poets of Anglo-Saxon England, the seventh-century bishop Saint Aldhelm can justly be called “Britain’s first man of letters.” Among his many influential poetic texts were the hundred riddles that made up his Aenigmata. In Saint Aldhelm’s Riddles, A.M. Juster offers the first verse translation of this text in almost a century, capturing the wit, warmth, and wonder of the first English riddle collection. One of today’s finest formalist poets, A.M. Juster brings the same exquisite care to this volume as to his translations of Horace (“The best edition available of the Satires in English” –Choice), Tibullus (“An excellent new translation” –The Guardian), and Petrarch. Juster’s translation is complemented by a newly edited version of the Latin text and by the first scholarly commentary on the Aenigmata, the result of exhaustive interdisciplinary research into the text’s historical, literary, and philological context. Saint Aldhelm’s Riddles will be essential for scholars and a treasure for lovers of Tolkien, Beowulf, and Harry Potter.