Alfred Maurer


Book Description

"Exhibition Dates: Addison Gallery of Americon Art, Phillips Academy, Andover, Massachusetts, April 25-July 31, 2015. Crystal Bridges Museum of American Art, Bentonville, Arkansas, October 10, 2015-January 4, 2016."




Inventing the Modern Artist


Book Description

Sarah Burns tells the story of artists in American society during a period of critical transition from Victorian to modern values, examining how culture shaped the artists and how artists shaped their culture. Focusing on such important painters as James McNeill Whistler, William Merritt Chase, Cecilia Beaux, Winslow Homer, and Albert Pinkham Ryder, she investigates how artists reacted to the growing power of the media, to an expanding consumer society, to the need for a specifically American artist type, and to the problem of gender.




The Flow of Art


Book Description

This volume presents a collection of writing by the foremost art critic of the modern movement as it emerged in the United States after the 1913 Armory Show. McBride wrote for The New York Sun and the literary journal The Dial.




Intelligence


Book Description

En bog om efterretningstjenesten, dens betydning for samfundet og udformning af den nationale og internationale sikkerhedspolitik, om efterretningstjenestens natur, etik og psykologi samt dens anvendelse ved udformning af strategi, våbenudvikling og -kontrol.




Alfred Maurer


Book Description

"Alfred Maurer (1868-1932) was a prolific artist who explored numerous early twentieth century styles. Among the first American artists who went to Paris in the early 1900s to experience the new artistic movements arising there, he was particularly influenced by Henri Matisse's bold, dramatic use of color and was one of the first Americans to embrace fauvism in his art." "From his early traditional portraits to his fauvist still lifes and landscapes to his striking, eccentric nude figures. Maurer's diversity of style and subject is remarkable. Featuring a lucid, probing essay by Daphne Anderson Deeds, this lavishly illustrated book draws from the single largest public collection of Maurer's paintings and works on paper to reveal the impressive range of this significant artist's work."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved







The Collected Essays and Criticism, Volume 3


Book Description

Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely covered by these highly acclaimed volumes of The Collected Essays and Criticism. Volume 3: Affirmations and Refusals presents Greenberg's writings from the period between 1950 and 1956, while Volume 4: Modernism with a Vengeance gathers essays and criticism of the years 1957 to 1969. The 120 works range from little-known pieces originally appearing Vogue and Harper's Bazaar to such celebrated essays as "The Plight of Our Culture" (1953), "Modernist Painting" (1960), and "Post Painterly Abstraction" (1964). Preserved in their original form, these writings allow readers to witness the development and direction of Greenberg's criticism, from his advocacy of abstract expressionism to his enthusiasm for color-field painting. With the inclusion of critical exchanges between Greenberg and F. R. Leavis, Fairfield Porter, Thomas B. Hess, Herbert Read, Max Kozloff, and Robert Goldwater, these volumes are essential sources in the ongoing debate over modern art. For each volume, John O'Brian has furnished an introduction, a selected bibliography, and a brief summary of events that places the criticism in its artistic and historical context.




Movement, Manifesto, Melee


Book Description

The years before World War I were a fertile period for artists in Europe and the United States who were challenging aesthetic convention in music, writing, and the visual arts. These early pioneers of modernism sometimes preferred to work alone, but just as often they were associated with groups whose boundaries were permeable and freely changing. While these individual groups_including the Futurists, Imagists, Blue Rider, and the Second Vienna School_have been thoroughly studied, scholars of the period have often neglected the formative and pervasive interactions of these groups across geographic and artistic boundaries. Providing a historical taxonomy of this influential milieu, Milton Cohen demonstrates how these groups were largely responsible for the artistic innovation and nearly all the avant-garde agitation and major events of these years. With concluding appendices intended for scholars and specialists, this engagingly written book will be useful not only for classroom use and scholarly research, but will appeal to anyone interested in reading a fresh approach to the history of early modernism.




Strategic Assessment in War


Book Description

How do military organizations assess strategic policy in war? In this book Scott Gartner develops a theory to explain how military and government leaders evaluate wartime performance, how much they change strategies in response to this evaluation, and why they are frequently at odds when discussing the success or failure of strategic performance. Blending history, decision theory, and mathematical modeling, Gartner argues that military personnel do reevaluate their strategies and that they measure the performance of a strategy through quantitative, "dominant" indicators. But different actors within a government use different indicators of success: some will see the strategy as succeeding when others see it as failing because of their different dominant indicators. Gartner tests his argument with three case studies: the British shift to convoys in World War I following the German imposition of unrestricted submarine warfare; the lack of change in British naval policy in the Battle of the Atlantic following the German introduction of Wolf Packs in World War II; and the American decision to deescalate in Vietnam after the Tet Offensive. He also tests his approach in a nonwar situation, analyzing the Carter Administration's decision to launch the hostage rescue attempt. In each case, his dominant indicator model better predicts the observed behavior than either a standard-organization or an action-reaction approach.




The Arts


Book Description