Algonquin Elegy


Book Description

Neil J. Lehtos Algonquin Elegy: Tom Thomsons Last Spring, is both a labor of love and a labor of gargantuan effort to come to some understanding, nine decades on, of exactly what happened that summer of 1917. Perhaps no one has ever worked as hard to know the unknowable and, in doing so, he has contributed invaluably to the greatest story in all of Canadian art. Neils passion for Tom Thomson shines through as passionately on each page as Thomsons passion for Algonquin Park shines though on each painting he left behind that last Spring. Roy MacGregor, Columnist for the Globe & Mail.




Algonquin Souvenir


Book Description

96 captioned photographs of Ontario's Algonquin Park, selected from the best work by an award-winning naturalist and nature photographer. Every facet of the park and its wildlife is captured.




Los Angeles Magazine


Book Description

Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.




The Souvenir


Book Description

After finding a box containing letters her father had written to her mother during World War II, as well as a Japanese flag bearing a profound inscription, the author embarks on a mission to discover what happened to her father and the men of his Twenty-fifth Infantry, which takes her all the way to Japan to return the flag to its rightful owner, where she forms a bond with the surviving family and ultimately discovers a side of her father she never knew.




From Hiawatha to Geronimo


Book Description

Spanning three centuries, from Champlains first encounter in 1609 with primitive Iroquois warriors to Geronimos death in 1909, Hiawatha to Geronimo chronicles the demise of the native peoples of North America to the relentless encroachment of white European settlement. From the forests of New England to the deserts of the American southwest, the indigenous peoples of America were driven mercilessly from the lands they had roamed for thousands of years. This is their story, the forgotten tribes and their heroic leaders: King Phillip, Blue Jacket, Tecumseh, Osceola, Red Cloud, Sitting Bull, Crazy Horse, Cochise, Geronimo. Each of these, along with countless others, rose up to take the torch from his predecessor in a near-continuous cycle of conflict that spanned the continent and all but eradicated a people and a culture. Taken together with our nations terrible history of slavery, the assault by whites on Native America formed the second of the great pillars of the American Tragedy. It was perhaps the most egregious of our Nations Original Sins.




Art Gallery of Ontario


Book Description




"Craft, Community and the Material Culture of Place and Politics, 19th-20th Century "


Book Description

Craft practice has a rich history and remains vibrant, sustaining communities while negotiating cultures within local or international contexts. More than two centuries of industrialization have not extinguished handmade goods; rather, the broader force of industrialization has redefined and continues to define the context of creation, deployment and use of craft objects. With object study at the core, this book brings together a collection of essays that address the past and present of craft production, its use and meaning within a range of community settings from the Huron Wendat of colonial Quebec to the Girls? Friendly Society of twentieth-century England. The making of handcrafted objects has and continues to flourish despite the powerful juggernaut of global industrialization, whether inspired by a calculated refutation of industrial sameness, an essential means to sustain a cultural community under threat, or a rejection of the imposed definitions by a dominant culture. The broader effects of urbanizing, imperial and globalizing projects shape the multiple contexts of interaction and resistance that can define craft ventures through place and time. By attending to the political histories of craft objects and their makers, over the last few centuries, these essays reveal the creative persistence of various hand mediums and the material debates they represented.




Finding Kluskap


Book Description

The Mi’kmaq of eastern Canada were among the first indigenous North Americans to encounter colonial Europeans. As early as the mid-sixteenth century, they were trading with French fishers, and by the mid-seventeenth century, large numbers of Mi’kmaq had converted to Catholicism. Mi’kmaw Catholicism is perhaps best exemplified by the community’s regard for the figure of Saint Anne, the grandmother of Jesus. Every year for a week, coinciding with the saint’s feast day of July 26, Mi’kmaw peoples from communities throughout Quebec and eastern Canada gather on the small island of Potlotek, off the coast of Nova Scotia. It is, however, far from a conventional Catholic celebration. In fact, it expresses a complex relationship between the Mi’kmaq, Saint Anne, a series of eighteenth-century treaties, and a cultural hero named Kluskap. Finding Kluskap brings together years of historical research and learning among Mi’kmaw peoples on Cape Breton Island, Nova Scotia. The author’s long-term relationship with Mi’kmaw friends and colleagues provides a unique vantage point for scholarship, one shaped not only by personal relationships but also by the cultural, intellectual, and historical situations that inform postcolonial peoples. The picture that emerges when Saint Anne, Kluskap, and the mission are considered in concert with one another is one of the sacred life as a site of adjudication for both the meaning and efficacy of religion—and the impact of modern history on contemporary indigenous religion.




Quill & Quire


Book Description




Shaped by the West Wind


Book Description

"Claire Campbell draws from recent work in cultural history, landscape studies in geography and art history, and environmental history to explore what happens when external agendas confront local realities - a story central to the Canadian experience. Explorers, fishers, artists, and park planners all were forced to respond to the unique contours of this inland sea; their encounters defined a regional identity even as they constructed a popular image for the Bay in the national imagination."--Jacket.