All Printing Is Political


Book Description

A timely exploration of political organizing, publishing, design and distribution in 1970s Detroit In 1969, shortly after moving to Detroit with wife and partner Lorraine Nybakken, Fredy Perlman and a group of kindred spirits purchased a printing press from a Chicago dealer, transported it, in parts, back to Detroit in their cars and the Detroit Printing Co-op was born. Operating between 1969 and 1980 out of southwest Detroit, the Co-op was the site for the printing of the first English translation of Guy Debord's Society of the Spectacle and journals like Radical America, produced by the Students for a Democratic Society; books such as The Political Thought of James Forman printed by the League of Revolutionary Black Workers; and the occasional broadsheet, such as Judy Campbell's stirring indictment, "Open letter from 'white bitch' to the black youths who beat up on me and my friend." Fredy Perlman was not a printer or a designer by training, but was deeply engaged in the ideas, issues, processes and materiality of printing. While at the Detroit Printing Co-op, he radically rethought the possibilities of print by experimenting with overprinting, collage techniques, different kinds of papers and so on. Behind the calls to action and class consciousness written in his publications, there was an innate sense of the politics of design, experimentation and pride of craft. Building on research conducted by Danielle Aubert, a Detroit-based designer, educator and coauthor of Thanks for the view, Mr. Mies, The Politics of the Joy of Printing explores the history, output and legacy of the Perlmans and the Co-op in a highly illustrated testament to the power of printing, publishing, design and distribution.




Ink Under the Fingernails


Book Description

Introduction -- The politics of loyalty -- Negotiating freedom -- Responsibility on trial -- Selling scandal : The Mysteries of the Inquisition -- The business of nation building -- Workers of thought -- Criminalizing the printing press -- Conclusion.







Revolutionary Networks


Book Description

An engrossing and powerful story about the influence of printers, who used their commercial and political connections to directly shape Revolutionary political ideology and mass mobilization. Honorable Mention, St. Louis Mercantile Library Prize, Bibliographical Society of America During the American Revolution, printed material, including newspapers, pamphlets, almanacs, and broadsides, played a crucial role as a forum for public debate. In Revolutionary Networks, Joseph M. Adelman argues that printers—artisans who mingled with the elite but labored in a manual trade—used their commercial and political connections to directly shape Revolutionary political ideology and mass mobilization. Going into the printing offices of colonial America to explore how these documents were produced, Adelman shows how printers balanced their own political beliefs and interests alongside the commercial interests of their businesses, the customs of the printing trade, and the prevailing mood of their communities. Adelman describes how these laborers repackaged oral and manuscript compositions into printed works through which political news and opinion circulated. Drawing on a database of 756 printers active during the Revolutionary era, along with a rich collection of archival and printed sources, Adelman surveys printers' editorial strategies. Moving chronologically through the era of the American Revolution and to the war's aftermath, he details the development of the networks of printers and explains how they contributed to the process of creating first a revolution and then the new nation. By underscoring the important and intertwined roles of commercial and political interests in the development of Revolutionary rhetoric, this book essentially reframes our understanding of the American Revolution. Printers, Adelman argues, played a major role as mediators who determined what rhetoric to amplify and where to circulate it. Offering a unique perspective on the American Revolution and early American print culture, Revolutionary Networks reveals how these men and women managed political upheaval through a commercial lens.




The Tyranny of Printers


Book Description

Although frequently attacked for their partisanship and undue political influence, the American media of today are objective and relatively ineffectual compared to their counterparts of two hundred years ago. From the late eighteenth to the late nineteenth century, newspapers were the republic's central political institutions, working components of the party system rather than commentators on it. The Tyranny of Printers narrates the rise of this newspaper-based politics, in which editors became the chief party spokesmen and newspaper offices often served as local party headquarters. Beginning when Thomas Jefferson enlisted a Philadelphia editor to carry out his battle with Alexander Hamilton for the soul of the new republic (and got caught trying to cover it up), the centrality of newspapers in political life gained momentum after Jefferson's victory in 1800, which was widely credited to a superior network of papers. Jeffrey L. Pasley tells the rich story of this political culture and its culmination in Jacksonian democracy, enlivening his narrative with accounts of the colorful but often tragic careers of individual editors.




¡Printing the Revolution!


Book Description

Printing and collecting the revolution : the rise and impact of Chicano graphics, 1965 to now / E. Carmen Ramos -- Aesthetics of the message : Chicana/o posters, 1965-1987 / Terezita Romo -- War at home : conceptual iconoclasm in American printmaking / Tatiana Reinoza -- Chicanx graphics in the digital age / Claudia E. Zapata.




Pamphlets, Printing, and Political Culture in the Early Dutch Republic


Book Description

This book resulted from a desire to understand the role of pamphlets in the political life of that most curious early modern state, the Dutch Republic. The virtues of abundance and occasional liveliness have made "little blue books," as they were called, a favorite historical source-that is why I came to study them in the first place. I But the more I dug into pamphlets for this fact or that, the more questions I had about their 2 contemporary purpose and role. Who wrote pamphlets and why? For whom were they intended? How and by whom were pamphlets brought to press and distributed, and what does this reveal? Why did their number increase so greatly? Who read them? How were pamphlets different from other media? In short, I began to view pamphlets not as repositories of historical facts but as a historical phenomenon in their own right. 3 I have looked for answers to these questions in governmental and church records, private letters, publishing records and related materials about printers, booksellers, and pamphleteers, and of course in pam phlets themselves. Like so many other students of the early press and its products, I discovered only scattered, incomplete images of actual con ditions, such as the readership or popularity of pamphlets. On the other hand, I found much material which reflected what people believed about "little books.




Political


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Political Dictionary


Book Description