Redefining Theatre Communities


Book Description

Redefining Theatre Communities explores the interplay between contemporary theatre and communities. It considers the aesthetic, social and cultural aspects of community-conscious theatre-making. It also reflects on transformations in structural, textual and theatrical conventions, and explores changing modes of production and spectatorship.




Revolutionary Acts


Book Description

During the Russian Revolution and Civil War, amateur theater groups sprang up in cities across the country. Workers, peasants, students, soldiers, and sailors provided entertainment ranging from improvisations to gymnastics and from propaganda sketches to the plays of Chekhov. In Revolutionary Acts, Lynn Mally reconstructs the history of the amateur stage in Soviet Russia from 1917 to the height of the Stalinist purges. Her book illustrates in fascinating detail how Soviet culture was transformed during the new regime's first two decades in power. Of all the arts, theater had a special appeal for mass audiences in Russia, and with the coming of the revolution it took on an important role in the dissemination of the new socialist culture. Mally's analysis of amateur theater as a space where performers, their audiences, and the political authorities came into contact enables her to explore whether this culture emerged spontaneously "from below" or was imposed by the revolutionary elite. She shows that by the late 1920s, Soviet leaders had come to distrust the initiatives of the lower classes, and the amateur theaters fell increasingly under the guidance of artistic professionals. Within a few years, state agencies intervened to homogenize repertoire and performance style, and with the institutionalization of Socialist Realist principles, only those works in a unified Soviet canon were presented.




The Ecologies of Amateur Theatre


Book Description

This book is the first major study of amateur theatre, offering new perspectives on its place in the cultural and social life of communities. Historically informed, it traces how amateur theatre has impacted national repertoires, contributed to diverse creative economies, and responded to changing patterns of labour. Based on extensive archival and ethnographic research, it traces the importance of amateur theatre to crafting places and the ways in which it sustains the creativity of amateur theatre over a lifetime. It asks: how does amateur theatre-making contribute to the twenty-first century amateur turn?




The Complete Idiot's Guide to Amateur Theatricals


Book Description

The one and only book on successfully staging amateur productions. In this book, drama teachers and community directors are given everything they need to know about picking the right show; licensing, casting, and budgeting; organizing a schedule; costumes, makeup, staging, lighting, and music; tickets, fundraising, programs, cast parties, and more. Illustrated with help plans and photos from actual productions. • Perfect for nonprofit organizations’ fundraising theater events and community theater groups • Complete with an extensive resource section • Illustrated with help plans and great photos from actual productions




Sylvia


Book Description

A romantic comedy on midlife relationships and a pet dog.




Subscription Theater


Book Description

Subscription Theater asks why turn-of-the-century British and Irish citizens spent so much time, money, and effort joining subscription lists. Matthew Franks argues that subscribers have been responsible for how we value audience and repertoire today, offering a new account of the relationship between ephemera, drama, and democracy.




Everyone’s Theater


Book Description

Nearly all residents of England and its colonies between 1860 and 1914 were active theatergoers, and many participated in the amateur theatricals that defined late Victorian life. The Victorian theater was not an abstract figuration of the world as a stage, but a media system enmeshed in mass lived experience that fulfilled in actuality the concept of a theatergoing nation. Everyone’s Theater turns to local history, the words of everyday Victorians found in their diaries and production records, to recover this lost chapter of theater history in which amateur drama domesticates the stage. Professional actors and playwrights struggled to make their productions compatible with ideas and techniques that could be safely reproduced in the home—and in amateur performances from Canada to India. This became the first true English national theater: a society whose myriad classes found common ground in theatrical display. Everyone’s Theater provides new ways to extend Victorian literature into the dimension of voice, sound, and embodiment, and to appreciate the pleasures of Victorian theatricality.




Greater Boston Community Theater


Book Description

The roots of community theater can be traced back to before the Revolutionary War. In the years that followed, many towns throughout America were fortunate to have both professional and amateur acting companies. The evolution of the moving picture forced many of these professional theaters to close their doors, but theater lovers in small communities still wanted the real thing, live theater. Today there are numerous community theater groups around the Boston area, including the oldest continuing community theater group in the country, the Footlight Club, which was founded in 1877. In the spirit of community, many theater companies donate to charities and sponsor playwriting contests and scholarship programs. They all share a common goal: bring live theater to suburban communities. Greater Boston Community Theater presents rare photographs from more than a dozen community theaters to document and celebrate the rich tapestry of theater life.




Passionate Amateurs


Book Description

A rich, historically grounded exploration of why theater and performance matter in the modern world




The Stuff of Dreams


Book Description

At the age of ten, Leah Hager Cohen entered a world of make-believe that would captivate her for years. Participating in a traveling theater company's production of Wolkenstein, she was fascinated by the pageantry of the play and the camaraderie she found within the acting troupe, and the experience sparked a lifelong love of community theater. Nearly twenty years later, Cohen found her way to a small community theater in Arlington, Massachusetts, one of many thousands like it in America, and set out to chronicle what would be an extraordinary year. Arlington Friends of Drama had just celebrated its seventy-fifth anniversary, was embroiled in disputes over structural changes proposed to help it adapt to changing times, and was about to hold auditions for its most controversial play to date, M. Butterfly. As Cohen writes, "This time around, I had come to community theater not in order to insinuate myself into its culture but to try to understand what the culture comprised, and to answer what it is about amateur theater that makes people not just desire but need it." With the same graceful prose and startling insight that garnered such extraordinary reviews for her previous books, Train Go Sorry and Glass, Paper, Beans, Cohen has created a fascinating and poignant portrait of community theater in America-past, present, and future. ¥ The American Association of Community Theatres, founded in 1986, estimates that there are ten thousand community theaters nationwide, with more than a million active members. ¥ Arlington Friends of Drama is one of the ten oldest continually operating community theaters in the country.