AMC Newsletter


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Newsletter


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Music Today Newsletter


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Hollywood Sound Design and Moviesound Newsletter


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As film students and younger fans experience "Big Hollywood Sound" in Imax presentations and digital theaters, many are also discovering action and adventure movies made well before they were born. There is a legacy to be enjoyed in the sound of these films: Blockbuster movies of the ‘80’s, and ‘90’s are notable for the extraordinarily dramatic impact of their sound mixing, and the way in which it could immerse audiences in a surrounding space. During this period, a small group of sound professionals in Hollywood wrote and published a critical journal about the craftsmanship, new technology, and changing aesthetics that excited conversation in their community. Their work has been edited and compiled here for the first time. David Stone is a sound editor, a veteran of roughly 100 Hollywood feature films, such as Gremlins, Top Gun, Die Hard, Speed, and Ocean’s 11. He was a Supervising Sound Editor for projects as varied as Predator, Edward Scissorhands, Beauty and the Beast, Batman Returns, City Slickers 2, and Dolores Claiborne. He has collected Golden Reel awards for Best Sound Editing five times, and won the 1992 Academy Award® for best Sound Effects Editing, for his supervising work on Bram Stoker’s Dracula. In 2015, he received a Lifetime Achievement Award from the San Luis Obispo Jewish Film Festival in California. Stone is now a Professor and former Chair of Sound Design at Savannah College of Art and Design. Between 1989 and 1994, he was the editor of Moviesound Newsletter, which was published by Vanessa Ament. Dr. Vanessa Theme Ament is the author of The Foley Grail, and a contributor to Sound: Dialogue, Music, and Effects (the Silver Screen Series). She is on the steering committee for Cinesonika, an international film festival and conference. A veteran Foley artist, sound editor, and voice actor from Los Angeles, she also writes and sings jazz, and is a member of the American Federation of Musicians, SAG-AFTRA, Actors Equity, and the Editors Guild. She worked on Die Hard, sex, lies, and videotape, Platoon, Predator, Edward Scissorhands, Beauty and the Beast, Noises Off, and A Goofy Movie, and many other films. Dr. Ament received her Ph.D. in Communication, in the area of Moving Image Studies, from Georgia State University in Atlanta, and is presently the Edmund F. and Virginia B. Ball Endowed Chair Professor of Telecommunications, at Ball State University in Muncie, Indiana.




Annual Command History


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The Mobility Forum


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Selling the American Muscle Car


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As the muscle car wars developed in the early 1960s, auto manufacturers scrambled to find catchy marketing campaigns to entice the buying public into their dealerships. General Motors, Ford, and Chrysler, with all their divisions, as well as AMC and Studebaker, inevitably sank billions of dollars into one-upmanship in an effort to vie for the consumer's last dollar. Automotive writer Diego Rosenberg examines the tactics and components used by manufacturers in waging war against one another in the muscle car era. Manufacturers poured millions into racing programs, operating under the principle of "Win on Sunday, Sell on Monday." Cars were given catchy nicknames, such as The GTO Judge, Plymouth Roadrunner, Cobra, and Dodge Super Bee. Entire manufacturer lines were given catchy marketing campaigns, such as Dodge's Scat Pack, AMC's Go Package, and Ford's Total Performance. From racing to commercials to print ads, from dealer showrooms to national auto shows, each manufacturer had its own approach in vying for the buyer's attention, and gimmicks and tactics ranged from comical to dead serious. Selling the American Muscle Car: Marketing Detroit Iron in the 60s and 70s takes you back to an era when options were plentiful and performance was cheap. You will relive or be introduced to some of the cleverest marketing campaigns created during a time when America was changing every day.




Life's Dueling Dualities


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Life is simple? Follow a few maxima, and it is easy. No. In growing up, everyone must deal with a series of opposing, dual messages. For example, one hears, “If you hesitate, you lose.” Good. Then, one also learns, “Look before you leap.” Both are correct. What to do? And this is only one of life’s six contradictions. This book identifies the six dual dueling ideas. The first is, Carpe Diem vs. Reflection and Contemplation. Or its variation, the early bird gets the worm, but the second mouse gets the cheese. The second is ambivalence, which amazingly means simultaneously loving and hating something or someone. The third involves following your heart versus the head and we all root for the Hollywood ending. The fourth looks at whether it is better to work alone or as part of a group. The fifth deals with whether you should follow the rules or challenge them. The sixth shows the advantages of having big picture views in your life while also appreciating your daily realities. The final chapter, Transcendence, offers a unique answer and alternative to all the six contradictions. As a grandfather, a father, a psychiatrist, a son, a brother, a wishing-to-be-better golfer, a jogger, a sailor, a hiker, an amateur geologist, want-to-be comedian, local newspaper reporter, and a veteran of School of Hard Knocks, the author has wrestled with all six of them and discovered moments of transcendence. In this book, he shares his observations and philosophy about all of them with his grandchildren and you. Based on this book, you can make better decisions. The book itself is engaging, insightful, witty, and entertaining. It is full of examples from history, literature, and the author’s experiences. Welcome and enjoy!