America's Old Masters


Book Description




Old Masters, New World


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SALTZMAN/OLD MASTERS; NEW WORLD




America's Old Masters


Book Description




America's Old Masters


Book Description

Essays on Benjamin West, John Singleton Copley, Charls Willson Peale, and Gilbert Stuart.




Old Master Paintings in North America


Book Description

Master Paintings in North America reveals the astonishing variety and quality of North American collections, the results of over one hundred years of inspired collecting by individual collectors and public institutions. It may be no surprise that the Metropolitan Museum and the Frick Collection in New York and the National Gallery in Washington, D.C. have a large number of El Grecos, for example. But how many of us are aware that works by El Greco can also be found in Los Angeles and San Francisco, California; Sarasota, Florida; Glen Falls, New York; and in Ottawa and Montreal? The only guide of its kind,Master Paintings in North America provides a complete and fully captioned listing of every painting in U.S. and Canadian collections by fifty selected old master painters-from the early Renaissance to the mid-nineteenth century. This volume also contains a valuable geographical index which provides vital museum-going information: addresses, hours, and admission fees, as well as listing of other important painters represented in the museums. In addition to helping the reader locate these masterpieces,Master Painting in North America also provides the means for more fully enjoying these great treasures. The author, Mr. John Morse-a noted art historian and critic-provides brief biographical entries for each of the fifty painters, and longer essays analyzing the significance of their work. The book is lavishly illustrated with large full-page color plates as well as over one hundred black-and-white illustrations. This book is not only for the tourist, but also for the armchair traveler who can also enjoy the wonderful treasures in North America's museums. Master Paintings in North America is a beautiful addition to anyone's art-book library, and an indispensable companion for the art-living traveler, for the student and scholar.




America's Old Masters


Book Description

This volume pays tribute to 4 early American painters, Benjamin West, John Singleton Copley, Charles Wilson Peale, and Gilbert Stuart.




America's Old Masters


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Old Masters


Book Description

In this exuberantly satirical novel, the tutor Atzbacher has been summoned by his friend Reger to meet him in a Viennese museum. While Reger gazes at a Tintoretto portrait, Atzbacher—who fears Reger's plans to kill himself—gives us a portrait of the musicologist: his wisdom, his devotion to his wife, and his love-hate relationship with art. With characteristically acerbic wit, Bernhard exposes the pretensions and aspirations of humanity in a novel at once pessimistic and strangely exhilarating. "Bernhard's . . . most enjoyable novel."—Robert Craft, New York Review of Books. "Bernhard is one of the masters of contemporary European fiction."—George Steiner




Old Masters and Young Geniuses


Book Description

When in their lives do great artists produce their greatest art? Do they strive for creative perfection throughout decades of painstaking and frustrating experimentation, or do they achieve it confidently and decisively, through meticulous planning that yields masterpieces early in their lives? By examining the careers not only of great painters but also of important sculptors, poets, novelists, and movie directors, Old Masters and Young Geniuses offers a profound new understanding of artistic creativity. Using a wide range of evidence, David Galenson demonstrates that there are two fundamentally different approaches to innovation, and that each is associated with a distinct pattern of discovery over a lifetime. Experimental innovators work by trial and error, and arrive at their major contributions gradually, late in life. In contrast, conceptual innovators make sudden breakthroughs by formulating new ideas, usually at an early age. Galenson shows why such artists as Michelangelo, Rembrandt, Cézanne, Jackson Pollock, Virginia Woolf, Robert Frost, and Alfred Hitchcock were experimental old masters, and why Vermeer, van Gogh, Picasso, Herman Melville, James Joyce, Sylvia Plath, and Orson Welles were conceptual young geniuses. He also explains how this changes our understanding of art and its past. Experimental innovators seek, and conceptual innovators find. By illuminating the differences between them, this pioneering book provides vivid new insights into the mysterious processes of human creativity.