America Is the Prison


Book Description

In the 1970s, while politicians and activists outside prisons debated the proper response to crime, incarcerated people helped shape those debates though a broad range of remarkable political and literary writings. Lee Bernstein explores the forces that sparked a dramatic "prison art renaissance," shedding light on how incarcerated people produced powerful works of writing, performance, and visual art. These included everything from George Jackson's revolutionary Soledad Brother to Miguel Pinero's acclaimed off-Broadway play and Hollywood film Short Eyes. An extraordinary range of prison programs--fine arts, theater, secondary education, and prisoner-run programs--allowed the voices of prisoners to influence the Black Arts Movement, the Nuyorican writers, "New Journalism," and political theater, among the most important aesthetic contributions of the decade. By the 1980s and '90s, prisoners' educational and artistic programs were scaled back or eliminated as the "war on crime" escalated. But by then these prisoners' words had crossed over the wall, helping many Americans to rethink the meaning of the walls themselves and, ultimately, the meaning of the society that produced them.




American Prison


Book Description

An enraging, necessary look at the private prison system, and a convincing clarion call for prison reform.” —NPR.org New York Times Book Review 10 Best Books of 2018 * One of President Barack Obama’s favorite books of 2018 * Winner of the 2019 J. Anthony Lukas Book Prize * Winner of the Helen Bernstein Book Award for Excellence in Journalism * Winner of the 2019 RFK Book and Journalism Award * A New York Times Notable Book A ground-breaking and brave inside reckoning with the nexus of prison and profit in America: in one Louisiana prison and over the course of our country's history. In 2014, Shane Bauer was hired for $9 an hour to work as an entry-level prison guard at a private prison in Winnfield, Louisiana. An award-winning investigative journalist, he used his real name; there was no meaningful background check. Four months later, his employment came to an abrupt end. But he had seen enough, and in short order he wrote an exposé about his experiences that won a National Magazine Award and became the most-read feature in the history of the magazine Mother Jones. Still, there was much more that he needed to say. In American Prison, Bauer weaves a much deeper reckoning with his experiences together with a thoroughly researched history of for-profit prisons in America from their origins in the decades before the Civil War. For, as he soon realized, we can't understand the cruelty of our current system and its place in the larger story of mass incarceration without understanding where it came from. Private prisons became entrenched in the South as part of a systemic effort to keep the African-American labor force in place in the aftermath of slavery, and the echoes of these shameful origins are with us still. The private prison system is deliberately unaccountable to public scrutiny. Private prisons are not incentivized to tend to the health of their inmates, or to feed them well, or to attract and retain a highly-trained prison staff. Though Bauer befriends some of his colleagues and sympathizes with their plight, the chronic dysfunction of their lives only adds to the prison's sense of chaos. To his horror, Bauer finds himself becoming crueler and more aggressive the longer he works in the prison, and he is far from alone. A blistering indictment of the private prison system, and the powerful forces that drive it, American Prison is a necessary human document about the true face of justice in America.




America's Prisoner


Book Description

Manuel Noriega is the only American prisoner of war. He may be a demon in the eyes of most Americans, but he has a unique and alarming view of the secrets behind U.S. relations with Panama and the real reasons for the 1989 invasion that removed him from power. In this memoir, certain to be one of the most newsworthy and controversial of the year, Noriega describes for the first time his backstage dealings with George Bush, Oliver North, William Casey and the CIA, Jimmy Carter, Fidel Castro and Moammar Gahdafi. But this is more than a deposed strongman's tell-all that some might find hard to believe. Noriega's story was investigated independently by Peter Eisner, a top foreign correspondent who has written about Latin America for twenty years and covered Noriega's fall for Newsday. Eisner's reporting finds support for some of Noriega's assertions and provides additional perspective for others, in his conduct as head of Panama's military, his secret dealings with Cuba on behalf of the CIA, his relations with key U.S. officials, and the unconscionable damage inflicted upon the people of Panama by the U.S. invasion. Moreover, Eisner raises new questions about the allegations that Noriega was a drug dealer and a murderer. In fact, he concludes Noriega is not guilty of these charges. And then there is Noriega himself, a surprisingly savvy military man who saw himself as a nationalist, an honest broker between his allies in U.S. intelligence and his neighboring Latin American leaders. As Noriega tells it, his problems began when he began to resist the Reagan administration's efforts to fight communism in Central America. America's Prisoner is one of the most unusual and important accounts everwritten about U.S. aggression and duplicity. It is the story of how we have imprisoned a man - and a nation.




Prisoner Reentry and Crime in America


Book Description

The contributors question the causes of public concern about the number of returning prisoners, the public safety consequences of prisoners returning to the community and the political and law enforcement responses to the issue.




Prison Nation


Book Description

First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.




The Prisoner in His Palace


Book Description

In the tradition of In Cold Blood and The Executioner’s Song, this haunting, insightful, and surprisingly intimate portrait of Saddam Hussein provides “a brief, but powerful, meditation on the meaning of evil and power” (USA TODAY). The “captivating” (Military Times) The Prisoner in His Palace invites us to take a journey with twelve young American soldiers in the summer of 2006. Shortly after being deployed to Iraq, they learn their assignment: guarding Saddam Hussein in the months before his execution. Living alongside, and caring for, their “high value detainee and regularly transporting him to his raucous trial, many of the men begin questioning some of their most basic assumptions—about the judicial process, Saddam’s character, and the morality of modern war. Although the young soldiers’ increasingly intimate conversations with the once-feared dictator never lead them to doubt his responsibility for unspeakable crimes, the men do discover surprising new layers to his psyche that run counter to the media’s portrayal of him. Woven from firsthand accounts provided by many of the American guards, government officials, interrogators, scholars, spies, lawyers, family members, and victims, The Prisoner in His Palace shows two Saddams coexisting in one person: the defiant tyrant who uses torture and murder as tools, and a shrewd but contemplative prisoner who exhibits surprising affection, dignity, and courage in the face of looming death. In this thought-provoking narrative, Saddam, known as the “man without a conscience,” gets many of those around him to examine theirs. “A singular study exhibiting both military duty and human compassion” (Kirkus Reviews), The Prisoner in His Palace grants us “a behind-the-scenes look at history that’s nearly impossible to put down…a mesmerizing glimpse into the final moments of a brutal tyrant’s life” (BookPage).




Fourth City


Book Description

At 2.26 million, incarcerated Americans not only outnumber the nation’s fourth-largest city, they make up a national constituency bound by a shared condition. Fourth City: Essays from the Prison in America presents more than seventy essays from twenty-seven states, written by incarcerated Americans chronicling their experience inside. In essays as moving as they are eloquent, the authors speak out against a national prison complex that fails so badly at the task of rehabilitation that 60% of the 650,000 Americans released each year return to prison. These essays document the authors’ efforts at self-help, the institutional resistance such efforts meet at nearly every turn, and the impact, in money and lives, that this resistance has on the public. Directly confronting the images of prisons and prisoners manufactured by popular media, so-called reality TV, and for-profit local and national news sources, Fourth City recognizes American prisoners as our primary, frontline witnesses to the dysfunction of the largest prison system on earth. Filled with deeply personal stories of coping, survival, resistance, and transformation, Fourth City should be read by every American who believes that law should achieve order in the cause of justice rather than at its cost.




Captain America


Book Description

Sharon Carter's dreams are forcing her to relive the death of Steve Rogers - and her time under the control of Dr. Faustus. But will these dreams also reveal hidden secrets about what she saw and did on the day Steve died Collects Captain America #49-50; #600-601.




Captured


Book Description

A critically acclaimed author of adult nonfiction delivers a searing YA debut about American POWs during the Vietnam War--an extraordinary narrative of human resilience and endurance.




Foo, a Japanese-American Prisoner of the Rising Sun


Book Description

During his time as a POW, Frank "Foo" Fujita kept a diary of daily happenings, embellished with drawings of life in the camp. He secreted the diary in the walls of his barracks, as the practice was forbidden. That diary forms the basis of these memoirs. Fujita's memoirs are also unique in that he was one of the fewer than nine hundred Americans taken prisoner on the island of Java. The bulk of American POWs in Japanese hands surrendered in the Philippines, and most of the published POW memoirs reflect their experience. Fujita's account of the defense of Java and of the fate of the "Lost Battalion" of Texas artillerymen serves to distinguish this memoir from others. At one point while a POW in Japan, Fujita was forced to be part of the Japanese radio group broadcasting propaganda. After the war, he testified at some of the war crime trials in San Francisco, and the diary on which this book is based was used as evidence in those trials.