Chapbooks


Book Description










Ides


Book Description

Silver Birch Press decided to celebrate the year 2015 by asking 15 poets to each contribute 15 pages of poetry to a chapbook collection, which we've entitled IDES (released on the ides of October 2015). The result is a diverse mix of poetry by authors from coast to coast. Our poets hail from California, Florida, Illinois, Maine, Massachusetts, New Jersey, New York, the Carolinas, and Texas-with one from Canada. Featured poets include: Jeffrey C. Alfier, Tobi Alfier, Carol Berg, Ana Maria Caballero, Jennifer Finstrom, Joanie Hieger Fritz Zosike, Robin Dawn Hudechek, Sonja Johanson, Ellaraine Lockie, Daniel McGinn, Robert Okaji, Glenis Redmond, Daniel Romo, Thomas R. Thomas, and A. Garnett Weiss.







A Little Pretty Pocket-book


Book Description

A Little Pretty Pocket-Book is a children's book written by John Newbery. It is commonly thought to be the first children's book ever made, and provides a code of conduct for boys and girls in different social settings.




Instructions for My Mother's Funeral


Book Description

This collection is divided into three sections. The first opens with the speaker's reflections on her childhood loss of her father and subsequent move to a new house and a new life, a life in which she is always alert to the absences and danger but also a life in which she begins to see language as a kind of salvation. This section also develops the speaker's first knowledge of sex, primarily in the poems, "The Goose Girl" and "A Woman Was Raped Here." The second section follows the speaker into adolescence and young adulthood, and these poems further explore the sexual violence in the world in which the speaker lives, and how this violence affects her own feelings toward sex and romantic love. In the third section, the book finds love, work, and family, and the poems in this section about motherhood echo back to the first section as the speaker's own parenting is influenced by how difficult it is to love when you know people die.




The Chapbook


Book Description

Charles Bane Jr., a Chicago native, is a globally published poet. His work has appeared in print and online at The Indian Diary, The Criterion: An International Journal in English, Clutching at Straws, Durable Goods, Word Pond, and museumviews. com. His poetry was included in "I Was Indian: An Anthology of Native Literature, Vol 1" (Foothills Publishing). He was the only non-Native American included in the volume. In addition, his writing has been the focus of critical review, most recently in "The Poetry of Charles Bane, Jr." in The Calliope Nerve. This is his first chapbook. "We aren't used, in this ravaged era, to poems of happiness, and yet that rarity is what Charles Bane, Jr., offers us. An offering it is, nor can we doubt that this poet conceives poetry as a sacramental endeavor, with human love as our nearest approach to the divine. He takes Buber's "I and Thou" a step further to form what he calls a "monotheism of we." Judaism is supremely the religion of reinterpretation, and this poet's embodiment of it demonstrates that historical tragedy finds its best answer in the tender bonds we form in order to choose not death but life." - Alfred Corn, American poet & essayist The Chapbook is beautifully illustrated by Canadian artist Isabelle Pruneau, and designed by Polish-born artist Karolina Faber. With the touch of these two talented artists, Charles' poems of happiness, struggle, and romance sing off the page.




Memory and Form


Book Description

Original poetry by Nathan Ybanez




Strongest of the Litter


Book Description

There is a vision of power at the center of James Franco's first chapbook of poems, Strongest of the Litter. Power here is both generative and frightening, self-consuming and bracing. It is the artist's power of self-making. These poems, thoroughly beautiful and spare, have the texture of contending angles. Authenticity can be achieved only through different voices: in an investigation of the range and strength of American art, in homage to Williams Carlos Williams, in awe at the cost to American actors of their art (notably Taylor, Clift, De Niro and Brando), in the celebration and limitation of Kowalski love -- "I'm a raging Kowalski whose / Temper can be measured by // How little I can give. / How abusive my reticence." Pervasive in these eloquent poems is the power of memory, the collective memory of Hollywood and specific memories of the poet's own past.