American Painting and Its Tradition


Book Description

Excerpt from American Painting and Its Tradition: As Represented by Inness, Wyant, Martin, Homer, La Farge, Whistler, Chase, Alexander, Sargent The painters about whom these chapters are written helped to make up the period in American painting dating, generally, from about 1878 to, say, 1915. That period has practically closed in the sense that a newer generation with different aims and aspirations has come forward, and the men who broke ground years ago in the Society of American Artists have turned their furrow and had their day. Indeed, those I have chosen to write about herein, with the exception of Sargent, have passed on and passed out. Not only their period but their work has ended. We are now beginning to see them in something like historic perspective. Perhaps, then, the time is opportune for speaking of them as a group and of their in uence upon American art. Not all of the one-me new movement originated and died with these nine men. Dozens of painters became identified with American art just after the Centennial, and many of those who came back from Munich and Paris in the late seventies and the early eighties are still living and producing. But while the nine were by no means the whole count they were certainly representative of the movement, and their works speak for almost every phase of it. The value of the movement to American art can be rightly enough judged from them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."










American Painting and Its Tradition - As Represented by Inness, Wyant, Martin, Homer, La Farge, Whistler, Chase, Alexander, Sargent


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Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.




American Painting and Its Tradition


Book Description

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.







The Complete Catalogue of Known and Documented Work by William Merritt Chase (1849-1916)


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The first in a beautiful four-volume complete catalogue of all known works by the beloved American artist William Merritt Chase A perennial favorite of museum visitors, the works of William Merritt Chase (1849-1916) embody the quintessential characteristics of American Impressionism: outdoor landscapes, a colorful palette, and an energetic brushstroke. He was also a portrait painter of the first rank, a master of still life, a renowned teacher, and a leader of artists' societies. This gorgeous book, the first of a four-volume definitive catalogue, features Chase's stunning paintings in pastel, which constitute a major and previously understudied body of work by the artist; monotypes; painted tiles and plates; watercolors; and prints. Reconstructing Chase's oeuvre is a daunting task, as the artist left few records of any kind, and no documentation of his individual works exists. Furthermore, Chase's paintings and pastels have been forged in great numbers throughout the years, and many of these works still surface on the art market. Making this long-awaited volume even more valuable is a list of every known exhibition of Chase's work during the artist's lifetime, selected examples of major post-1917 exhibitions, and an essay on Chase's innovative pastel technique.




Bibliography Bulletin


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