American Portraits, 1875-1900


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American Portraits, 1875-1900 (Classic Reprint)


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Excerpt from American Portraits, 1875-1900 To the complications which peculiarly affect work on contemporaries must be joined an increasing sense of the difficulty of accomplishing the portrayal of souls at all. More than ever I feel that such portrayal, at least as I can perform it, has no final value. Souls tremble and shift and fade under the touch. They elude and evade and mock you, fool you with false lights and perplex you with impenetrable shadows, till you are almost ready to give up in despair any effort to interpret them. But you cannot give it up; for there is no artistic effort more fascinating and no study so completely inexhaustible. If the substance on which we have to found spiritual interpretation could be relied on, we might have more confidence in the superstructure. But the further we go, the more our confidence is shaken. Take one special form of material, the report of words and conversations. All historians and biographers use such report, are tempted to use it much more than they do. Yet how abominably uncertain it is and must be. Who of uscan remember for an hour the exact words he himself used, even important words, significant words? Much more, who can remember such words of any one else? Yet diarists and biographers will go home and set down at the end of a long evening, or perhaps a day or two later, elaborate phrases which the alleged speaker may have used, and much more likely may not. And this, when the turn of a sentence may alter the light on a man's soul! Of such materials is biography made. I should not wish any one to have more confidence in mine, at least, than I have myself. I desire to acknowledge generally the courtesy and helpfulness of many correspondents who have offered useful suggestions and corrected errors. And for the Opportunity of profiting by these, I must chie y thank the editor of the Atlantic Monthly whose steady and cordial support and sympathy enable me to prosecute my work with an enthusiasm which I could hardly draw from any other source. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."




American Portraits, 1875-1900


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AMER PORTRAITS 1875-1900


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







American Portraits


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Gallery of American Portraits (Classic Reprint)


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Excerpt from Gallery of American Portraits Several of the following sketches have already appeared in some of the occasional productions of the author, and received the approbation of the public. It has been suggested by his friends, that as some of these sketches merit preservation, and may possibly be useful to the future historian, and that as they are now interspersed in detached volumes, it would be proper to embody them in one small work, and thus united, give them to the public. In yielding to this suggestion, it may be necessary to remark, that a more intimate acquaintance with those whose characters he has endeavored to portray, has enabled him to make some changes, and add some new traits, which will render the sketches more complete. In all these, he has carefully endeavored to avoid the indulgence of any feeling which might warp his judgment or give too rich or too dark a coloring to the picture he presents. He flatters himself that they will be found as correct as such sketches can be made, without entering minutely into the various shades or slight peculiarities of character. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The American Portrait Gallery, Vol. 1


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Excerpt from The American Portrait Gallery, Vol. 1: With Biographical Sketches It is, however, from the combination of portrait and biography that we reap the utmost degree of utility and pleasure which can be derived from them.' As, in contemplating the portrait of an eminent person, we long to be instructed in his history, so, in considering his actions, we are anxious to behold his countenance. So earnest is this desire, that the imagination is generally ready to coin a set of features, or to conceive a character, to supply the absence of one or the other. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Art of American Book Covers,1875-1930


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From floral patterns to cityscapes, the boldest book designs of a golden age are gathered here in full color.




The American Portrait Gallery


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Excerpt from The American Portrait Gallery: With Biographical Sketches of Presidents, Statesmen, Military and Naval Heroes, Clergymen, Authors, Poets, Etc;, Etc Few works of fiction offer anything so attractive as the records of past ages, and of the events of the present epoch. But while studying and admiring our general national history, our attention is directed to individual history, or biography, upon which the interest of the Whole depends. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.