Book Description
This book traces the history of African American theatre from its beginnings to the present.
Author : Samuel A. Hay
Publisher : Cambridge University Press
Page : 308 pages
File Size : 37,52 MB
Release : 1994-03-25
Category : Drama
ISBN : 9780521465854
This book traces the history of African American theatre from its beginnings to the present.
Author : Rosemarie K. Bank
Publisher : Cambridge University Press
Page : 316 pages
File Size : 21,3 MB
Release : 1997-01-28
Category : Drama
ISBN : 9780521563871
A study of pre-Civil War American theatre.
Author : Esther Kim Lee
Publisher : Cambridge University Press
Page : 219 pages
File Size : 18,36 MB
Release : 2006-10-12
Category : Drama
ISBN : 0521850517
This book surveys the history of Asian American theatre from 1965 to 2005.
Author : Susan Harris Smith
Publisher : Cambridge University Press
Page : 0 pages
File Size : 36,34 MB
Release : 2006-11-23
Category : Drama
ISBN : 0521032423
A revisionist study of the cultural neglect of American drama.
Author : Barry Witham
Publisher : Cambridge University Press
Page : 220 pages
File Size : 15,15 MB
Release : 2003-09-25
Category : Drama
ISBN : 9780521822596
This 2003 book provides a detailed examination of the operations of the US Federal Theatre Project in the decade of the 1930s.
Author : Kevin Lane Dearinger
Publisher : Rowman & Littlefield
Page : 607 pages
File Size : 32,51 MB
Release : 2016-07-29
Category : Literary Criticism
ISBN : 1611479487
Clyde Fitch (1865-1909) was the most successful and prolific dramatist of his time, producing nearly sixty plays in a twenty-year career. He wrote witty comedies, chaotic farces, homespun dramas, star vehicles, historical works, stark melodramas, and adaptations of European successes, but he was best known for his society plays, mirroring themes found in the novels of Henry James and Edith Wharton. In fact, Fitch collaborated with Wharton on a stage adaptation of her House ofMirth. He was also a gay man, although that gentler adjective was not the term of his time. He was bullied in school and baited by critics throughout his career for what they supposed of his private life. He responded with impressive strength and integrity. He was, at least for a short time, Oscar Wilde’s lover, and Wilde influenced his early plays, but Fitch’s study of Ibsen and other European dramatists inspired him to pursue the course of naturalism. As he became more successful, he took greater control of the staging and design of his plays. He was a complete man of the theatre and among the first names enrolled in New York’s theatrical hall of fame.
Author : D. Krasner
Publisher : Springer
Page : 394 pages
File Size : 35,24 MB
Release : 2016-09-27
Category : History
ISBN : 1137066253
The Harlem Renaissance was an unprecedented period of vitality in the American Arts. Defined as the years between 1910 and 1927, it was the time when Harlem came alive with theater, drama, sports, dance and politics. Looking at events as diverse as the prizefight between Jack Johnson and Jim 'White Hope' Jeffries, the choreography of Aida Walker and Ethel Waters, the writing of Zora Neale Hurston and the musicals of the period, Krasner paints a vibrant portrait of those years. This was the time when the residents of northern Manhattan were leading their downtown counterparts at the vanguard of artistic ferment while at the same time playing a pivotal role in the evolution of Black nationalism. This is a thrilling piece of work by an author who has been working towards this major opus for years now. It will become a classic that will stay on the American history and theater shelves for years to come.
Author : Kathy Perkins
Publisher : Routledge
Page : 574 pages
File Size : 17,37 MB
Release : 2018-12-07
Category : Drama
ISBN : 1351751433
The Routledge Companion to African American Theatre and Performance is an outstanding collection of specially written essays that charts the emergence, development, and diversity of African American Theatre and Performance—from the nineteenth-century African Grove Theatre to Afrofuturism. Alongside chapters from scholars are contributions from theatre makers, including producers, theatre managers, choreographers, directors, designers, and critics. This ambitious Companion includes: A "Timeline of African American theatre and performance." Part I "Seeing ourselves onstage" explores the important experience of Black theatrical self-representation. Analyses of diverse topics including historical dramas, Broadway musicals, and experimental theatre allow readers to discover expansive articulations of Blackness. Part II "Institution building" highlights institutions that have nurtured Black people both on stage and behind the scenes. Topics include Historically Black Colleges and Universities (HBCUs), festivals, and black actor training. Part III "Theatre and social change" surveys key moments when Black people harnessed the power of theatre to affirm community realities and posit new representations for themselves and the nation as a whole. Topics include Du Bois and African Muslims, women of the Black Arts Movement, Afro-Latinx theatre, youth theatre, and operatic sustenance for an Afro future. Part IV "Expanding the traditional stage" examines Black performance traditions that privilege Black worldviews, sense-making, rituals, and innovation in everyday life. This section explores performances that prefer the space of the kitchen, classroom, club, or field. This book engages a wide audience of scholars, students, and theatre practitioners with its unprecedented breadth. More than anything, these invaluable insights not only offer a window onto the processes of producing work, but also the labour and economic issues that have shaped and enabled African American theatre. Chapter 20 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Author : Julia Listengarten
Publisher : Cambridge University Press
Page : 489 pages
File Size : 48,17 MB
Release : 2021-09-09
Category : Drama
ISBN : 1108570267
The Cambridge Companion to American Theatre since 1945 provides an overview and analysis of developments in the organization and practices of American theatre. It examines key demographic and geographical shifts American theatre after 1945 experienced in spectatorship, and addresses the economic, social, and political challenges theatre artists have faced across cultural climates and geographical locations. Specifically, it explores artistic communities, collaborative practices, and theatre methodologies across mainstream, regional, and experimental theatre practices, forms, and expressions. As American theatre has embraced diversity in practice and representation, the volume examines the various creative voices, communities, and perspectives that prior to the 1940s was mostly excluded from the theatrical landscape. This diversity has led to changing dramaturgical and theatrical languages that take us in to the twenty-first century. These shifting perspectives and evolving forms of theatrical expressions paved the ground for contemporary American theatrical innovation.
Author : Analola Santana
Publisher : University of Michigan Press
Page : 267 pages
File Size : 44,3 MB
Release : 2018-10-15
Category : Performing Arts
ISBN : 0472053914
The figure of the freak as perceived by the Western gaze has always been a part of the Latin American imaginary, from the letters that Columbus wrote about his encounters with dog-faced people to Shakespeare's Caliban. The freak acquires greater significance in a globalized, neoliberal world that defines the "abnormal" as one who does not conform mentally, physically, or emotionally and is unable or unwilling to follow the economic and cultural norms of the institutions in power. Freak Performances examines the continuing effects of colonialism on modern Latin American identities, with a particular focus on the way it has constructed the body of the other through performance. Theater questions the representations of these bodies, as it enables the empowerment of the silenced other; the freak as a spectacle of otherness finds in performance an opportunity for re-appropriation by artists resisting the dominant authority. Through an analysis of experimental theater, dance theater, performance art, and gallery-based installation art across eight countries, Analola Santana explores the theoretical issues shaped by the encounters and negotiations between different bodies in the current Latin American landscape.