An Analysis of Gothic Architecture
Author : Raphael Brandon
Publisher :
Page : pages
File Size : 47,83 MB
Release : 1849
Category : Architecture, Gothic
ISBN :
Author : Raphael Brandon
Publisher :
Page : pages
File Size : 47,83 MB
Release : 1849
Category : Architecture, Gothic
ISBN :
Author : Francis Bond
Publisher :
Page : 862 pages
File Size : 50,59 MB
Release : 1905
Category : Architecture
ISBN :
Author : Raphael Brandon
Publisher :
Page : pages
File Size : 39,92 MB
Release : 1874
Category :
ISBN :
Author : Raphael Brandon
Publisher :
Page : 234 pages
File Size : 31,26 MB
Release : 1903
Category : Architecture, Gothic
ISBN :
Author : John Fitchen
Publisher : University of Chicago Press
Page : 371 pages
File Size : 33,4 MB
Release : 1981
Category : Architecture
ISBN : 0226252035
"This study enables us to appreciate more fully the technical expertise and improvements which enabled the creative spirit of the day to find such splendid embodiment". -- James Lingwood, Oxford Art Journal Copyright © Libri GmbH. All rights reserved.
Author :
Publisher : BRILL
Page : 310 pages
File Size : 47,1 MB
Release : 2022-12-05
Category : History
ISBN : 9004529330
The essays in this volume reflect on and build on the remarkable legacies of Robert Mark and Andrew Tallon, who pioneered the application of high-technology research methods to the study of Gothic architecture.
Author : Raphael Brandon
Publisher :
Page : 230 pages
File Size : 46,66 MB
Release : 1903
Category : Architecture
ISBN :
Author : Robert Branner
Publisher : MIT Press (MA)
Page : 316 pages
File Size : 29,33 MB
Release : 1989
Category : Architecture
ISBN :
Author : John Henry Parker
Publisher :
Page : 380 pages
File Size : 17,65 MB
Release : 1877
Category : Architecture, Gothic
ISBN :
Author : Robert Odell Bork
Publisher : Brepols Publishers
Page : 0 pages
File Size : 21,59 MB
Release : 2018
Category : Architecture, Gothic
ISBN : 9782503568942
In this book, Robert Bork offers a sweeping reassessment of late Gothic architecture and its fate in the Renaissance. In a chronologically organized narrative covering the whole of western and central Europe, he demonstrates that the Gothic design tradition remained inherently vital throughout the fourteenth and fifteenth centuries, creating spectacular monuments in a wide variety of national and regional styles. Bork argues that the displacement of this Gothic tradition from its long-standing position of artistic leadership in the years around 1500 reflected the impact of three main external forces: the rise of a rival architectural culture that championed the use of classical forms with a new theoretical sophistication; the appropriation of that architectural language by patrons who wished to associate themselves with papal and imperial Rome; and the chaos of the Reformation, which disrupted the circumstances of church construction on which the Gothic tradition had formerly depended. Bork further argues that art historians have much to gain from considering the character and fate of late Gothic architecture, not only because the monuments in question are intrinsically fascinating, but also because examination of the way their story has been told-and left untold, in many accounts of the Northern Renaissance-can reveal a great deal about schemes of categorization and prioritization that continue to shape the discipline even in the twenty-first century.