An Equal Opportunity Death


Book Description

To escape arrest for her best friend’s murder, Vejay must find the real killer—before it’s too late In the small woodsy town of Henderson, California, the electric company is strict about sick days. So when meterreader Vejay Haskell decides to play hooky, her first concern is staying out of sight. She skirts around the edge of town, making her way to Frank’s Place, a cozy saloon owned by her friend Frank Goulet. After two cups of hot buttered rum, they have an argument and she storms out into the pouring rain. She goes home, takes a nap, and awakens sober, embarrassed, and ready to apologize. But by the time she gets back to Frank’s bar, he is dead. Vejay was seen leaving Frank’s house in a huff, and her lack of an alibi combined with her suspicious sick day makes her the number-one suspect. As the police close in on her, Vejay turns detective in search of Frank’s real killer. It’s a perilous task, but she has one advantage when she puts on her work clothes: Nobody ever notices the meterreader. This ebook features an illustrated biography of Susan Dunlap including rare images from the author’s personal collection. An Equal Opportunity Death is the 1st book in the Vejay Haskell Mysteries, but you may enjoy reading the series in any order.




An Equal Opportunity Death : a Mystery


Book Description




Inequality of Opportunity


Book Description

Eight papers, both theoretical and applied, on the concept of equality of opportunity which says that a society should guarantee its members equal access to advantage regardless of their circumstances, while holding them responsible for turning that access into actual advantage by the application of effort.




In the Face of Death We Are Equal


Book Description

Mu Cao is a bold, pioneering Chinese novelist who dares to challenge the status quo--living openly gay in China and shedding a strong light on the plight of everyday Chinese. This is a humorous, magical realist novel that explores the exploitation of the young living in China's poor countryside. "Those who know me call me Old He, and they also know that I've worked in a crematorium for my entire life." Here begins Mu Cao's novel In the Face of Death We Are Equal, an unrelentingly realistic portrait of working-class gay men in the underbelly of Chinese society. He Donghai is days away from his sixtieth birthday and long-awaited retirement from his job as a corpse burner at a Beijing crematorium. As he approaches the momentous day, he reflects on his life and his relationship with a special group of young men who live and love on the margins of Chinese society. One of them is Ah Qing, a young migrant worker who leaves his village in Henan Province to earn a living in cities--and who has an unexpected personal connection to He. Through a disrupted and nonlinear narrative technique, and alternating between first, second, and third person, In the Face of Death We Are Equal tells the story of Ah and other young men like him. Sometimes enraging, often humorous, but always powerful, this novel explores the economic and sexual exploitation of young men and women from China's impoverished countryside who seek survival in the shadow of China's economic "miracle." Deftly translated by Scott E. Myers, it is the first title in Seagull's new Pride List, which showcases important queer writing from around the world. Written in Mu Cao's trademark earthy, sometimes graphic, idiom, In the Face of Death We Are Equal will be a valuable addition to queer and Chinese literature in translation.










Outrageous Acts and Everyday Rebellions


Book Description

This New York Times bestseller from the legendary feminist featured in the film The Two Glorias is as relevant today as when it was first published. Spanning two decades—from the early sixties to the early eighties—the pieces in Gloria Steinem’s diverse, stimulating, and often prescient first collection dare to ask how our world might change for the better if we each behaved “as if everyone mattered.” An early assignment as a “girl reporter,” going undercover as a Bunny in Hugh Hefner’s Playboy Club, becomes an eye-opening exposé of appalling work conditions and sexual harassment. As Steinem observed, “I think Hefner himself wants to go down in history as a person of sophistication and glamour. But the last person I would want to go down in history as is Hugh Hefner.” In addition to “I Was a Playboy Bunny,” the essays in this collection challenge the practices and preconceptions that marginalize, exclude, exploit, and victimize women. Steinem understands that the political is always personal, and vice versa, and as such her writings range from the polemical—“Erotica vs. Pornography” and “The Politics of Food”—to the deeply personal—“Ruth’s Song,” a moving tribute to her mentally ill mother—to sharp satire like “If Men Could Menstruate.” One of the first to address topics such as female genital mutilation and transgenderism, Steinem has truly earned the right to be called a feminist pioneer, and this volume is both a testament to her legacy in the fight for equality and an entertaining, thought-provoking journey through the lives of modern women. This ebook features an illustrated biography of Gloria Steinem including rare images from the author’s personal collection.




Helping Grieving People – When Tears Are Not Enough


Book Description

Helping Grieving People – When Tears Are Not Enough is a handbook for care providers who provide service, support and counseling to those grieving death, illness, and other losses. This book is also an excellent text for academic courses as well as for staff development training. The author addresses grief as it affects a variety of relationships and discusses different intervention and support strategies, always cognizant of individual and cultural differences in the expression and treatment of grief. Jeffreys has established a practical approach to preparing grief care providers through three basic tracks. The first track: Heart – calls for self-discovery, freeing oneself of accumulated loss in order to focus all attention on the griever. Second track: Head – emphasizes understanding the complex and dynamic phenomena of human grief. Third track: Hands – stresses the caregiver's actual intervention, and speaks to lay and professional levels of skill, as well as the various approaches for healing available. Accompanying these three motifs, the Handbook discusses the social and cultural contexts of grief as applied to various populations of grievers as well as the underlying psychological basis of human grief. Throughout the book, Jeffreys presents the role of the caregiver as an Exquisite Witness to the journey of grief and pain of bereaved family and friends, and also to the path taken by dying persons and their families. The second edition of Helping Grieving People remains true to the approach that has been so well received in the original volume. It includes updated research findings and addresses new information and developments in the field of loss, grief and bereavement.




Blind Joe Death's America


Book Description

For over sixty years, American guitarist John Fahey (1939–2001) has been a storied figure, first within the folk and blues revival of the long 1960s, later for fans of alternative music. Mythologizing himself as Blind Joe Death, Fahey crudely parodied white middle-class fascination with African American blues, including his own. In this book, George Henderson mines Fahey's parallel careers as essayist, notorious liner note stylist, musicologist, and fabulist for the first time. These vocations, inspired originally by Cold War educators' injunction to creatively express rather than suppress feelings, took utterly idiosyncratic and prescient turns. Fahey voraciously consumed ideas: in the classroom, the counterculture, the civil rights struggle, the new left; through his study of philosophy, folklore, African American blues; and through his experience with psychoanalysis and southern paternalism. From these, he produced a profoundly and unexpectedly refracted vision of America. To read Fahey is to vicariously experience devastating critical energies and self-soothing uncertainty, passions emerging from a singular location—the place where lone, white rebel sentiment must regard the rebellion of others. Henderson shows the nuance, contradictions, and sometimes brilliance of Fahey's words that, though they were never sung to a tune, accompanied his music.