An Outline of Contemporary Drama
Author : Thomas H. Dickinson
Publisher :
Page : 310 pages
File Size : 40,99 MB
Release : 1927
Category :
ISBN :
Author : Thomas H. Dickinson
Publisher :
Page : 310 pages
File Size : 40,99 MB
Release : 1927
Category :
ISBN :
Author : Thomas H. Dickinson
Publisher : Boston : Houghton Mifflin
Page : 320 pages
File Size : 46,87 MB
Release : 1927
Category : Drama
ISBN :
Author : Arthur Beatty
Publisher :
Page : 24 pages
File Size : 17,51 MB
Release : 1916
Category : Drama
ISBN :
Author : Annette Saddik
Publisher : Edinburgh University Press
Page : 248 pages
File Size : 37,44 MB
Release : 2007-09-13
Category : Literary Criticism
ISBN : 074863066X
This book explores the development of contemporary theatre in the United States in its historical, political and theoretical dimensions. It focuses on representative plays and performance texts that experiment with form and content, discussing influential playwrights and performance artists such as Tennessee Williams, Adrienne Kennedy, Sam Shepard, Tony Kushner, Charles Ludlum, Anna Deavere Smith, Karen Finley and Will Power, alongside avant-garde theatre groups. Saddik traces the development of contemporary drama since 1945, and discusses the cross-cultural impact of postwar British and European innovations on American theatre from the 1950s to the present day in order to examine the performance of American identity. She argues that contemporary American theatre is primarily a postmodern drama of inclusion and diversity that destabilizes the notion of fixed identity and questions the nature of reality.
Author :
Publisher : 清华大学出版社有限公司
Page : 344 pages
File Size : 48,55 MB
Release : 1933
Category : Bibliographical literature
ISBN :
Author : Katherine Brisbane
Publisher : Routledge
Page : 703 pages
File Size : 44,89 MB
Release : 2005-08-16
Category : Performing Arts
ISBN : 1134929781
This volume featrues over 250,000 words and more than 125 photographs identifying and defining theatre in more than 30 countries from India to Uzbekistan, from Thailand to New Zealand and featuring extensive documentation on contemporary Chinese, Japanese, Indian and Australian theatre.
Author : Matthews Manly
Publisher : Publio Kiadó Kft
Page : 199 pages
File Size : 48,86 MB
Release : 1929
Category : Science
ISBN : 9633812062
American Library Association Index, (to 1900) A. L. A. I. Supplement, 1901-1910 A. L. A. Supp. Annual Literary Index (1892-1904) A. L. I. Continued as Annual Library Index, 1905-1910 A. L. I. Dramatic Index, 1909- D. I. Published with Annual Magazine Subject Index. Magazine Subject Index: Boston, 1908 M. S. I. Continued by Annual Magazine Subject Index, 1909- A. S. I. Poole’s Index to Periodical Literature, 1802-1881 Poole Supplements, 1882-1906; 1907-1908 Poole Supp. Reader’s Guide to Periodical Literature, 1900- R. G. Supplement, 1907-1915, 1916-1919 R. G. Supp. Continued as International Index to Periodicals, 1921- I. I. P. Periodicals
Author : Irving Brown (Consulting Bibliographer)
Publisher : Routledge
Page : 1344 pages
File Size : 42,42 MB
Release : 2013-10-11
Category : Performing Arts
ISBN : 1136119086
An annotated world theatre bibliography documenting significant theatre materials published world wide since 1945, plus an index to key names throughout the six volumes of the series.
Author :
Publisher :
Page : 614 pages
File Size : 11,28 MB
Release : 1927
Category :
ISBN :
Author : Julie Sanders
Publisher : Cambridge University Press
Page : 283 pages
File Size : 44,31 MB
Release : 2014-02-20
Category : Literary Criticism
ISBN : 1107729084
Engaging and stimulating, this Introduction provides a fresh vista of the early modern theatrical landscape. Chapters are arranged according to key genres (tragedy, revenge, satire, history play, pastoral and city comedy), punctuated by a series of focused case studies on topics ranging from repertoire to performance style, political events to the physical body of the actor, and from plays in print to the space of the playhouse. Julie Sanders encourages readers to engage with particular dramatic moments, such as opening scenes, skulls on stage or the conventions of disguise, and to apply the materials and methods contained in the book in inventive ways. A timeline and frequent cross-references provide continuity. Always alert to the possibilities of performance, Sanders reveals the remarkable story of early modern drama not through individual writers, but through repertoires and company practices, helping to relocate and re-imagine canonical plays and playwrights.