Poetics of Love in the Middle Ages


Book Description

This volume examines the treatment and expression of love in medieval literature and art. These nineteen essays, contributed by recognized authorities on medieval romantic expression, consider a wide variety of texts from the following cultures: French, Arabic, Latin, Hispanic, Hebrew, Provencal, and German. Teachers and students of medieval literature will find in this well-researched book cogent, contemporary analyses of written expressions of love in the Middle Ages.




Allegory Old and New


Book Description

Bringing allegory into the light from the neglect into which it fell means focusing on the wondrous heights of the human spirit in its significance for culture. Contemporary philosophies and literary theories, which give pre-eminence to primary linguistics forms (symbol and metaphor), seem to favor just that which makes intelligible communication possible. But they fall short in accounting for the deepest subliminal founts that prompt the mind to exalt in beauty, virtue, transcending aspiration. The present, rich collection shows how allegory, incorporating the soaring of the spirit, offers highlights for culture, with its fluctuations and transformation. This collective effort, rich in ideas and intuitions and covering a vast range of cultural manifestations, is a pioneering work, retrieving the vision of the exalted human spirit, bringing together literature, theatre, music and painting in a variety of revealing perspectives. The authors include: M. Kronegger, Ch. Raffini, J. Smith, J.B. Williamson, H. Ross, M.F. Wagner, F. Divorne, L. Oppenheim, D.K. Heckerl, N. Campi de Castro, P. Saurez Pascual, M. Alfaro Amieiro, H. Fletcher Thompson, R.J. Wilson III, and A. Stensaas. For specialists, students and workers in philosophy, comparative literature, aesthetic phenomenologists and historians of art.




Look and Feel


Book Description

(Prospect Books 1994)




Food on the Move


Book Description

The Oxford Symposium on Food and Cookery has been held annually since 1981. This volume of more than 40 essays presented in 1996 includes pieces on food suitable for travelling, food written about by travel writers and travellers, and food that has itself travelled from its place of origin. The topics range from the domestication of western food in Japan, cooking on board ship in the 17th and 18th centuries, the transmission of the Arabic culinary tradition to medieval England, the influence of travel writers on modern Australian cooking, and the travels of the peanut.




The Cambridge Companion to Apocalyptic Literature


Book Description

Apocalytic literature has addressed human concerns for over two millennia. This volume surveys the source texts, their reception, and relevance.




Finding the Right Words


Book Description

Isidore of Seville (circa 570-636) was the author of the Etymologiae, . the most celebrated and widely circulated encyclopaedia of the western Middle Ages. In addition, Isidore's Synonyma were very successful and became one of the classics of medieval spirituality. Indeed, it was the Synonyma that were to define the so-called 'Isidorian style, ' a rhymed, rhythmic prose that proved influential throughout the Middle Ages. Finding the Right Words is the first book-length study to deal with the transmission and reception of works by Isidore of Seville in Anglo-Saxon England, with a particular focus on the Synonyma. Beginning with a general survey of Isidore's life and activity as a bishop in early seventh-century Visigothic Spain, Claudia Di Sciacca offers a comprehensive introduction to the Synonyma, drawing special attention to their distinctive style. She goes on to discuss the transmission of the text to early medieval England and its 'vernacularisation, ' that is, its translations and adaptations in Old English prose and verse. The case for the particular receptiveness of the Synonyma in Anglo-Saxon England is strongly supported by both a close reading of primary sources and an extensive selection of secondary literature. This rigorous, well-documented volume demonstrates the significance of the Synonyma to our understanding of the literary pretensions and pedagogical practices of Anglo-Saxon England, and offers new insights into the interaction of Latin and vernacular within its literary culture.




From Death to Rebirth


Book Description




The Cult of the Virgin Mary in Anglo-Saxon England


Book Description

This book provides a wide-ranging exploration of the cult in England from c. 700 to the Conquest. Dr Clayton describes and illustrates with a plate section the development of Marian devotion, discussing Anglo-Saxon feasts of the Virgin, liturgical texts, prayers, art, poetry and prose.




Uncollected Essays


Book Description

Foreword by Paul A. Olson - Buzones Etymology - The Manuel des Péchés - Classical Origin of 'Circumstances' in the Medieval Confessional - The Cultural Tradition of Handlyng Synne - Marie de France, Lais, - Cumhthach Labhras an Lonsa - Chaucerian Tragedy - St. Foy among the Thorns - Amors de terra lonhdana - De Amore of Andreas Capellanus - Why the Devil Wears Green - On Conjointure - The Book of the Duchess - Chaucer Criticism - "And for my land thus hastow mordred me?" - Chaucer and the "Commune Profit" The Manor - The Intellectual, Artistic and Historical Context - Religion and Stylistic History - Simple Signs from Everyday Life - Chaucer and Christian Tradition - The Wife of Bath and Midas - Date and Purpose of Troilus - Who Were "The People"? - Economic and Social Consequences of the Plague - Probable Date and Purpose of Knight's Tale - The Physician's Comic Tale - Wisdom and "The Manciple's Tale"




Gold, Silver, and Bronze


Book Description

An in-depth look at the exquisite metal sculpture of the Roman baroque Roman baroque sculpture is usually thought of in terms of large-scale statues in marble and bronze, tombs, or portrait busts. Smaller bronze statuettes are often overlooked, and the extensive production of sculptural silver—much of which is now lost but can be studied from drawings—is frequently omitted from the histories of art. In this book, Jennifer Montagu enriches our understanding of the sculpture of the period by investigating the bronzes that adorn the great tabernacles of Roman churches; gilded silver, both secular and ecclesiastical; elaborately embossed display dishes; and the production of medals. Concentrating on selected pieces by such master sculptors as Bernini and leading metal-workers such as Giovanni Giardini, Montagu examines the often tortuous relationship between patrons and artists and elucidates the relationship between those who provided the drawings or models and the craftsmen who executed the finished sculptures.