Ancient Book Illumination


Book Description

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







Illuminating the Word in the Early Middle Ages


Book Description

This richly illustrated study addresses the essential first steps in the development of the new phenomenon of the illuminated book, which innovatively introduced colourful large letters and ornamental frames as guides for the reader's access to the text. Tracing their surprising origins within late Roman reading practices, Lawrence Nees shows how these decorative features stand as ancestors to features of printed and electronic books we take for granted today, including font choice, word spacing, punctuation and sentence capitalisation. Two hundred photographs, nearly all in colour, illustrate and document the decisive change in design from ancient to medieval books. Featuring an extended discussion of the importance of race and ethnicity in twentieth-century historiography, this book argues that the first steps in the development of this new style of book were taken on the European continent within classical practices of reading and writing, and not as, usually presented, among the non-Roman 'barbarians'.




Manuscripts of the Greek Bible


Book Description

After a thorough survey of the fundamentals of Greek palaeograpy, the author discusses many of the distinctive features of biblical manuscripts, such as musical neumes, lectionaries, glosses, commentaries and illuminations.




A Bibliographic History of the Book


Book Description

"...skillfully compiled...should be useful to anyone interested in placing his or her studies in the context of printed and bound literature..." --ENGLISH LITERATURE IN TRANSITION 1880-1920




Picturing the Bible


Book Description

Published on the occasion of the exhibition organized by the Kimbell Art Museum and shown there November 18, 2007 - March 30, 2008.




Ancient Book Illumination


Book Description







Medieval Herbals


Book Description

Collins shows how the principal herbal traditions of Classical descent were replaced by a new observation of nature that itself paved the way for the magnificent paintings of later French and Italian herbals.




Books and Readers in the Premodern World


Book Description

A book about the role of books in shaping the ancient religious landscape This collection of essays by leading scholars from a variety of academic disciplines explores the ongoing relevance of Harry Gamble’s Books and Readers in the Early Church (1995) for the study of premodern book cultures. Contributors expand the conversation of book culture to examine the role the Hebrew Bible, the New Testament, and the Qur’an played in shaping the Jewish, Christian, and Muslim religions in the ancient and medieval world. By considering books as material objects rather than as repositories for stories and texts, the essays examine how new technologies, new materials, and new cultural encounters contributed to these holy books spreading throughout territories, becoming authoritative, and profoundly shaping three global religions. Features: Comparative analysis of book culture in Roman, Jewish, Christian, and Islamic contexts Art-historical, papyrological, philological, and historical modes of analysis Essays that demonstrate the vibrant, ongoing legacy of Gamble’s seminal work