The Art and Craft of Natural Dyeing


Book Description

"For several thousand years, all dyes were of animal, vegetable, or mineral origin, and many ancient civilizations possessed excellent dye technologies. The first synthetic dye was produced in 1856, and the use of traditional dyes declined rapidly thereafter. By 1915 few non-synthetics were used by industry or craftspeople. The craft revivals of the 1920s explored traditional methods of natural dyeing to some extent, particularly with wool, although the great eighteenth- and nineteenth-century dye manuals, which recorded the older processes, remained largely forgotten. In The Art and Craft of Natural Dyeing, J.N. Liles consolidates the lore of the older dyers with his own first-hand experience to produce both a history of natural dyes and a practical manual for using pre-synthetic era processes on all the natural fibers--cotton, linen, silk, and wool. A general section on dyeing and mordanting and a glossary introduce the beginner to dye technology. In subsequent chapters, Liles summarizes the traditional dye methods available for each major color group. Scores of recipes provide detailed instructions on how to collect ingredients--flowers, weeds, insects, wood, minerals--prepare the dyevat, troubleshoot, and achieve specific shades"--Publisher's description.




Handweaving


Book Description

Buschman annotates more than 550 books and periodical titles published on the techniques and history of handweaving from 1928 through October 1989. She includes works on how to weave_basic weaving texts, books on looms and equipment, and patterns both for weaving and for woven articles; handweaving history and historic fabrics from around the world; works on Native American weaving, ranging from the Chilkats of the Northwest coast of North America, to the Pueblos and Navajos of our Southwest, Mexico, and Central America, and on through the rich weaving culture of the Andes; reference works containing specialized bibliographies and information on fibers, dyes, education and marketing; and periodicals. With author, title, and subject indexes.




Lichen Dyes


Book Description

Noted textile designer and lichen expert explains how to create and use dyes derived from lichens. Text covers history of the use of lichen pigments, safe dyeing methods, ecologically sound dyeing, and use of mordants, lichen identification, and more. Text also offers a fascinating history of Asian and European lichen pigments, Scottish, Irish, and Scandinavian domestic lichen dyes, and others.




Natural Dyes


Book Description

This book describes some 300 plants and 30 animals (marine mollusks and scale insects) that are used as sources for natural dyes. Botanical or zoological details are given for each source and the chemical structures is shown for each dye. Dyes employed by different civilisations, identified by dye analyses, are illustrated and relevant historical recipes and detailed descriptions of dyeing processes by traditional dyers are quoted and explained in the light of modern science. Other current uses of natural colorants, e.g. in medicine and for food and cosmetics, and replacement of synthetic by natural dyes are also noted.




Encyclopaedia of Untouchables Ancient, Medieval and Modern


Book Description

The book entitled Encyclopaedia of Untouchables, Ancient, Medieval and Modern compiled in 2 volumes witnesses to the fact that how the Brahminical ideology used to behave with the poor people of the Father which is totally unbearable to a normal person, even though they used to clean the cities, latrines, skin of the dead animals which were owned by the Brahmans. Hence, the Dalit literature is not a simple literature, it is associated with a movement to bring about a change in the society by working personally to realize the basic facts of the life, but Brahmans are only the philosophers of their literature, working for their personal benefit not for others. It has established its own strong tradition with anti-caste or untouchables thinker like Buddha, Ved Vyash, Valmiki, Qutab-ud-Din Aebik, Balban, Balban, Firoz Shah Tuglaq, Barani the great writer, Amir Timur, Sultan Sikandar of Kashmir, Zain-ul- Abidin, Mirza Haidar Dughlat, Babar, Ravidas, Akbar, Guru Nanak, Kabir, Phule, Dr. B.R. Ambedkar, many more as its sign posts.










Handbook of Museum Textiles, Volume 1


Book Description

Handbook of Museum Textiles Textiles have been known to us throughout human history and played a vital role in the lives and traditions of people. Clothing was made by using different materials and methods from natural fibers. There are different varieties of textiles, out of which certain traditional textiles, archaeological findings, or fragments are of cultural, historical, and sentimental value such as tapestries, embroideries, flags, shawls, etc. These kinds of textiles, due to their historical use and environmental factors, require special attention to guarantee their long-term stability. Textile conservation is a complex, challenging, and multi-faceted discipline and it is one of the most versatile branches of conservation. Volume 1 of the Handbook of Museum Textiles focuses on conservation and cultural research and addresses the proper display, storage, upkeep, handling, and conservation technology of textile artifacts to ensure their presence for coming generations. Spread over 19 chapters, the volume is a unique body of knowledge of theoretical and practical details of museum practices. Chapters on textile museums, the importance of cultural heritage, conservation, and documentation of textiles are covered in depth. Conservation case studies and examples are highlighted in many chapters. Management practices and guidelines to pursue a career in the museum textile field have been given due attention. The respective authors of the chapters are of international repute and are researchers, academicians, conservators, and curators in this field. Audience The book is a unique asset for textile researchers, fine art scholars, archaeologists, museum curators, designers, and those who are interested in the field of traditional or historic textile collections.