Ancient Greek Horsemanship


Book Description




The Art of Horsemanship


Book Description




The Horse in Ancient Greek Art


Book Description

Horses were revered in ancient Greece as symbols of wealth, power, and status. On stunning black- and red-figure vases, in sculpture, and in other media, Greek artists depicted the daily care of horses, chariot and horseback races, scenes of combat, and mythological horse-hybrids such as satyrs and the winged Pegasus. This richly illustrated and handsomely designed volume includes over 80 objects showing scenes of ancient equestrian life. Essays by notable scholars of ancient Greek art and archaeology explore the indelible presence and significance horses occupied in numerous facets of ancient Greek culture, including myth, war, sport, and competition, shedding new light on horsemanship from the 8th through the 4th century BCE.




Ancient Greek Horsemanship


Book Description

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1961.




The Art of Horsemanship


Book Description

NOT THE MORRIS H. MORGAN PUBLIC DOMAIN VERSION. This is a NEW (2010) easy-to-read translation by ancient Greek language scholar and horsewoman Dr. A. Nyland and is NOT one of the many century-old public domain translations NOR is it a reworded public domain version. Great advances which have been made in ancient Greek word meaning in the last twenty years were unknown to the translators of the public domains of the late nineteenth and early twentieth centuries. Despite the current trend for non-translators to reproduce public domain versions as a commercial venture, be aware that such public domain versions do not take advantage of recent scholarship in word meaning.Xenophon was an ancient Greek soldier who lived from around 430-354 BC. His "Art of Horsemanship" is his work on selecting and educating horses. It was not the first work of its kind, an earlier being that by Simon of Athens. This book also includes excerpts by Aristotle, Columella, Diogenes Laertius, Herodotos, Juvenal, Livy, Pliny the Elder, Simon of Athens, Suetonius, Theomnestus, Virgil, (and two of Xenophon's other works mentioning horsemanship,) which are relevant to Xenophon's The Art of Horsemanship. This is a NEW English translation by Dr A. Nyland.




Archaic Greek Equestrian Sculpture


Book Description

This welcome volume examines the use and meaning of equestrian statues in Archaic Greece, relying not only on a full catalog of the sculptures but also on the rich comparative material in the literary and archaeological remains. Previous works have either crowded this important material into a large study of all equestrian statues everywhere or else have examined only those few that belong to the Athenian Acropolis. It has therefore been difficult to characterize the style and distribution of this sculpture, let alone examine them within their cultural milieu. Mary Ann Eaverly carries out precisely these important tasks. The first half of the volume identifies the unique characteristics of equestrian statues as a type apart from other Archaic sculpture. The author places the sculptures within their historical and cultural context and considers critical factors such as cultic activity, aristocratic symbolism, and the influence of Peisistratos. The second half of the volume is a catalog that discusses all the extant pieces individually. Archaic Greek Equestrian Sculpture will be of interest to students and scholars of Greek sculpture, the Greek artistic heritage, and the complex history of Archaic Greece.




Clinton Anderson's Downunder Horsemanship


Book Description

If you have seen his weekly television program, Downunder Horsemanship, then you know that Clinton Anderson's training techniques can achieve amazing results with almost any horse. Now his methods are available for the first time in a reader-friendly, highly illustrated book, and you, too, can learn the program that teaches "everyday people"—regardless of riding style, age, or ability—how to better communicate with their mounts.







The Horse and Jockey from Artemision


Book Description

In 1928, and again in 1937, parts of a large-scale bronze horse and nearly complete jockey were recovered from the sea off Cape Artemision in Greece, where they had gone down in a shipwreck. These original Hellenistic sculptures, known together as the "Horse and Jockey Group from Artemision," are among the very few surviving bronze sculptures from antiquity. Seán Hemingway has been allowed by the National Museum in Athens to investigate the horse and jockey statuary group as no one ever has before, and in this book, combining archaeological and art historical methods of investigation, he provides the first in-depth study of this rare and beautiful monument. New technical analyses of the statues by Helen Andreopoulou-Mangou form an appendix to the volume. Hemingway begins with an introduction to Hellenistic bronze statuary and what we know about this extraordinary class of ancient sculpture. He then recounts with riveting detail the discovery and painstaking restoration of the statue group, describing the technique of its creation and carefully reviewing scholarly knowledge and speculation about it. He also provides a valuable compendium of what is known about ancient Greek horse racing, the most prestigious and splendid of all Greek sports. After a full consideration of all the available evidence, he speculates further about the work’s original meaning and function. His study provides a glimpse of the excellence achieved by Hellenistic bronze sculptors, and it will become the definitive resource on this unique sculpture from ancient Greece.




The Horse, the Wheel, and Language


Book Description

Roughly half the world's population speaks languages derived from a shared linguistic source known as Proto-Indo-European. But who were the early speakers of this ancient mother tongue, and how did they manage to spread it around the globe? Until now their identity has remained a tantalizing mystery to linguists, archaeologists, and even Nazis seeking the roots of the Aryan race. The Horse, the Wheel, and Language lifts the veil that has long shrouded these original Indo-European speakers, and reveals how their domestication of horses and use of the wheel spread language and transformed civilization. Linking prehistoric archaeological remains with the development of language, David Anthony identifies the prehistoric peoples of central Eurasia's steppe grasslands as the original speakers of Proto-Indo-European, and shows how their innovative use of the ox wagon, horseback riding, and the warrior's chariot turned the Eurasian steppes into a thriving transcontinental corridor of communication, commerce, and cultural exchange. He explains how they spread their traditions and gave rise to important advances in copper mining, warfare, and patron-client political institutions, thereby ushering in an era of vibrant social change. Anthony also describes his fascinating discovery of how the wear from bits on ancient horse teeth reveals the origins of horseback riding. The Horse, the Wheel, and Language solves a puzzle that has vexed scholars for two centuries--the source of the Indo-European languages and English--and recovers a magnificent and influential civilization from the past.