Indonesian Art


Book Description

The world's largest archipelago harbours myriad communities each with its own unique forms of expression, Indonesian Art allows expert and layman alike the opportunity to view many previously unphotographed artefacts in all their richness of detail. These objects reflect the diversity of Indonesia and the chapters of Indonesian Art bridge, illustrate and explain an impressive cultural heritage.




The Royal Asiatic Society


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Ancient Indonesian Bronzes


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Focus on Indonesia


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Ancient Indonesian Art


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Batavia-Jakarta, 1600-2000


Book Description

This is an odd book. An extensive and sometimes annotated bibliography, it is not a book in the sense of a narrative. However, if treated as a book in the traditional sense it leads the reader through a broad spectrum of feelings of amazement, curiosity and desire: amazement about the sheer volume, richness and detail of theliterature on Batavia/Jakarta; curiosity about the contents of certain publications or series of publications with attractive titles; and a feeling of desire immediately to begin an investigation into one of the appealing subjects stumbled upon while leafing through. The bibliography contains over 5000 titles classified into 42 broad subject categories. The vast majority of the publications consists of books, but the number of articles is also very substantial. Most of these titles (3500) were produced after 1950. The larger part of the publications are written in Indonesian, Dutch, and to a lesser extent English. But also publications in such languages as French, Chinese, German, Japanese, Russian, and many others were listed. Indexes of authors, of subjects and of titles make this bibliography easily accessible.




Icons of Art


Book Description

An exploration of the collections found at the Indonesian National Museum, one of the oldest museums in Asia




Encyclopedia of World Art


Book Description

Subject matter consists of representational arts in the broadest sense, architecture, sculpture, painting, and other man-made objects with no limits as to time, place, or cultural environment.