Andersen's Fairy Tales and Stories


Book Description

Andersen's initial attempts at writing fairy tales were revisions of stories that he heard as a child. Andersen then brought this genre to a new level by writing a vast number of fairy tales that were both bold and original. Initially they were not met with recognition, due partly to the difficulty in translating them and capturing his genius for humor and dark pathos. It was during 1835 that Andersen published the first two installments of his immortal Fairy Tales (Danish: Eventyr; lit. "fantastic tales"). More stories, completing the first volume, were published in 1837. The collection comprises nine tales, including "The Tinderbox", "The Princess and the Pea", "Thumbelina", "The Little Mermaid", and "The Emperor's New Clothes". The quality of these stories was not immediately recognized, and they sold poorly. At the same time, Andersen enjoyed more success with two novels, O.T. (1836) and Only a Fiddler (1837); the latter was reviewed by the young Søren Kierkegaard. After a visit to Sweden in 1837, Andersen became inspired by Scandinavism and committed himself to writing a poem that would convey the relatedness of Swedes, Danes, and Norwegians. It was in July 1839, during a visit to the island of Funen, that Andersen first wrote the text of his poem, Jeg er en Skandinav ("I am a Scandinavian"). Andersen composed the poem to capture "the beauty of the Nordic spirit, the way the three sister nations have gradually grown together", as part of a Scandinavian national anthem. Composer Otto Lindblad set the poem to music, and the composition was published in January 1840. Its popularity peaked in 1845, after which it was seldom sung. Andersen spent two weeks at the Augustenborg Palace in the autumn of 1844. Andersen returned to the fairy tale genre in 1838 with another collection, Fairy Tales Told for Children. New Collection. First Booklet (Eventyr, fortalte for Børn. Ny Samling), which consists of "The Daisy", "The Steadfast Tin Soldier", and "The Wild Swans". The year 1845 heralded a breakthrough for Andersen with the publication of four different translations of his fairy tales. "The Little Mermaid" appeared in the periodical Bentley's Miscellany. It was followed by a second volume, Wonderful Stories for Children. Two other volumes enthusiastically received were A Danish Story Book and Danish Fairy Tales and Legends. A review that appeared in the London journal The Athenæum (February 1846) said of Wonderful Stories, "This is a book full of life and fancy; a book for grandfathers no less than grandchildren, not a word of which will be skipped by those who have it once in hand." Andersen would continue to write fairy tales, and he published them in installments until 1872.




The Complete Fairy Tales of Hans Christian Andersen - 120+ Wonderful Stories for Children


Book Description

In 'The Complete Fairy Tales of Hans Christian Andersen - 120+ Wonderful Stories for Children', readers are transported to a world of enchanting and timeless tales filled with moral lessons, fantastical creatures, and magical realms. Andersen's literary style is characterized by its simplicity and emotional depth, making his stories accessible to both children and adults alike. The collection showcases the literary context of fairy tales during the 19th century, highlighting Andersen's influence on the genre. From 'The Little Mermaid' to 'The Ugly Duckling', each story is beautifully crafted with a touch of whimsy and melancholy. Hans Christian Andersen, known for his prolific storytelling and deep empathy for human emotions, drew inspiration from his own struggles and experiences growing up in poverty. His ability to weave universal themes of love, loss, and resilience into his fairy tales has ensured his enduring legacy as one of the greatest storytellers in history. I highly recommend 'The Complete Fairy Tales of Hans Christian Andersen' to readers of all ages who appreciate the beauty of classic fairy tales and the enduring power of storytelling. This collection is a literary treasure that will enchant and inspire readers for generations to come.




The Complete Fairy Tales of Hans Christian Andersen: 127 Stories in one volume


Book Description

In 'The Complete Fairy Tales of Hans Christian Andersen: 127 Stories in one volume', readers are transported to a world of enchantment and whimsy through the timeless tales of the Danish author. Andersen's literary style is characterized by vivid imagery, moral lessons, and fantastical elements, appealing to both children and adults. His stories often explore themes of virtue, perseverance, and the complexity of human nature, making them a valuable contribution to the literary canon of fairy tales. This collection showcases Andersen's knack for storytelling and his ability to captivate readers with his imaginative narratives. With 127 stories in one volume, this book provides a comprehensive look at Andersen's unparalleled storytelling abilities. Hans Christian Andersen, often regarded as one of the greatest fairy tale writers of all time, drew inspiration from his own life experiences and the folk tales of his homeland, Denmark. His background as a poor, self-taught writer fueled his creativity and ingenuity, leading him to create some of the most beloved fairy tales in literary history. Andersen's unique perspective and profound understanding of human emotions are evident throughout his stories, making him a master of the genre. I highly recommend 'The Complete Fairy Tales of Hans Christian Andersen' to readers of all ages who appreciate timeless stories filled with magic, wonder, and moral lessons. This comprehensive collection is a must-read for anyone seeking to experience the enchanting world of Andersen's fairy tales and discover the enduring charm of his storytelling.







Andersen's Fairy Tales


Book Description

This collection of over forty of Anderson's most popular stories includes "The Ugly Duckling", "The Red Shoes", and "The Little Match Girl."







Hans Christian Andersen


Book Description

Hans Christian Andersen is indisputably the best known of all Scandinavian writers, his tales and stories having been translated probably into more languages than any other work except the Bible. He is also one of the greatest travelers of nineteenth-century belles lettres and few were the major European cities, capitals, and countries he did not visit, many of them several times: Vienna, Berlin, Dresden, Leipzig, Weimar, Paris, and London. He met and became friends with some of the most outstanding representatives of the European artistic community: Charles Dickens, Victor Hugo, Alexandre Dumas père, Franz Grillparzer, Heinrich Heine, the Brothers Grimm, Wilhelm von Kaulbach, Franz Liszt, Felix Mendelssohn-Bartholdy, Clara and Robert Schumann, to mention a few. Andersen was the first notable Danish writer of proletarian origin, and even though he was never able to overcome his personal traumas, he became extremely successful in climbing the social ladder receiving invitations wherever he went from nobility and royalty and being showered with recognition and decorations. He read aloud to and was feted by Maximilian II of Bavaria, Friedrich Wilhelm IV of Prussia, Grand Duchess Sophia of Austria, and Friedrich August II of Saxony. Even though he also was a frequent visitor at the Danish court Andersen always felt more appreciated abroad. In spite of Andersen's status as a world-renowned writer, no critical treatment has thus far discussed him as a key figure in European contemporary culture and a cosmopolitan personality. The contributors to the present volume -- all of whom are acclaimed Andersen scholars -- have made extensive use of the vast material available in Andersen's diaries, almanacs, autobiographies, and letters. Most of this material, now made available in English for the first time, allows a new Andersen to emerge, different from the traditional portrayal of him as a content and happy storyteller -- a myth indeed! To the contrary, all contributors of this volume discuss his complexity, the traumas and disillusionments of a professional artist constantly struggling to maintain his position and incessantly worried about running out of inspiration. This volume -- besides presenting biographical information in an international perspective -- focuses on Andersen's fascinating psychological make-up, his taste in music, literature, and the pictorial arts, the contemporary critical reception of his work, and explores his creative universe in a more general sense including his poetry, novels, plays, and travelogues. Andersen's overall artistic achievements are viewed in the context of world literature.







Fairy Tales and Stories


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Catalogue of Printed Books


Book Description