Andre Gide's Politics


Book Description

At the peak of his career, after having established himself as an accomplished writer, astute moraliste, and the foremost spokesperson of his generation for personal freedom and self-realization, Gide became aware, first, that his particular brand of bourgeois individualism was becoming increasingly irrelevant in the contemporary world and, second, that social commitment and even revolution could serve as a powerful source of inspiration and self-renewal. Over a ten-year period that began in the 1920s and ended with his public break with the Soviet Union in 1936, Gide the committed intellectual interacted with society in ways that were for him unprecedented. These essays examine the outcomes of Gide s evolving commitment to a host of controversial issues ranging from the sexual to the political, from the literary to the social.




Andre Gide's Politics


Book Description

At the peak of his career, after having established himself as an accomplished writer, astute moraliste, and the foremost spokesperson of his generation for personal freedom and self-realization, Gide became aware, first, that his particular brand of bourgeois individualism was becoming increasingly irrelevant in the contemporary world and, second, that social commitment and even revolution could serve as a powerful source of inspiration and self-renewal. Over a ten-year period that began in the 1920s and ended with his public break with the Soviet Union in 1936, Gide the committed intellectual interacted with society in ways that were for him unprecedented. These essays examine the outcomes of Gide s evolving commitment to a host of controversial issues ranging from the sexual to the political, from the literary to the social.




André Gide


Book Description

Sheridan presents a literary biography of one of the most important writers of the 20th century--an intimate portrait of the reluctantly public man, whose work was deeply and inextricably entangled with his life. 35 halftones.




Journals: 1914-1927


Book Description

Presents the author's journals that testify a disciplined intelligence in a constantly maturing thought. This book offers details of his personal life and spiritual conflicts, accounts of his travels, and comments on the political and social events of the day, from the Dreyfus case to the German occupation.




If It Die - André Gide


Book Description

If It Die... by André Gide is a profound exploration of personal identity, moral ambiguity, and the human experience. Through this autobiographical work, Gide reflects on his formative years, offering an intimate portrayal of his journey from adolescence to adulthood. The narrative delves into his struggles with religion, sexuality, and societal expectations, portraying his inner conflict with refreshing honesty. In If It Die..., Gide confronts the rigid moral structures of his upbringing, particularly the influence of his Protestant faith. He presents a nuanced depiction of his search for authenticity, as he grapples with questions of desire and identity in a society that demanded conformity. Gide's writing is both introspective and candid, offering readers an unvarnished look into the complexities of his emotional and spiritual development. The book is not merely a personal reflection, but a critique of the social and moral constraints of late 19th and early 20th-century France. Through his narrative, Gide explores themes such as the tension between personal freedom and societal norms, as well as the hypocrisy inherent in conventional morality. His experiences, particularly his travels and encounters with different cultures, broaden his perspective and deepen his understanding of human diversity.




Journals: 1928-1939


Book Description

"Beginning with a single entry for the year 1889, when he was twenty, and continuing intermittently but indefatigably through his life, theJournals of Andr Gideconstitute an enlightening, moving, and endlessly fascinating chronicle of creative energy and conviction. Astutely and thoroughly annotated by Justin O'Brien in consultation with Gide himself, this translation is the definitive edition of Gide's complete journals.The complete journals, representing sixty years of a varied life, testify to a disciplined intelligence in a constantly maturing thought. These pages contain aesthetic appreciations, philosophic reflections, sustained literary criticism, notes for the composition of his works, details of his personal life and spiritual conflicts, accounts of his extensive travels, and comments on the political and social events of the day, from the Dreyfus case to the German occupation. Gide records his progress as a writer and a reader as well as his contacts and conversations with the bright lights of contemporary Europe, from Paul Valry, Paul Claudel, Lon Blum, and Auguste Rodin to Marcel Proust, Stephen Mallarm, Oscar Wilde, and Nadia Boulanger. Devoid of affectation, alternately overtaken by depression and animated by a sense of urgency and hunger for literature and beauty, Gide read voraciously, corresponded voluminously, and thought profoundly, always questioning and doubting in search of the unadulterated truth. ""The only drama that really interests me and that I should always be willing to depict anew,"" he wrote, ""is the debate of the individual with whatever keeps him from being authentic, with whatever is opposed to his integrity, to his integration. Most often the obstacle is within him. And all the rest is merely accidental."""




Andre Gide's Politics


Book Description




Journals: 1939-1949


Book Description

"Beginning with a single entry For The year 1889, when he was twenty, and continuing intermittently but indefatigably through his life, theJournals of Andr Gideconstitute an enlightening, moving, and endlessly fascinating chronicle of creative energy and conviction. Astutely and thoroughly annotated by Justin O'Brien in consultation with Gide himself, this translation is the definitive edition of Gide's complete journals.The complete journals, representing sixty years of a varied life, testify to a disciplined intelligence in a constantly maturing thought. These pages contain aesthetic appreciations, philosophic reflections, sustained literary criticism, notes For The composition of his works, details of his personal life and spiritual conflicts, accounts of his extensive travels, and comments on the political and social events of the day, from the Dreyfus case To The German occupation. Gide records his progress as a writer and a reader as well as his contacts and conversations with the bright lights of contemporary Europe, from Paul Valry, Paul Claudel, Lon Blum, and Auguste Rodin to Marcel Proust, Stephen Mallarm, Oscar Wilde, and Nadia Boulanger. Devoid of affectation, alternately overtaken by depression and animated by a sense of urgency and hunger for literature and beauty, Gide read voraciously, corresponded voluminously, and thought profoundly, always questioning and doubting in search of the unadulterated truth. ""The only drama that really interests me and that I should always be willing to depict anew,"" he wrote, ""is the debate of the individual with whatever keeps him from being authentic, with whatever is opposed to his integrity, To his integration. Most often the obstacle is within him. And all the rest is merely accidental.""Volume 4 reveals a creative mind that remains vigorous and unique as Gide enters his seventies. He records the fall of France And The German occupation during World War II, The landing of the Americans And The fall of Tunis, As well as a memorable meeting with General de Gaulle. His literary commentary touches on such writers as Virgil, Goethe, Racine, Dashiell Hammett, and John Steinbeck."




Marshlands


Book Description

A slim but powerful work of metafiction by a Nobel Prize-winning French writer and intellectual. André Gide is the inventor of modern metafiction and of autofiction, and his short novel Marshlands shows him handling both forms with a deft and delightful touch. The protagonist of Marshlands is a writer who is writing a book called Marshlands, which is about a reclusive character who lives all alone in a stone tower. The narrator, by contrast, is anything but a recluse: He is an indefatigable social butterfly, flitting about the Paris literary world and always talking about, what else, the wonderful book he is writing, Marshlands. He tells his friends about the book, and they tell him what they think, which is not exactly flattering, and of course those responses become part of the book in the reader’s hand. Marshlands is both a poised satire of literary pretension and a superb literary invention, and Damion Searls’s new translation of this early masterwork by one of the key figures of twentieth-century literature brings out all the sparkle of the original.