Angel Over Drancy


Book Description

HENDRICH MUELLER has enjoyed all the privileges that wealth and position can give to a young man. When his father takes a diplomatic post in England, Hendrich is placed in a school there. He becomes friends with STEPHEN CASPLINGER, the son of a prominent English family. They spend their summers together, traveling to France and Germany. Stephen even dreams of marrying Rick’s cousin, pretty Anna. But at the outbreak of World War II, Hendrich becomes a pilot in the Luftwaffe, while Stephen flies for the R.A.F. The two friends must now work for forces bent on destroying each other. When Hendrich is shot down over England, he is placed in a POW camp that holds bittersweet memories of his life before the war. Stephen soon discovers his old friend in the prison camp and the real reason for his friend’s imprisonment. Hendrich’s secret changes their lives forever. What has been destroyed is a thing more precious than countries or armies.




Spawn of Evil


Book Description

Spawn of Evil: A Novel




The Bone Angel Trilogy Boxset


Book Description

Three midwife-healers from a French village. Three standalone stories spanning six hundred years. Three women linked by an ancient bone talisman and bonded by living through turbulent times: the Black Death, the French Revolution, the WWII Nazi Occupation. Each brings its own threats and dangers, in this boxset of historical novels based on real events. " … sweeping saga following the fortunes of three strong women ... fascinating, moving and realistic - a must for lovers of historical fiction." Cathy Ryan, Book Blogger, Between the Lines.




French Children of the Holocaust


Book Description

Features biographical information about 11,400 French children who were deported from France to the Nazi death camps, including their names, faces, and addresses.




Perspectives on the Holocaust


Book Description

The number of books and articles dealing with various aspects of World War II has increased at a phenomenal rate since the end of the hostilities. Perhaps no other chapter in this bloodiest of all wars has received as much attention as the Holo caust. The Nazis' program for the "Final Solution of the Jewish Question" - this ideologically conceived, diabolical plan for the physicalliquidation of European Jewry - has emerged as a subject of agonizing and intense interest to laypersons and scholars alike. The centrality of the Holocaust in the study of the Third Reich and the Nazi phenomenon is almost universally recognized. The source materials for many of the books published during the immediate postwar period were the notes and diaries kept by many camp and ghetto dwellers, who were sustained during their unbelievable ordeal by the unusual drive to bear witness. These were supplemented after the liberation by a large number of personal narratives collected from survivors alI over Europe. Understandably, the books published shortly after the war ended were mainly martyrological and lachrymological, reflecting the trauma of the Holocaust at the personal, individual level. These were soon followed by a considerable number of books dealing with the moral and religious questions revolving around the role ofthe lay and spiritual leaders of the doomed Jewish communities, especially those involved in the Jewish Councils, as well as God' s responsibility toward the "chosen people.




James Joyce and Paul L. Léon


Book Description

James Joyce spent the last decade of his life in Paris, struggling to finish his great final work Finnegans Wake amidst personal and financial hardship and just as Europe was being engulfed by the rising tide of fascism. Bringing together new archival discoveries and personal accounts, this book explores one of the central relationships of his final years: that with his friend, confidant and adviser Paul L. Léon. Providing first-hand accounts of Joyce's Paris circle – which included Samuel Beckett and Vladimir Nabokov – the book makes available again the text of Lucie (Léon) Noel's personal memoir of the relationship between her husband and the Irish writer (published as James Joyce and Paul L. Léon: The Story of Friendship in 1950), including his valiant rescue of Joyce's Paris archives from occupying Nazi forces. The book also collects for the first time Leon's clandestine letters to his wife from August to December 1941, chronicling his desperate state of body and mind while interned in Drancy, France's main Nazi transit camp, and then in Compiègne, just before he was deported to Auschwitz- Birkenau. Joyce died suddenly on 13 January 1941 in Zurich and Léon was murdered by the Nazis on 4 April 1942 in Silesia. Annotated throughout with contextual commentary by Luca Crispi and Mary Gallagher, this is an essential resource for scholars of James Joyce and of the literary culture of Paris in the 1930s and first years of World War II in France.




Holocaust Intersections


Book Description

Recent representations of the Holocaust have increasingly required us to think beyond rigid demarcations of nation and history, medium and genre. Holocaust Intersections sets out to investigate the many points of conjunction between these categories in recent images of genocide. The book examines transnational constellations in Holocaust cinema and television in Europe, disclosing instances of border-crossing and boundary-troubling at levels of production, distribution and reception. It highlights intersections between film genres, through intertextuality and pastiche, and the deployment of audiovisual Holocaust memory and testimony. Finally, the volume addresses connections between the Holocaust and other histories of genocide in the visual culture of the new millennium, engaging with the questions of transhistoricity and intercultural perspective. Drawing on a wide variety of different media - from cinema and television to installation art and the internet - and on the most recent scholarship on responses to the Holocaust, the volume aims to update our understanding of how visual culture looks at the Holocaust and genocide today. With the contributions: Robert S. C. Gordon, Axel Bangert, Libby Saxton- Introduction Emiliano Perra- Between National and Cosmopolitan: 21st Century Holocaust Television in Britain, France and Italy Judith Keilbach- Title to be announced Laura Rascaroli- Transits: Thinking at the Junctures of Images in Harun Farocki's Respite and Arnaud des Pallieres's Drancy Avenir Maxim Silverman- Haneke and the Camps Barry Langford- Globalising the Holocaust: Fantasies of Annihilation in Contemporary Media Culture Ferzina Banaji- The Nazi Killin' Business: A Post-Modern Pastiche of the Holocaust Matilda Mroz- Neighbours: Polish-Jewish Relations in Contemporary Polish Visual Culture Berber Hagedoorn- Holocaust Representation in the Multi-Platform TV Documentaries De Oorlog (The War) and 13 in de Oorlog (13 in the War) Annette Hamilton- Cambodian Genocide: Ethics and Aesthetics in the Cinema of Rithy Panh Piotr Cieplak, Emma Wilson- The Afterlife of Images




How the Essay Film Thinks


Book Description

This book offers a novel understanding of the epistemological strategies that are mobilized by the essay film, and of where and how such strategies operate. Against the backdrop of Adorno's discussion of the essay form's anachronistic, anti-systematic and disjunctive mode of resistance, and capitalizing on the centrality of the interstice in Deleuze's understanding of the cinema as image of thought, the book discusses the essay film as future philosophy-as a contrarian, political cinema whose argumentation engages with us in a space beyond the verbal. A diverse range of case studies discloses how the essay film can be a medium of thought on the basis of its dialectic use of audiovisual interstitiality. The book shows how the essay film's disjunctive method comes to be realized at the level of medium, montage, genre, temporality, sound, narration, and framing-all of these emerging as interstitial spaces of intelligence that illustrate how essayistic meaning can be sustained, often in contexts of political, historical or cultural extremity. The essayistic urge is not to be identified with a fixed generic form, but is rather situated within processes of filmic thinking that thrive in gaps.







The Children of Drancy


Book Description