Animal-shaped Vessels from the Ancient World


Book Description

"This catalogue accompanies the exhibition Animal-Shaped Vessels from the Ancient World: Feasting with Gods, Heroes, and Kings, on view at the Harvard Art Museums, Cambridge, Massachusetts, from September 7, 2018, through January 6, 2019"--Colophon.




A History of the Animal World in the Ancient Near East


Book Description

This book is about all aspects of man’s contact with the animal world; sacrifice, sacred animals, diet, domestication, in short, from the sublime to the mundane. Chapters on art, literature, religion and animal husbandry provide the reader with a complete picture of the complex relationships between the peoples of the Ancient Near East and (their) animals. A reference guide and key to the menagerie of the Ancient Near East, with ample original illustrations.




Animals in the Ancient World from A to Z


Book Description

The ancient Greeks and Romans lived in a world teeming with animals. Animals were integral to ancient commerce, war, love, literature and art. Inside the city they were found as pets, pests, and parasites. They could be sacred, sacrificed, liminal, workers, or intruders from the wild. Beyond the city domesticated animals were herded and bred for profit and wild animals were hunted for pleasure and gain alike. Specialists like Aristotle, Aelian, Pliny and Seneca studied their anatomy and behavior. Geographers and travelers described new lands in terms of their animals. Animals are to be seen on every possible artistic medium, woven into cloth and inlaid into furniture. They are the subject of proverbs, oaths and dreams. Magicians, physicians and lovers turned to animals and their parts for their crafts. They paraded before kings, inhabited palaces, and entertained the poor in the arena. Quite literally, animals pervaded the ancient world from A-Z. In entries ranging from short to long, Kenneth Kitchell offers insight into this commonly overlooked world, covering representative and intriguing examples of mammals, reptiles, amphibians and invertebrates. Familiar animals such as the cow, dog, fox and donkey are treated along with more exotic animals such as the babirussa, pangolin, and dugong. The evidence adduced ranges from Minoan times to the Late Roman Empire and is taken from archaeology, ancient authors, inscriptions, papyri, coins, mosaics and all other artistic media. Whenever possible reasoned identifications are given for ancient animal names and the realities behind animal lore are brought forth. Why did the ancients think hippopotamuses practiced blood letting on themselves? How do you catch a monkey? Why were hyenas thought to be hermaphroditic? Was there really a vampire moth? Entries are accompanied by full citations to ancient authors and an extensive bibliography. Of use to Classics students and scholars, but written in a style designed to engage anyone interested in Greco-Roman antiquity, Animals in the Ancient World from A to Z reveals the extent and importance of the animal world to the ancient Greeks and Romans. It answers many questions, asks several more, and seeks to stimulate further research in this important field.




Mesozoic Art


Book Description

Showcases the work of twenty leading paleoartists who expertly bring these extinct animals to life in exquisite detail. Dinosaurs are endlessly fascinating to people of every age, from the youngest child who enjoys learning the tongue-twisting names to adults who grew up with Jurassic Park and Walking with Dinosaurs. As our knowledge of the prehistoric world continues to evolve and grow, so has the discipline of bringing these ancient worlds to life artistically. Paleoart puts flesh on the bones of long-extinct organisms, and illustrates the world they lived in. Mesozoic Art presents twenty of the best artists working in this field, representing a broad spectrum of disciplines, from traditional painting to cutting-edge digital technology. Some provide the artwork for new scientific papers that demand high-end paleoart as part of their presentation to the world at large; they also work for the likes of National Geographic and provide art to museums around the world to illustrate their displays. Other artists are the new rising stars of paleoart in an ever-growing, ever-diversifying field. Arranged by portfolio, this book brings this dramatic art to a wide, contemporary audience. The art is accompanied by text on the animals and their lives, written by palaeontologist Darren Naish. Paleoart is dynamic, fluid and colourful, as were the beasts it portrays, which are displayed in this magnificent book.







Art of the Ancient Near East


Book Description

"Provides the cultural, archaeological, and historical contexts for a selection of thirty works of art in the Metropolitan Museum's collection"--Slipcase.




In the Eye of the Animal


Book Description

Early Christian theology posited a strict division between animals and humans. Nevertheless, animal figures abound in early Christian literature and art—from Augustine's renowned "wonder at the agility of the mosquito on the wing," to vivid exegeses of the six days of creation detailed in Genesis—and when they appear, the distinctions between human and animal are often dissolved. How, asks Patricia Cox Miller, does one account for the stunning zoological imagination found in a wide variety of genres of ancient Christian texts? In the Eye of the Animal complicates the role of animals in early Christian thought by showing how textual and artistic images and interpretive procedures actually celebrated a continuum of human and animal life. Synthesizing early Christian studies, contemporary philosophy, animal studies, ethology, and modern poetry, Miller identifies two contradictory strands in early Christian thinking about animals. The dominant thread viewed the body and soul of the human being as dominical, or the crowning achievement of creation; animals, with their defective souls, related to humans only as reminders of the brutish physical form. However, the second strand relied upon the idea of a continuum of animal life, which enabled comparisons between animals and humans. This second tendency, explains Miller, arises particularly in early Christian literature in which ascetic identity, the body, and ethics intersect. She explores the tension between these modes by tracing the image of the animal in early Christian literature, from the ethical animal behavior on display in Basil of Caesarea's Hexaemeron and the anonymous Physiologus, to the role of animals in articulating erotic desire, and from the idyllic intimacy of monks and animals in literature of desert ascetism to early Christian art that envisions paradise through human-animal symbiosis.




Animal Behaviour in Egyptian Art


Book Description

Egyptian animal imagery has long been admired for its beauty and morphological accuracy, but the postures and activities of depicted species have received less attention. Animal Behaviour in Egyptian Art takes a unique approach by documenting the way in which mammals, birds, reptiles, fish, amphibians, and insects are shown behaving in Old Kingdom tomb scenes from Giza and Saqqara and then comparing these representations with current zoological knowledge of contemporary fauna. This comprehensive study reveals that the Egyptians were acutely aware of the natural behaviour of many different species and that their artists found ingenious ways to depict this within the constraints of their idiosyncratic method of representation.







Out of Noah's Ark


Book Description