Annales du Musée et de l'Ecole moderne des beaux-arts
Author : Charles Paul Landon
Publisher :
Page : 344 pages
File Size : 37,23 MB
Release : 1802
Category : Art
ISBN :
Author : Charles Paul Landon
Publisher :
Page : 344 pages
File Size : 37,23 MB
Release : 1802
Category : Art
ISBN :
Author : Cincinnati (Ohio), Public Library
Publisher :
Page : 328 pages
File Size : 50,69 MB
Release : 1881
Category :
ISBN :
Author : Public Library of Cincinnati and Hamilton County
Publisher :
Page : 326 pages
File Size : 42,86 MB
Release : 1881
Category : Acquisitions (Libraries)
ISBN :
Author :
Publisher :
Page : 520 pages
File Size : 19,78 MB
Release : 1819
Category : Architecture
ISBN :
Author : Musée et l'Ecole Moderne des Beaux-Arts (Paris)
Publisher :
Page : 482 pages
File Size : 42,96 MB
Release : 1822
Category :
ISBN :
Author : Musée et l'Ecole Moderne des Beaux-Arts (Paris)
Publisher :
Page : 510 pages
File Size : 21,89 MB
Release : 1819
Category :
ISBN :
Author : Charles Paul Landon
Publisher :
Page : 314 pages
File Size : 46,72 MB
Release : 1800
Category :
ISBN :
Author :
Publisher :
Page : pages
File Size : 13,24 MB
Release : 1808
Category : Architecture
ISBN :
Author : Musée et l'Ecole Moderne des Beaux-Arts (Paris)
Publisher :
Page : 248 pages
File Size : 41,2 MB
Release : 1817
Category :
ISBN :
Author : Nina Athanassoglou-Kallmyer
Publisher : Yale University Press
Page : 190 pages
File Size : 37,90 MB
Release : 1989-01-01
Category : Art
ISBN : 9780300045321
The Greek struggle against Ottoman rule was a crucial event in the history and politics of nineteenth-century Europe. In particular it had a strong impact on the political and cultural life of France during the Bourbon Restoration, where it was appropriated and promoted as the symbolic spearhead of liberal ideas and of the growing Romantic rebellion. This book by Nina Athanassoglou-Kallmyer examines the French paintings, prints, and sculptures inspired by the Greek War of Independence. Athanassoglou-Kallmyer reinterprets important works by the foremost exponents of the Romantic movement - including Delacroix, Gericault, Horace Vernet, Ary Scheffer, and David d’Angers - showing how they viewed the Greek struggle as a setting for the opposing forces of conservatism and liberalism. She explains that, far from being mere pictorial records of specific war episodes such as the massacre at Chios or the fall of Missolonghi, images of the clashes between Greeks and Turks reflected the mottos and arguments of the French liberal propaganda echoed as well by contemporary newspapers, parliamentary debates, broadsides, pamphlets, popular plays, and poems.