Annual Bibliography of Indian Archaeology


Book Description

When in 1925 the initiative was taken by the Kern Institute Leiden to start the publica tion of an Annual Bibliography of Indian Archaeology, the Board of the Institute could do so with confidence, as it was sure of the assistance of scholars all over the world as to the supply of publications as well as of information. With the help of this material a bibliography could be compiled by a small team of highly skilled archaeologists who could devote part of their time and attention to such a task for the benefit of their colleagues in all parts of the world. Times since then have changed, and circumstances have become less and less favourable. To find classified labour for the compilation and editing of such a bibliography has become extremely difficult, and this the more so as this work cannot be paid in accordance with the standards for this branch of classified documentation. The work has to be done as a part of the daily routine work even a scholar in today's time is expected to perform, and which he cannot but consider as being detrimental to the performing of those parts of his work, that demand the use of those qualifications that actually make him the expert.













Annual Bibliography of Indian Archaeology


Book Description

When in 1925 the initiative was taken by the Kern Institute Leiden to start the publica tion of an Annual Bibliography of Indian Archaeology, the Board of the Institute could do so with confidence, as it was sure of the assistance of scholars all over the world as to the supply of publications as well as of information. With the help of this material a bibliography could be compiled by a small team of highly skilled archaeologists who could devote part of their time and attention to such a task for the benefit of their colleagues in all parts of the world. Times since then have changed, and circumstances have become less and less favourable. To find classified labour for the compilation and editing of such a bibliography has become extremely difficult, and this the more so as this work cannot be paid in accordance with the standards for this branch of classified documentation. The work has to be done as a part of the daily routine work even a scholar in today's time is expected to perform, and which he cannot but consider as being detrimental to the performing of those parts of his work, that demand the use of those qualifications that actually make him the expert.










Visions of Greater India


Book Description

'Greater India' was a transimperial, Indocentric research paradigm that informed the colonial recovery of the ancient past in Central and Southeast Asia. Ancient India was postulated as the fount of an expansive classicism - an actor in world history on a par with ancient Greece and Rome. Under the Greater India movement, the scholarly quest for 'India in Asia' became tied to anti-colonial, pedagogical, nationalist and Asianist agendas. Yet although it provided a potent anti-colonial imaginary, the movement also bolstered visions of Indian exceptionalism and energized Hindu nationalist ideas of India as a civilizing, colonizing power. Speaking directly to debates that define and divide India today, this is essential reading for those interested in the legacies of Orientalist scholarship and interwar visions of Indian internationalism. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.




Tree and Serpent: Early Buddhist Art in India


Book Description

A pioneering study of the emergence of Buddhist art in southern India, featuring vibrant photography of rare works, many published here for the first time Named for two primary motifs in Buddhist art, the sacred bodhi tree and the protective snake, Tree & Serpent: Early Buddhist Art in India is the first publication to foreground devotional works produced in the Deccan from 200 BCE to 400 CE. Unlike traditional narratives, which focus on northern India (where the Buddha was born, taught, and died), this groundbreaking book presents Buddhist art from monastic sites in the south. Long neglected, this is among the earliest surviving bodies of Buddhist art, and among the most sublimely beautiful. An international team of researchers contributes new scholarship on the sculptural and devotional art associated with Buddhism, and masterpieces from recently excavated Buddhist sites are published here for the first time—including Kanaganahalli and Phanigiri, the most important new discoveries in a generation. With its exploration of Buddhism’s emergence in southern India, as well as of India’s deep commercial and cultural engagement with the Hellenized and Roman worlds, this definitive study expands our understanding of the origins of Buddhist art itself.