Annual of Advertising and Editorial Art and Design
Author :
Publisher :
Page : 190 pages
File Size : 50,10 MB
Release : 1925
Category : Commercial art
ISBN :
Author :
Publisher :
Page : 190 pages
File Size : 50,10 MB
Release : 1925
Category : Commercial art
ISBN :
Author :
Publisher :
Page : 158 pages
File Size : 28,3 MB
Release : 1921
Category : Advertising
ISBN :
Vols. for 1973- include 13th- Annual copy awards of the Copy Club of New York.
Author : Jan-Christopher Horak
Publisher : University Press of Kentucky
Page : 380 pages
File Size : 24,49 MB
Release : 2014-11-18
Category : Biography & Autobiography
ISBN : 0813147190
Iconic graphic designer and Academy Award–winning filmmaker Saul Bass (1920–1996) defined an innovative era in cinema. His title sequences for films such as Otto Preminger's The Man with the Golden Arm (1955) and Anatomy of a Murder (1959), Alfred Hitchcock's Vertigo (1958) and North by Northwest (1959), and Billy Wilder's The Seven Year Itch (1955) introduced the idea that opening credits could tell a story, setting the mood for the movie to follow. Bass's stylistic influence can be seen in popular Hollywood franchises from the Pink Panther to James Bond, as well as in more contemporary works such as Steven Spielberg's Catch Me If You Can (2002) and television's Mad Men. The first book to examine the life and work of this fascinating figure, Saul Bass: Anatomy of Film Design explores the designer's revolutionary career and his lasting impact on the entertainment and advertising industries. Jan-Christopher Horak traces Bass from his humble beginnings as a self-taught artist to his professional peak, when auteur directors like Stanley Kubrick, Robert Aldrich, and Martin Scorsese sought him as a collaborator. He also discusses how Bass incorporated aesthetic concepts borrowed from modern art in his work, presenting them in a new way that made them easily recognizable to the public. This long-overdue book sheds light on the creative process of the undisputed master of film title design—a man whose multidimensional talents and unique ability to blend high art and commercial imperatives profoundly influenced generations of filmmakers, designers, and advertisers.
Author :
Publisher :
Page : 712 pages
File Size : 21,44 MB
Release : 1961
Category : Marketing
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Author : National Collection of Fine Arts (U.S.)
Publisher : Washington : National Collection of Fine Arts, Smithsonian Institution
Page : 304 pages
File Size : 45,69 MB
Release : 1975
Category : Posters, American
ISBN :
Catalog of the exhibition held Nov. 21, 1975-Jan. 4, 1976 at the Corcoran Gallery of Art, Washington, D.C.; Feb. 2-Mar. 19, 1976 at Contemporary Arts Museum, Houston.; Apr. 1-May 2, 1976 at Museum of Science and Industry, Chicago; May 22-June 31, 1976 at Grey Art Gallery and Study Center, New York University, New York; and autumn 1976-throughout 1977 at several European cities.
Author : Steven Brower
Publisher : Fantagraphics Books
Page : 146 pages
File Size : 46,78 MB
Release : 2019-12-04
Category : Comics & Graphic Novels
ISBN : 1683963075
Comics and modern American advertising exploded into the public conscious at much the same time in the early 20th century. Collected now for the first time, the comics, cartoons, and illustrations from the OTHER career of comics creators Jack Davis, Al Capp, John Romita, Mort Meskin, Ross Andru, Sheldon Moldoff, Neal Adams, Noel Sickles, Stan Drake, Joe Simon, Basil Wolverton, Dik Browne, Clifford McBride, Hank Ketcham, Lou Fine, Daniel Clowes, and many more.
Author :
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Page : pages
File Size : 25,67 MB
Release : 1957
Category : Commercial art
ISBN :
Author : David Raizman
Publisher : Bloomsbury Publishing
Page : 305 pages
File Size : 43,18 MB
Release : 2020-12-10
Category : Design
ISBN : 1474299385
Reading Graphic Design History uses a series of key artifacts from the history of print culture in light of their specific historical contexts. It encourages the reader to look carefully and critically at print advertising, illustration, posters, magazine art direction and typography, often addressing issues of class, race and gender. David Raizman's innovative approach intentionally challenges the canon of graphic design history and various traditional understandings of graphic design. He re-examines 'icons' of graphic design in light of their local contexts, avoiding generalisation to explore underlying attitudes about various social issues. He encourages new ways of reading graphic design that take into account a broader context for graphic design activity, rather than broad views that discourage the understanding of difference and the means by which graphic design communicates cultural values. With a foreword by Steven Heller.
Author : United States Air Force Department
Publisher :
Page : 158 pages
File Size : 34,37 MB
Release : 1972
Category :
ISBN :
Author : Thomas Frank
Publisher : University of Chicago Press
Page : 326 pages
File Size : 17,45 MB
Release : 1998-10-21
Category : History
ISBN : 0226924637
While the youth counterculture remains the most evocative and best-remembered symbol of the cultural ferment of the 1960s, the revolution that shook American business during those boom years has gone largely unremarked. In this fascinating and revealing study, Thomas Frank shows how the youthful revolutionaries were joined—and even anticipated —by such unlikely allies as the advertising industry and the men's clothing business. "[Thomas Frank is] perhaps the most provocative young cultural critic of the moment."—Gerald Marzorati, New York Times Book Review "An indispensable survival guide for any modern consumer."—Publishers Weekly, starred review "Frank makes an ironclad case not only that the advertising industry cunningly turned the countercultural rhetoric of revolution into a rallying cry to buy more stuff, but that the process itself actually predated any actual counterculture to exploit."—Geoff Pevere, Toronto Globe and Mail "The Conquest of Cool helps us understand why, throughout the last third of the twentieth century, Americans have increasingly confused gentility with conformity, irony with protest, and an extended middle finger with a populist manifesto. . . . His voice is an exciting addition to the soporific public discourse of the late twentieth century."—T. J. Jackson Lears, In These Times "An invaluable argument for anyone who has ever scoffed at hand-me-down counterculture from the '60s. A spirited and exhaustive analysis of the era's advertising."—Brad Wieners, Wired Magazine "Tom Frank is . . . not only old-fashioned, he's anti-fashion, with a place in his heart for that ultimate social faux pas, leftist politics."—Roger Trilling, Details