Antechamber, & Other Poems


Book Description

Antechamber and Other Poems, Michael McClure's latest book with New Directions, joins a growing list of contributions that includes the verse collection September Blackberries (1974) and Jaguar Skies (1975) as well as the musical play Gorf (1976). His writing in recent years is "alchemical" in its intent, yet his twin declarations, "Biology Is Politics" and "I Am A Mammal Patriot," perhaps express more accurately both the universality of his outlook and its humane particularity. McClure's mysticism is vigorously scientific. Even the familiar patterned shapes of his poems remind us of the stars in the night sky and those we see when we shut our eyes. In the dancing lines of his newest work--the title poem "Antechamber" most especially--are the whirl of galaxies, the radiance of molecules, the energy lines of the double helix coiling around its core.




The Antechamber


Book Description

Helmut Puff invites readers to visit societies and spaces of the past through the lens of a particular temporal modality: waiting. From literature, memoirs, manuals, chronicles, visuals, and other documents, Puff presents a history of waiting anchored in antechambers—interior rooms designated and designed for people to linger. In early modern continental Western Europe, antechambers became standard in the residences of the elites. As a time-space infrastructure these rooms shaped encounters between unequals. By imposing spatial distance and temporal delays, antechambers constituted authority, rank, and power. Puff explores both the logic and the experience of waiting in such formative spaces, showing that time divides as much as it unites, and that far from what people have said about early moderns, they approached living in time with apprehensiveness. Unlike how contemporary society primarily views the temporal dimension, to early modern Europeans time was not an objective force external to the self but something that was tied to acting in time. Divided only by walls and doors, waiters sought out occasions to improve their lot. At other times, they disrupted the scripts accorded them. Situated at the intersection of history, literature, and the history of art and architecture, this wide-ranging study demonstrates that waiting has a history that has much to tell us about social and power relations in the past and present.




Contemporary American Poetry


Book Description

Lists over 5,200 titles of books published by American poets between 1973 and 1983.




Simple Eyes & Other Poems


Book Description

The running theme in Michael McClure's Simple Eyes & Other Poems is: looking at the world directly. The results are often as disquieting as they are illuminating. In the long title poem, the stanzas on the Persian Gulf War bloom out of images of all wars the poet has known -- the spiritual wars, the napalm and cordite and nuclear wars, and the war against nature -- and become a kind of spiritual autobiography. At the heart of the poetry is McClure's return to the ancient concept of agnosia, the idea of knowing through unknowing, as a way of living in desparate times in which deep human or humane feelings have become almost outlaw.










Conversations with Michael McClure


Book Description

Conversations with Michael McClure features twenty interviews from 1969 to 2015 that chronicle the capacious scope of McClure’s creativity. McClure (1932–2020) is notable not only for his considerable achievements as a poet and prose writer of the Beat Generation, but also for the many collaborative connections he forged over seven decades. From the 1950s to his death, McClure worked with an astonishing range of important figures in the worlds of painting, filmmaking, music, and science. McClure counted among his friends and acquaintances Bruce Conner, Harold Pinter, Amiri Baraka, Richard Brautigan, Wallace Berman, George Herms, Lawrence Jordan, Dennis Hopper, Bob Dylan, Janis Joplin, Jim Morrison, Ray Manzarek, Sterling Bunnell, Francis Crick, Gary Snyder, Francesco Clemente, and Diane di Prima. During his early years in San Francisco, McClure attended Kenneth Rexroth’s literary evenings and formed significant lifelong friendships. Among those friends were poets Philip Lamantia and Robert Duncan, who became a mentor to McClure. He also learned much from Charles Olson and adopted several features of Olson’s concept of “Projective Verse” in his own work. McClure’s exchange of letters with experimental filmmaker Stan Brakhage lasted for four decades. During his illustrious career, McClure published fourteen books of poetry, eight books of plays, and four collections of essays. Conversations with Michael McClure reveals the many contributions of this central personality in the evolution of the American counterculture.




Selected Poems


Book Description