Anvari's Divan


Book Description

Fifteen jewel-like miniature paintings--with enlarged details--and thirteen pages of exquisitely calligraphed poetry are reproduced here from a diminutive manuscript commissioned by Akbar the Great, the third Mughal emperor of India. The manuscript, which measures on 5 1/2 by 2 7/8 inches, was made in 1588, the thirty-third year of Akbar's reign, when the emperor was at the height of his power. The tiny paintings are the work of Akbar's court artists, many of whom were trained by Persian artists brought to India by Humayun, Akbar's father. A brilliant blend of Persian and Indian influences marks the work of these Mughal painters; the miniatures combine extreme delicacy of line with intense colors and complex compositions--some of which demonstrate the artists' understanding of the European concept of perspective. The various small paintings convey the whimsy, vigor, and lyrical quality of the poems they illustrate. The poems are by Auhaduddin Anvari, the greatest Persian panegyrist of the twelfth century. In her commentary on the poems and in her essay on Anvari's work and life, Annemarie Schimmel, the Museum's special consultant for Islamic art, offers insights into Anvari's complex and sometimes caustic works and gives new translations of many of the poems. Stuart Cary Welch, special consultant in charge of the Department of Islamic Art at the Metropolitan, has written an engaging account of Akbar's life and times that includes a history of the Mughal dynasty and of the court ateliers where this delightful Dīvān was produced. -- Inside jacket flaps.




Literary Cultures in History


Book Description

A grand synthesis of unprecedented scope, Literary Cultures in History is the first comprehensive history of the rich literary traditions of South Asia. Together these traditions are unmatched in their combination of antiquity, continuity, and multicultural complexity, and are a unique resource for understanding the development of language and imagination over time. In this unparalleled volume, an international team of renowned scholars considers fifteen South Asian literary traditions—including Hindi, Indian-English, Persian, Sanskrit, Tibetan, and Urdu—in their full historical and cultural variety. The volume is united by a twofold theoretical aim: to understand South Asia by looking at it through the lens of its literary cultures and to rethink the practice of literary history by incorporating non-Western categories and processes. The questions these seventeen essays ask are accordingly broad, ranging from the character of cosmopolitan and vernacular traditions to the impact of colonialism and independence, indigenous literary and aesthetic theory, and modes of performance. A sophisticated assimilation of perspectives from experts in anthropology, political science, history, literary studies, and religion, the book makes a landmark contribution to historical cultural studies and to literary theory in addition to the new perspectives it offers on what literature has meant in South Asia. (Available in South Asia from Oxford University Press--India)




Studies on the Poetry of Anvari


Book Description




Humour in Iran


Book Description

Satire, irony and humour have long been features of Persian literature's rich tradition, taking various forms from the coarse and obscene to the subtle and refined. Humour in Iran is a close and comprehensive study of satire and humour – in verse as well as prose – over the eleven-hundred years since the emergence of classical Persian literature. Combining Persian original texts with their English translations, it covers a range of texts and authors, from the lampoon in Ferdowsi's great epic of the ancient kings in the tenth century, through such master satirists as Obeyd Zakani, Sa'di, Rumi, Khayyam, Hafiz, Anvari, Sana'i, Khaqani, Suzani, Qa'ani, Yaghma, and so on. The book also includes twentieth century authors such as Iraj, Dehkhoda, Bahar, Eshqi, Aref, Hedayat, Jamalzadeh, Al-e Ahmad and more. A must read for scholars and students of humour and satire as well as Persian literature and Middle Eastern studies, and it will also appeal to general readers interested in ribald humour and satire.




Anvari's Divan


Book Description







Persian Lyric Poetry in the Classical Era, 800-1500: Ghazals, Panegyrics and Quatrains


Book Description

The second volume in this series presents the reader with an extensive study of some major genres of Persian poetry from the first centuries after the rise of Islam to the end of the Timurid era and the inauguration of Safavid rule in the beginning of the sixteenth century. The authors explore the development of poetic genres, from the panegyric (qaside), to short lyrical poems (ghazal), and the quatrains (roba'i), tracing the stylistic evolution of Persian poetry up to 1500 and examine the vital role of these poetic forms within the rich landscape of Persian literature.







Poetry and Mysticism in Islam


Book Description

Mawlana Jalal al-Din Rumi was one of the greatest poets and mystics of the Islamic world. He was born in Balkh (Korasan) in AD 1207 and died in Konya (Turkey) in AD 1273. This book is an examination of his spiritual and literary heritage. As Annemarie Schimmel, the recipient of the Eleventh Giorgio Della Vida Award in Islamic Studies, has written, 'no other mystic and poet from the Islamic world is as well known in the West as Rumi', and she, more than any Western scholar, is his most celebrated and eloquent interpreter. The scholars who Professor Schimmel has invited to share in her tribute have all added new dimensions to an understanding of Rumi and to his impact on the Islamic world.




Divan of Jahan Malek Khatun


Book Description

DIVAN OF JAHAN MALEK KHATUN Persia's Great Female Sufi Poet Translation & Introduction Paul Smith Daughter of the king of one of Shiraz's most turbulent times (14th century) Masud Shah; pupil and lifelong friend of the world's greatest mystical, lyric poet, Hafiz of Shiraz; the object of crazed desire by (among others) Persia's greatest satirist, the obscene, outrageous, visionary poet Obeyd Zakani; lover, then wife of womanizer Amin al-Din a minister of one of Persia's most loved, debauched and tragic rulers Abu Ishak; imprisoned for twenty years while her daughter mysteriously died; open-minded and scandalous... the beautiful, petite princess who abdicated her royalty twice; one of Persia's greatest classical lyric Sufi poets... whose Divan is four times the size of Hafiz's, Jahan Malek Khatun. Correct rhyme-structure is kept and beauty and meaning of these often mystical, poems... including ghazals, ruba'is, qit'as, elegies for her daughter and a famous tarji-band (strophe poem). Largest ever translation. Long introduction is on her Life, Times & Poetry and there is a unique Preface by herself, a chapter on the forms of poetry she used. Selected bibliography. Large Format Paperback "7 x 10" 329 pages. COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator into Persian and knower of Hafiz's Divan off by heart. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author). Paul Smith (b.1945) is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, and other languages including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Ghalib, Jami, Khayyam, Rudaki, Yunus Emre, Lalla Ded, Mu'in, Seemab, Jigar, Abu Nuwas, Ibn al-Farid, Iqbal and others, as well as poetry, fiction, plays, biographies, children's books, twelve screenplays. www.newhumanitybooks.com