Archaic Classics


Book Description




The Masters of Truth in Archaic Greece


Book Description

The acclaimed French classicist Marcel Detienne's first book traces the odyssey of "truth," aletheia, from mytho-religious concept to philosophical thought in archaic Greece. Detienne begins by examining how truth in Greek literature first emerges as an enigma. He then looks at the movement from a religious to a secular thinking about truth in the speech of the sophists and orators. His study culminates with an original interpretation of Parmenides' poem on Being.




Archaic and Classical Greek Art


Book Description

Explores the art of ancient Greece and its relationship to the world in which it was produced.




A History of the Archaic Greek World, ca. 1200-479 BCE


Book Description

A History of the Archaic Greek World offers a theme-based approach to the development of the Greek world in the years 1200-479 BCE. Updated and extended in this edition to include two new sections, expanded geographical coverage, a guide to electronic resources, and more illustrations Takes a critical and analytical look at evidence about the history of the archaic Greek World Involves the reader in the practice of history by questioning and reevaluating conventional beliefs Casts new light on traditional themes such as the rise of the city-state, citizen militias, and the origins of egalitarianism Provides a wealth of archaeological evidence, in a number of different specialties, including ceramics, architecture, and mortuary studies







Archaic and Classical Greece


Book Description

The aim of this book is to collect in one comprehensive volume a representative selection of ancient sources in translation, with commentary, on the history, institutions, society and economy of the Greek world from c. 750 to 338 BC - that is, the period best known and most important for the evolution of the polis, a form of political community which combined the aspects of city and state in a physical and psychological unity unparalleled either before or since. For us, the inheritors of much that the Greeks created, there is an inherent interest in the way in which they organised their society during these centuries. Although this book assumes no knowledge of Greek, the reader is introduced to a range of key Greek words and concepts which offer a direct insight into the mentality, both collective and individual, of the times. The sources themselves (all of which have been translated by the authors) are supported by introductory commentary, notes, bibliographies, chronological tables and maps. All students and teachers of the history of ancient Greece or of classical civilisation generally will find this book an invaluable tool.




The Divided City


Book Description

An exploration of the roles of conflict and forgetting in ancient Athens. Athens, 403 B.C.E. The bloody oligarchic dictatorship of the Thirty is over, and the democrats have returned to the city victorious. Renouncing vengeance, in an act of willful amnesia, citizens call for---if not invent---amnesty. They agree to forget the unforgettable, the "past misfortunes," of civil strife or stasis. More precisely, what they agree to deny is that stasis---simultaneously partisanship, faction, and sedition---is at the heart of their politics. Continuing a criticism of Athenian ideology begun in her pathbreaking study The Invention of Athens, Nicole Loraux argues that this crucial moment of Athenian political history must be interpreted as constitutive of politics and political life and not as a threat to it. Divided from within, the city is formed by that which it refuses. Conflict, the calamity of civil war, is the other, dark side of the beautiful unitary city of Athens. In a brilliant analysis of the Greek word for voting, diaphora, Loraux underscores the conflictual and dynamic motion of democratic life. Voting appears as the process of dividing up, of disagreement---in short, of agreeing to divide and choose. Not only does Loraux reconceptualize the definition of ancient Greek democracy, she also allows the contemporary reader to rethink the functioning of modern democracy in its critical moments of internal stasis.




Greek Notions of the Past in the Archaic and Classical Eras


Book Description

This volume in The Edinburgh Leventis Studies series collects the papers presented at the sixth A. G. Leventis conference organised under the auspices of the Department of Classics at the University of Edinburgh. As with earlier volumes, it engages with new research and new approaches to the Greek past, and brings the fruits of that research to a wider audience. Although Greek historians were fundamental in the enterprise of preserving the memory of great deeds in antiquity, they were not alone in their interest in the past. The Greeks themselves, quite apart from their historians and in a variety of non-historiographical media, were constantly creating pasts for themselves that answered to the needs - political, social, moral and even religious - of their society. In this volume eighteen scholars discuss the variety of ways in which the Greeks constructed de-constructed, engaged with, alluded to, and relied on their pasts whether it was in the poetry of Homer, in the victory odes of Pindar, in tragedy and comedy on the Athenian stage, in their pictorial art, in their political assemblies, or in their religious practices. What emerges is a comprehensive overview of the importance of and presence of the past at every level of Greek society. In the final chapter the three discussants present at the conference (Simon Goldhill, Christopher Pelling and Suzanne Said) survey the contributions to the volume, summarise its overall contributions as well as indicate new directions that further scholarship might follow.




Archaic and Classical Greek Epigram


Book Description

This book explores dialogue between Archaic and Classical Greek epigrams and their readers, and argues for their often-unacknowledged literary and aesthetic achievement.




Archaic and Classical Choral Song


Book Description

This book addresses the performance and dissemination of Greek poems of the seventh to the fifth centuries BC whose premieres were presented by a chorus singing in a ritual context or in secular celebrations of athletic victories. It explores how choruses presented themselves; individuals' and communities' roles in funding performances and securing the circulation of texts; how performances continued inside and outside family and city, whether chorally or in symposia, with the consequence that Athenian theatre audiences could be expected to appreciate allusion to or reworking of such poetic forms in tragedy and comedy; and how such performances contributed to transmission of the poems' texts until they were collected by Hellenistic scholars.