Architectural Metal Surfaces


Book Description

Architectural Metal Surfaces demonstrates techniques for achieving a variety of surface effects through the application of texture, color treatments, and lighting effects. * Presents more than 150 illustrations. * Helps develop realistic expectations and accurate specifications and details. * Describes the durability and maintenance requirements of various finishes.




Architectural Metals


Book Description

The historic breakthroughs in the science of metallurgy over thelast quarter century have produced an array of new metallicbuilding materials. Architects and designers now have a far broaderpalette of metals to choose from than at any other time in history,and metal is fast becoming the star building material featured insome of today's most exciting new building projects. A book whose time has come, Archi-tectural Metals is the firstcomprehensive guide to the metals and metallic finishes currentlyavailable for use in architecture. Learn from a fourth-generationexpert in the field who has, over the past fifteen years, consultedon some of the world's most prestigious building projects.Architectural Metals demystifies metals for architects, artisans,and design professionals providing them with a logical frameworkfor the selection and use of the correct material for the job athand. Encyclopedic in scope, Architectural Metals is an extremelyuser-friendly working resource supplying readers with instantaccess to a wealth of essential information about the forms andbehaviors of metallic building materials. From aluminum, stainlesssteel, copper, lead, and zinc to new metals and finishes such astitanium, pewter-coated copper, and colored stainless steel, itdescribes everything architects, engineers, and designprofessionals need to know about all the common and many uncommonmetals at their disposal. Each chapter of Architectural Metals is devoted to a specific typeof metal, metallic finish, or coating. Each includes a historicaloverview, environmental concerns, an exhaustive description ofavailable forms and (where appropriate) colors, performanceevaluations, finishes, weathering and corrosion characteristics,maintenance and restoration techniques, fastening, welding, andjoining methods, and more. And since each metal-producing industryhas its own unique jargon and systems of measurement, the authortakes pains throughout to define relevant terms and translatemeasurement and thickness indices into familiar inch and millimeterscales. Destined to become a standard in the field, Architectural Metals isan indispensable tool for architects, designers, and artisans whowork with metals. "Metalis the material of our time. It enables architecture tobecome sculpture; it also expresses technological possibility aswell as the time-honored characteristics of quality andpermanence." --From Frank O. Gehry's foreword to ArchitecturalMetals Written by one of the leading experts on architectural metals, thisis the first comprehensive guide to the metals and metallicfinishes and coatings available for use in architecturalconstruction. Growing out of its author's experiences helpingarchitects realize some of the most exciting designs of the pasttwenty years, Architectural Metals: * Demystifies metals for architects and design professionals * Supplies a logical framework for selecting the best materials forthe job at hand * Provides instant access to everything architects and designersneed to




Post-Ductility


Book Description

The third book in the series from Columbia University is focused on metals. Metals, as surface or structure as the generators of space play a role in nearly every strain of modernization in architecture. They define complete geographies of work, production, and political life. Non-architectural metals delivered in automobiles, and hard goods in the United States and worldwide have all been sourced as the engines of the sprawling late twentieth-century city in all of its forms. But in the received aspects of architectural history, metals, and in particular steel, remain less diluted; they are presented as intrinsic to the profession as material precedes concepts they are carriers of architectural meaning. Few concepts are as central in structural engineering as the ability of a material to sustain plastic deformation under tensile stress the standardization of historically known deformation limits or ductile properties in most materials allows architects and engineers to keep the analysis of structure within known parameters of finite element analysis rather then materials science. If the goal is avoid fracture, the boundaries are set and the limits of ductility are observed. Post-Ductility refers to the literal aspects of material behavior in this case of metals but also of aspects of architectural and urban space that are measured by less verifiable but nonetheless real quotients of stress and strain. It is the tension and compression of space that gives form or coherence to form. In either the case of engineering and architecture, formerly daunting degrees of risk seem to have been diminished; new levels of sophistication in calculation lower the risk tolerance for fracture, while more metaphoric readings of limits in architectural and urban space seem to have been long surpassed, at times with abandon. The counter-effort has been quite strong if not successful: there are those that want to recreate dense cities by means of compression and there are immense forces of spatial extension by way of economics, communication and transit. Space is pulled to elastic limits and made thin as highly malleable materials such as gold or lead as it is also often re-compressed as forms of urban density. If metals are a significant origin for architecture and indeed whole cities—from buildings to automobiles and labor, then what are the limits or equations that offer a new evaluation of both metals, but also of material in a wider sense, as a determining component of the built world? What does an engineer and architect bring to this arena in both local and global circumstances?




Architectural Metals


Book Description




Zinc Surfaces


Book Description

ZINC SURFACES THE LEADING RESOURCE FOR ARCHITECTS, DESIGNERS, AND ARTISTS WORKING WITH ZINC Zinc Surfaces: A Guide to Alloys, Finishes, Fabrication and Maintenance in Architecture and Art combines the latest guidance and information about zinc surfaces into a single and comprehensive resource for architects and artists everywhere. The fifth book in the author’s authoritative Architectural Metals Series, Zinc Surfaces offers a highly visual, full-color guide to ensure architects and design professionals have the information they need to properly maintain and fabricate zinc surfaces. Numerous case studies illuminate and highlight the theoretical principles contained within. Full of concrete strategies and practical advice, Zinc Surfaces provides readers with complete information on topics including: The use of zinc in architecture The history of zinc’s use in design How to choose the right alloy for your purposes Surface and chemical finishes Corrosion resistance of various alloys This book is perfect for architecture professionals, metal fabricators and developers, architecture students and instructors, and designers and artists working with metals.




Architectural Metals


Book Description




Copper, Brass, and Bronze Surfaces


Book Description

A FULL-COLOR GUIDE FOR ARCHITECTS AND DESIGN PROFESSIONALS TO THE SELECTION AND APPLICATION OF COPPER, BRASS, AND BRONZE Copper, Brass, and Bronze Surfaces, third in Zahner's Architectural Metals Series, provides a comprehensive and authoritative treatment of copper, brass, and bronze applications in architecture and art. If offers architecture and design professionals the information they need to ensure proper maintenance and fabrication techniques through detailed information and full-color images. It covers everything from the history of the metals and choosing the right alloy, to detailed information on a variety of surface and chemical finishes and corrosion resistance. The book also features case studies that offer strategies for designing and executing successful projects using copper, brass, and bronze. Copper, Brass, and Bronze Surfaces is filled with illustrated case studies that present comprehensive coverage of how each metal is used in creating surfaces for building exteriors, interiors, and art finishes. All the books in Zahner's Architectural Metals Series offer in-depth coverage of today's most commonly used metals in architecture and art. This visual guide: Features full-color images of a variety of copper, brass, and bronze finishes, colors, textures, and forms Includes case studies with performance data that feature strategies on how to design and execute successful projects using copper, brass, and bronze Offers methods to address corrosion, before and after it occurs Explains the significance of the different alloys and the forms available to the designer Discusses what to expect when using copper, brass, and bronze in various exposures Written for architecture professionals, metal fabricators and developers, architecture students, designers, and artists working with metals, Copper, Brass, and Bronze Surfaces offers a logical framework for the selection and application of copper, brass, and bronze in all aspects of architecture.




Installations by Architects


Book Description

Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.