Culture, Architecture, and Design


Book Description

The three basic questions of EBS are (1) What bio-social, psychological, and cultural characteristics of human beings influence which characteristics of the built environment?; (2) What effects do which aspects of which environments have on which groups of people, under what circumstances, and when, why, and how?; and (3) Given this two-way interaction between people and environments, there must be mechanisms that link them. What are these mechanisms?Focusing on answers to these and other questions, "Culture, Architecture, and Design" discusses the relationship between culture, the built environment, and design by showing that the purpose of design is to create environments that suit users and is, therefore, user-oriented. Design must also be based on knowledge of how people and environments interact. Thus, design needs to respond to culture. In discussing (1) the nature and role of Environment-Behavior Studies (EBS); (2) the types of environments; (3) the importance of culture; (4) preference, choice, and design; (5) the nature of culture; (6) the scale of culture; and (7) how to make culture usable, Amos Rapoport states that there needs to be a ?change from designing for one?s own culture to understanding and designing for users? cultures and basing design on research in EBS, anthropology, and other relevant fields. Such changes should transform architecture and design so that it, in fact, does what it claims to do and is supposed to do ? create better (i.e., more supportive) environments.?




Culture and Architecture


Book Description

Culture and Architecture: An Integrated History is a brief survey of architectural history, from its pre-historic origins to the present day. It looks at the great works of architecture not only for their aesthetic values, but for their integral relationships with cultures and civilizations. Without their stories, history, and mythology, these monuments are merely brick, stone, mortar, and glass. Designed to be used in a single semester, but adaptable for a full year, Culture and Architecture is organized into five major time divisions that are introduced with a brief historical summary. Chapters begin with a timeline, and include photographs and drawings of the most important works during that period. Culture and Architecture is an ideal course book for students in foreign studies, art, anthropology, history, or anyone interested in architecture and culture. Leo Hansen is an adjunct professor in the School of Architecture, a department of the College of Design and Social Inquiry at Florida Atlantic University. He earned a Bachelor of Architecture degree from the University of Notre Dame (1978) and a Master of Arts in Liberal Studies degree from the University of Miami (2003), for which he received an Award of Academic Merit. He is a member of the Society of Architectural Historians and the American Institute of Architects.




Architecture Culture, 1943-1968


Book Description

Architecture Culture 1943-1968 is an anthology of seventy-four international documents with critical commentary. Both a sourcebook and a companion history of architecture, the volume traces the evolution of modern architecture from the midst of the Second World War to the student revolts of May '68. Many of the selections are from hard-to-find sources, and some are translated into English for the first time. Readers will discover a rich and illuminating array of material from a period crucial to understanding the present time.




Reading Architecture and Culture


Book Description

Introducing the notion of appreciating buildings as cultural artefacts, this book presents insightful readings by eminent writers which show the power of this approach. Reading architecture in this way can help architects to appreciate the contexts in which they operate when they design. This book introduces, outlines and elaborates on this and opens-up powerful insights for historians, critics and students.




A Radical Vision by OPEN


Book Description

This book presents the radical architectural strategies and poetic cultural projects developed by OPEN Architecture, and the opportunities and challenges that arise from redefining built forms. Drawing on a series of conversations and site visits to six recent groundbreaking projects, architecture writer Catherine Shaw describes how Beijing-based OPEN Architecture is reinventing and responding to China’s complex and fast-changing cultural landscape with projects that mark a new era for contemporary Chinese cultural architecture. OPEN Architecture was founded in New York in 2003 by Li Hu and Huang Wenjing, while their Beijing office opened in 2008. From a contemporary art gallery buried beneath a sand dune to a sculptural open-air theatre in a remote mountain valley near the Great Wall, co-founders Li Hu and Huang Wenjing re-evaluate conventional Western assumptions about culture and design as they base each pioneering project on the needs and plea-sures of humanity within the context of diverse terrains and climates. In doing so, they not only consider how cultural architecture looks, but how it works. Projects are presented with commentary and contextual information as well as new analyses and archival material, including outstanding color photography, plans and drawings, and exploratory sketches. This book provides a fresh perspective on contemporary cultural architecture and place making, hig-lighting the architects’ sources of inspiration, their challenges, and their construction methods, showing how each impactful project responds to China’s distinctive context.




The Cultural Role of Architecture


Book Description

Exploring the ambiguities of how we define the word ‘culture’ in our global society, this book identifies its imprint on architectural ideas. It examines the historical role of the cultural in architectural production and expression, looking at meaning and communication, tracing the formations of cultural identities. Chapters written by international academics in history, theory and philosophy of architecture, examine how different modes of representation throughout history have drawn profound meanings from cultural practices and beliefs. These are as diverse as the designs they inspire and include religious, mythic, poetic, political, and philosophical references.




When Culture Meets Architecture


Book Description

As the most individualized civil architecture, buildings for cultural events are the best stage for architects to practise their dreams, to express their perceptions to architectural art and ambitions. When culture meets architecture, some memories, some scenes or an attitude will find its medium to exist as a real and touchable thing. Besides those architectures that record a history or provide information, such as museum, library, memorial, archives centre and the like, more and more multi-functions cultural centres were built in cities, where people gather together for social event, entertainment, or sports, and they are also the new plaza where people can impress their sense of the city s identification deeper. Selected buildings for culture around the world are included in this book, with an invitation to witness the meeting between culture and architecture."




Critical Architecture and Contemporary Culture


Book Description

The third volume in the University of California Humanities Research Institute Series, this book brings together prominent literary theorists and architects to offer a variety of perspectives on the relation between postmodernism and architecture. The contributors include such luminaries from the forefront of literary studies as J. Hillis Miller, Jacques Derrida, and Jean-Francois Lyotard; the architects Peter Eisenman, Frank Gehry, and Robert Stern offer their perspectives on the critical role of architecture and contemporary culture. The high caliber of the discourse and the variety of approaches included will draw a scholarly audience from a wide range of disciplines.




Architecture, Culture, and Spirituality


Book Description

Architecture has long been understood as a cultural discipline able to articulate the human condition and lift the human spirit, yet the spirituality of architecture is rarely directly addressed in academic scholarship. The seventeen chapters provide a diverse range of perspectives, grouped according to topical themes: Being in the World; Sacred, Secular, and the Contemporary Condition; Symbolic Engagements; Sacred Landscapes; and Spirituality and the Designed Environment. Even though the authors’ approach the subject from a range of disciplines and theoretical positions, all share interests in the need to rediscover, redefine, or reclaim the sacred in everyday experience, scholarly analysis, and design.




Architecture and the Body, Science and Culture


Book Description

The relationship of architecture to the human body is a centuries-long and complex one, but not always symmetrical. This book opens a space for historians of the visual arts, archaeologists, architects, and digital humanities professionals to reflect upon embodiment, spatiality, science, and architecture in premodern and modern cultural contexts. Architecture and the Body, Science and Culture poses one overarching question: How does a period’s understanding of bodies as objects of science impinge upon architectural thought and design? The answers are sophisticated, interdisciplinary explorations of theory, technology, symbolism, medicine, violence, psychology, deformity, and salvation, and they have unexpected and fascinating implications for architectural design and history. The new research published in this volume reinvigorates the Western survey-style trajectory from Archaic Greece to post‐war Europe with scientifically‐framed, body‐centred provocations. By adding the third factor—science—to the architecture and body equation, this book presents a nuanced appreciation for architectural creativity and its embeddedness in other sets of social, institutional and political relationships. In so doing, it spatializes body theory and ties it to the experience of the built environment in ways that disturb traditional boundaries between the architectural container and the corporeally contained.