Architecture as Material Culture


Book Description

"This book documents the first ten years of fjmt's practice. Through both realised and unrealised projects and essays, this body of work explores the evolution of architectural form, the synthesis of site and programme, and the spatial and organic interconnection of built form and site to embody human values and aspirations." - back cover.




Building the British Atlantic World


Book Description

Spanning the North Atlantic rim from Canada to Scotland, and from the Caribbean to the coast of West Africa, the British Atlantic world is deeply interconnected across its regions. In this groundbreaking study, thirteen leading scholars explore the idea of transatlanticism--or a shared "Atlantic world" experience--through the lens of architecture, built spaces, and landscapes in the British Atlantic from the seventeenth century through the mid-nineteenth century. Examining town planning, churches, forts, merchants' stores, state houses, and farm houses, this collection shows how the powerful visual language of architecture and design allowed the people of this era to maintain common cultural experiences across different landscapes while still forming their individuality. By studying the interplay between physical construction and social themes that include identity, gender, taste, domesticity, politics, and race, the authors interpret material culture in a way that particularly emphasizes the people who built, occupied, and used the spaces and reflects the complex cultural exchanges between Britain and the New World.




Vernacular Architecture


Book Description

Based on thirty-five years of fieldwork, Glassie's Vernacular Architecture synthesizes a career of concern with traditional building. He articulates the key principles of architectural analysis, and then, centering his argument in the United States, but drawing comparative examples from many locations in Europe and Asia, he shows how architecture can be a prime resource for the one who would write a democratic and comprehensive history.




History of Design


Book Description

A survey of spectacular breadth, covering the history of decorative arts and design worldwide over the past six hundred years




Islamic Art, Architecture and Material Culture


Book Description

"This book is the published record of the proceedings of one of the first conferences held under the auspices of the newly established Centre for the Advanced Study of the Arab World. The Centre, set up in 2006 with a £5 million grant from the Arts and Humanities Research Council and the Economic and Social Sciences Research Council, comprises a consortium of the universities of Edinburgh, Manchester and Durham whose brief is to secure long-term improvements in the teaching of the Arabic language and of Middle Eastern studies in the United Kingdom. The conference, held in Edinburgh in August 2007 under the title 'Arab art, architecture and material culture', was organised by Margaret Graves, then a Ph.D. student of Islamic art history at the University of Edinburgh. The intention was to use the conference as a way of encouraging younger scholars of Islamic art history to present their ideas before an audience of their peers, and to highlight the variety of research currently being undertaken into Islamic art, principally in British universities - though a few speakers from abroad also contributed. Twelve of the participants provided final versions of the papers that they had delivered at the conference, and these have been expertly edited by Dr Margaret Graves in the present volume. These twelve papers fall quite naturally into categories defined by medium. Half of them deal with the so-called "minor", "decorative" or "applied" arts - the uncertain nomenclature betrays a long outdated but still persistent Eurocentric taxonomy from which Islamic art historians have still not entirely freed themselves, and which embodies a hierarchical distinction between architecture, painting and sculpture (a notional first division) and all other arts and crafts (a notional second division). This distinction simply does not work in the field of Islamic art, where such media as metalwork, textiles and ceramics effortlessly claim major status. These media re the subject matter of the first six papers in this collection, and it is entirely appropriate that they are so well represented here. The second half of the book comprises three papers on the built environment and three on the arts of the book." -- introduction, p. v.




Portrait of an Island


Book Description

The once famous trading center of Gorée, Sénégal today lies in the busy harbor of the modern city of Dakar. From its beginnings as a modest outpost, Gorée became one of the intersections which linked African trading routes to the European Atlantic trade. Then, as now, people of all nationalities poured into the island; Dutch, English, French, and Portuguese came to trade with the Mande, Moor, Tukor, and Wolf tribes. Trading parties brought gold, horses, firewood, mirrors, books, and more. They built houses of various forms, using American lumber, French roof tiles, freshly‑cut straw, and pulverized seashells, and furnished them in as cosmopolitan a fashion as the city itself. Mark Hinchman's Portrait of an Island: The Architecture and Material Culture of Gorée, Sénégal, 1758‑1837 considers the houses, portraits, and furnishings of the island's early modern inhabitants. Multiple features of eighteenth‑century Gorée‑‑its demographic diversity, the prominence of women leaders, the phenomenon of identities in flux, and the importance of commerce, fashion, and international trade‑‑argue for its place in the construction of an early global modernity. In an examination of the built and natural landscape, Portrait of an Island deciphers the material culture involved in the ever‑changing relationships amongst male, female, rich, poor, and slave.




Blurred Transparencies in Contemporary Glass Architecture


Book Description

"Blurred Transparencies in Contemporary Glass Architecture brings to light complex readings of transparent glass through close observations of six pivotal works of architecture. Written from the perspectives of a practitioner, the six essays challenge assumptions about fragility and visual transparency of glass. A material imbued with idealism and utopic vision, glass has captured architects' imagination, and glass' fragility and difficulties in thermal control continue to present technical challenges. In recent decades, architecture has witnessed an emergence of technological advancements in chemical coating, structural engineering, and fabrication methods that resulted in new kinds of glass transparencies. Buildings examined in the book include a sanatorium with expansive windows delivering light and air to recovering tuberculosis patients, a pavilion with crystal clear glass plenum circulating air for heating and cooling, a glass monument symbolizing the screen of personal devices that shortened the distance between machines and humans, and a glass building symbolizing the the social and material intertwining in the glass ceiling metaphor. Connecting material glass to broader cultural and social contexts, Blurred Transparencies in Contemporary Glass Architecture enlightens students and practitioners of architecture as well as the general public with interest in design. The author demonstrates how glass is rarely crystal clear but is blurred both materially and metaphysically, revealing complex readings of ideas for which glass continues to stand"--




Architecture and Order


Book Description

Architecture is a powerful medium for representing, ordering and classifying the world, and understanding the use of space is fundamental to archaeological inquiry. Architecture and Order draws on the work of archaeologists, social theorists and architects to explore the way in which people relate to the architecture which surrounds them. In many societies, houses and tombs have encoded cultural meanings and values which are invoked and recalled through the practices of daily life. Chapters include explorations of the early farming r archi*eye of Europe, from before the use of metals, to the Classical and Medieval worlds of the Mediterranean and Europe. Research of the recent past and present include an overview of hunter-gatherers' camp organization, a reassessment of the use of space amongst the Dogon of West Africa and an examination of mental disorders relating to the use of space in Britain. The volume goes beyond the implication that culture determines form to develop an approach that integrates meaning and practice.




Concrete and Culture


Book Description

Concrete has been used in arches, vaults, and domes dating as far back as the Roman Empire. Today, it is everywhere—in our roads, bridges, sidewalks, walls, and architecture. For each person on the planet, nearly three tons of concrete are produced every year. Used almost universally in modern construction, concrete has become a polarizing material that provokes intense loathing in some and fervent passion in others. Focusing on concrete’s effects on culture rather than its technical properties, Concrete and Culture examines the ways concrete has changed our understanding of nature, of time, and even of material. Adrian Forty concentrates not only on architects’ responses to concrete, but also takes into account the role concrete has played in politics, literature, cinema, labor-relations, and arguments about sustainability. Covering Europe, North and South America, and the Far East, Forty examines the degree that concrete has been responsible for modernist uniformity and the debates engendered by it. The first book to reflect on the global consequences of concrete, Concrete and Culture offers a new way to look at our environment over the past century.




Reuse and Renovation in Roman Material Culture


Book Description

The reuse of architectural and sculptural materials (spoliation) was common centuries earlier than previously realized, during the Roman empire.